Journal of Chinese Ritual, Theatre and Folklore (民俗曲藝)

No. 199, March 2018

Print ISSN: 1025-1383  

Published by: Shih Ho-cheng Folk Culture Foundation  

Editor-in-chief: Lin Ho-yi (林鶴宜)

Table of Contents

*《民俗曲藝》收錄於「臺灣社會科學核心期刊」（TSSCI）及「臺灣人文學核心期刊」（THCI），並同時獲得 EBSCOhost (Humanities Source Ultimate and Chinese Insight databases)，ProQuest，與「國際音樂文獻資料大全」(Répertoire International de Littérature Musicale, RILM) 收錄

都市空間、物質文化與戲劇發展

「都市空間、物質文化與戲劇發展」專輯

Special Issue on "City Space, Material Culture and Theatrical Development"

奇術縱橫三十年：第一代松旭齋天勝與天勝一座在臺灣的演出

簡秀珍。〈奇術縱橫三十年：第一代松旭齋天勝與天勝一座在臺灣的演出〉。《民俗曲藝》199 (2018.3): 5-76。

Jian Hsiu-jen. “Thirty Years of Spectacular Magic: Performances of the First-Generation Shōkyokusai Tenkatsu and Tenkatsu Vaudevillian Magic Troupe in Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 5-76.

商業機制‧區隔策略：臺灣布袋戲商業劇場1946-1960

陳龍廷。〈商業機制‧區隔策略：臺灣布袋戲商業劇場1946-1960〉。《民俗曲藝》199 (2018.3): 77-126。

Chen Long-ting. “Mechanism and Distinction: Taiwan’s Commercial Puppet Theatre, 1946-1960.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 77-126.

晚清上海演劇文化對北方戲曲生態的影響：以王鐘聲在天津的演出活動軌跡為例

游富凱。〈晚清上海演劇文化對北方戲曲生態的影響：以王鐘聲在天津的演出活動軌跡為例〉。《民俗曲藝》199 (2018.3): 127-76。

Yu Fu-kai. “The Late Qing Shanghai-Style Opera Culture and Its Influences on the Environments of Northern Opera: A Case Study of Wang Zhongsheng's Theatre in Tianjin.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 127-76.

香港戲曲史上的商業戲園 (1865-1910)

容世誠。〈香港戲曲史上的商業戲園 (1865-1910)〉。《民俗曲藝》199 (2018.3): 177-211。

Yung Sai-shing. “Commercial Opera Theatres of Hong Kong (1865-1910): Preliminary Observations from Social History.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 177-211.

香港摩登：五十年代都巿發展與香港粵劇發展脈絡

鄭寧恩。〈香港摩登：五十年代都巿發展與香港粵劇發展脈絡〉。《民俗曲藝》199 (2018.3): 213-62。

Cheng Ling Yan. “A Modern City: The Urban Development of Hong Kong and the Local Cantonese Opera Productions in the 1950s.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 213-62.

潛跡與明蹤：清中葉《雷峰塔》傳奇演變新論

汪詩珮。〈潛跡與明蹤：清中葉《雷峰塔》傳奇演變新論〉。《民俗曲藝》199 (2018.3): 263-327。

Wang Shih-pe. “The Underlain Footprints and Revealed Route: A Re-examination on the Development of Thunder Peak Pagoda in Mid-Qing.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 263-327.

CONTENTS OF NO. 198 (December 2017)

Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)

No. 198, December 2017

目連救母、妙善救父、哪吒大戰李靖︰父系社會中兒子與女兒的主體性建構 (Mulian Saves His Mother, Miaoshan Saves Her Father, Nezha Battles with Li Jing: The Processes of Subjectification of Sons and Daughters in Chinese Society)

混雜與交融的「傳統」想像：馬來西亞在地職業戲班「麒麟」閩劇團歌仔戲劇目及演出觀察 (The Intertwined and Integrated Imaginations of “Tradition”: Some Observations on the Repertoire and Performance of Kî-lîn [麒麟] Professional Hoklo [Min] Opera Troupe in Malaysia)

南北交加・東西交響：日治時期北港音樂子弟團的分類與發展 (Polyphonic Melodies: The Classification and Development of Beigang Amateur Musical Troupes during the Japanese Colonial Era)

遺址時空劇場：西安、羅馬遺址再現的比較研究 (Heritage as Spatial-Temporal Theatre: Comparative Research on the Representation of Historic Ruins in Rome and Xi’an)

常民節氣觀 (Commoner’s Philosophy of Jieqi, the 24 Solar Terms)

「日光歌劇團」演藝現象述論 (On the Performance Phenomena of Riguang Opera Troupe)

目連救母、妙善救父、哪吒大戰李靖︰父系社會中兒子與女兒的主體性建構

丁仁傑。〈目連救母、妙善救父、哪吒大戰李靖︰父系社會中兒子與女兒的主體性建構〉。《民俗曲藝》198 (2017.12): 1-62。

Ting Jen-chieh. "Mulian Saves His Mother, Miaoshan Saves Her Father, Nezha Battles with Li Jing: The Processes of Subjectification of Sons and Daughters in Chinese Society." Journal of Chinese Ritual, Theatre and Folklore 198 (2017.12): 1-62.

混雜與交融的「傳統」想像：馬來西亞在地職業戲班「麒麟」閩劇團歌仔戲劇目及演出觀察

林鶴宜。〈混雜與交融的「傳統」想像：馬來西亞在地職業戲班「麒麟」閩劇團歌仔戲劇目及演出觀察〉。《民俗曲藝》198 (2017.12): 63-126。

Lin Ho-yi. "The Intertwined and Integrated Imaginations of 'Tradition': Some Observations on the Repertoire and Performance of Kî-lîn (麒麟) Professional Hoklo (Min) Opera Troupe in Malaysia." Journal of Chinese Ritual, Theatre and Folklore 198 (2017.12): 63-126.

