鄭肇祺。〈消失又重現於生活中的毛蟹：溪流、人與水生生物的互動關係〉。《民俗曲藝》219 (2023.3): 145-92。
Cheng Siu-kei Eric. “The Disappearance and Reappearance of the Mitten Crab in Daily Life: Interactions between Rivers, Humans, and Aquatic Animals.” Journal of Chinese Ritual, Theatre and Folklore 219 (2023.3): 145-92.
曾齡儀。〈近代臺灣柴魚的生產與消費：以臺東為核心〉。《民俗曲藝》219 (2023.3): 193-230。
Tseng Lin-yi. “The Production and Consumption of Bonito in Modern Taiwan: An Investigation of the Taitung Area.” Journal of Chinese Ritual, Theatre and Folklore 219 (2023.3): 193-230.
李偉呈。〈皇權下的聖道：日治後期中部地區的鸞堂網絡與時代適應——以《皇民奉公經附孝經》為中心〉。《民俗曲藝》219 (2023.3): 231-78。
Li Wei-chen. “Confucianism under the Heavenly Sovereign’s Power: Phoenix Hall Networks and Adaptations in Central Taiwan during the Late Japanese Colonial Era—Centering on The Classics of Komin Hokokai and Filial Piety.” Journal of Chinese Ritual, Theatre and Folklore 219 (2023.3): 231-78.
No. 218,
December 2022
Print ISSN: 1025-1383
Published
by: Shih Ho-cheng Folk Culture Foundation
Special Issue
on "From Cities and Countries to the World: Aesthetic Collisions,
Cultures, and Politics in Theatre Festivals" (從城鎮、國家到世界：戲戲節的美學碰撞與文化政治)
Editor-in-chief:
Lin Ho-yi (林鶴宜)
*《民俗曲藝》收錄於「臺灣社會科學核心期刊」（TSSCI）及「臺灣人文學核心期刊」（THCI），並同時獲得 EBSCOhost
(Humanities Source Ultimate and Chinese Insight databases)，ProQuest，與「國際音樂文獻資料大全」(Répertoire International de Littérature Musicale, RILM)
收錄
從城鎮、國家到世界：戲戲節的美學碰撞與文化政治專輯
Special Issue on "From Cities and Countries to the World: Aesthetic Collisions, Cultures, and Politics in Theatre Festivals"
許仁豪。〈藝術節在民間：以「亞洲廣場」藝術節與趙川「草台班」為討論核心〉。《民俗曲藝》218 (2022.12): 7-57。
Hsu Jen-hao Walter. “Art Festivals in Folk Worlds: A Discussion Centering on the Asia Madang Arts Festival and Zhao Chuan’s Grass Stage.” Journal of Chinese Ritual, Theatre and Folklore 218 (2022.12): 7-57.
厲復平。〈《層中隙》滲透臺南藝術節城市舞臺的文化治理與空間政治〉。《民俗曲藝》218 (2022.12): 59-112。
Lee Fu-ping. “The Infiltration of Mellemrum Tainan into Cultural Governance and Politics of Space in the City Stage Tainan Arts Festival.” Journal of Chinese Ritual, Theatre and Folklore 218 (2022.12): 59-112.
傅裕惠。〈歌仔戲現代劇場化的全面演練：試探幾種藝術節機制與場域對新編歌仔戲的影響〉。《民俗曲藝》218 (2022.12): 113-59。
Fu Yu-hui. “A Comprehensive Drill of Traditional Taiwanese Opera in Modern Theatre: Probing into the Effects on Its Original Creations from the Field and Mechanism of Several Theatre Festivals.” Journal of Chinese Ritual, Theatre and Folklore 218 (2022.12): 113-59.
劉智豪。〈消逝、轉化與再生產：以日本鹿兒島南薩摩林家媽祖信仰文化為例〉。《民俗曲藝》218 (2022.12): 161-87。
Liu Chih-hao. “Fadeaway, Transformation, and Reproduction: A Case Study of Mazu Belief Culture in South Satsuma, Kagoshima, Japan.” Journal of Chinese Ritual, Theatre and Folklore 218 (2022.12): 161-87.
劉祐誠。〈「家將坐炮」魅力的轉向：以八家將團嘉義振祐堂為例〉。《民俗曲藝》218 (2022.