南北交加・東西交響：日治時期北港音樂子弟團的分類與發展

李孟勳。〈南北交加・東西交響：日治時期北港音樂子弟團的分類與發展〉。《民俗曲藝》198 (2017.12): 127-64。

Li Meng-hsun. "Polyphonic Melodies: The Classification and Development of Beigang Amateur Musical Troupes during the Japanese Colonial Era." Journal of Chinese Ritual, Theatre and Folklore 198 (2017.12): 127-64.

遺址時空劇場：西安、羅馬遺址再現的比較研究

薛孟琪。〈遺址時空劇場：西安、羅馬遺址再現的比較研究〉。《民俗曲藝》198 (2017.12): 165-218。

Hsueh Meng-chi. "Heritage as Spatial-Temporal Theatre: Comparative Research on the Representation of Historic Ruins in Rome and Xi’an." Journal of Chinese Ritual, Theatre and Folklore 198 (2017.12): 165-218.

常民節氣觀

楊玉君。〈常民節氣觀〉。《民俗曲藝》198 (2017.12): 219-62。

Yang Yujun. "Commoner’s Philosophy of Jieqi, the 24 Solar Terms." Journal of Chinese Ritual, Theatre and Folklore 198 (2017.12): 219-62.

「日光歌劇團」演藝現象述論

蔡欣欣。〈「日光歌劇團」演藝現象述論〉。《民俗曲藝》198 (2017.12): 263-304。

Tsai Hsin-hsin. "On the Performance Phenomena of Riguang Opera Troupe." Journal of Chinese Ritual, Theatre and Folklore 198 (2017.12): 263-304.

Perspectives of Historical Demography in Taiwan Folklore: In Memory of Professor Arthur P. Wolf

Special Issue on "Perspectives of Historical Demography in Taiwan Folklore: In Memory of Professor Arthur P. Wolf"

歷史人口視界下的臺灣民俗研究：紀念武雅士教授專輯

Interview of Professor Arthur P. Wolf (1932-2015) on Stanford’s Human Biology Program

Carlos Seligo, Hill Gates, and Chen Shu-juo. “Interview of Professor Arthur P. Wolf (1932-2015) on Stanford’s Human Biology Program.” Journal of Chinese Ritual, Theatre and Folklore 197 (2017.9): 11-38.

卡洛斯．石林哥、葛希芝、陳叔倬。〈武雅士教授2013年訪談錄〉。《民俗曲藝》197 (2017.9): 11-38。

The Prevalence of Smallpox and the Spread of Vaccination in Late Nineteenth Century Taiwan, Evidence from the Household Registers

John R. Shepherd. “The Prevalence of Smallpox and the Spread of Vaccination in Late Nineteenth Century Taiwan, Evidence from the Household Registers.” Journal of Chinese Ritual, Theatre and Folklore 197 (2017.9): 39-75.

邵式柏。〈日治時期戶口資料顯現的臺灣天花盛行與疫苗普及〉。《民俗曲藝》197 (2017.9): 39-75。

日治時期新竹客家街庄招贅婚生子女從姓現象的分析

李俊豪、莊英章、楊文山、徐淑瑤、黃郁麟。〈日治時期新竹客家街庄招贅婚生子女從姓現象的分析〉。《民俗曲藝》197 (2017.9): 77-106。

Li Chun-hao, Chuang Ying-chang, Yang Wen-shan, Hsu Shu-yao, and Huang Yu-ling. “The Patterns of Uxorilocal Marriage Couples Surnaming Their Children in the Hakka Settlements in Colonial Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 197 (2017.9): 77-106.

當纏足遇上天然足：族群融合與社會壓力

葉高華。〈當纏足遇上天然足：族群融合與社會壓力〉。《民俗曲藝》197 (2017.9): 107-33。

Yap Ko-hua. “When Bound Feet Encounter Natural Feet: Ethnic Assimilation and Social Pressure.” Journal of Chinese Ritual, Theatre and Folklore 197 (2017.9): 107-33.

閩客通婚與家戶社經地位關係之研究 (1905-1945): 以福爾摩沙歷史職業與社會分層資料庫分析

林嘉琪、楊文山、褚齡霙、黃湘楨、郭曜軒。〈閩客通婚與家戶社經地位關係之研究（1905-1945）：以福爾摩沙歷史職業與社會分層資料庫分析〉。《民俗曲藝》197 (2017.9): 135-84。

Lin Chia-chi, Yang Wen-shan, Chuu Ling-in, Huang Hsiang-chen, and Kuo Yao-hsuan. “The Relationship between Household Economic Status and Ethnic Intermarriage, 1905-1945: Formosa Historical International Standard Classification of Occupations Database (Formosa HISCO).” Journal of Chinese Ritual, Theatre and Folklore 197 (2017.9): 135-84.

從墓碑來看「土著化」現象：清代以來臺灣社會祖籍認同的變化

陳緯華。〈從墓碑來看「土著化」現象：清代以來臺灣社會祖籍認同的變化〉。《民俗曲藝》197 (2017.9): 185-231。

Chen Wei-hua. “Examining the Changing of Ancestral Homeland Identity in Taiwan through Tombstones.” Journal of Chinese Ritual, Theatre and Folklore 197 (2017.9): 185-231.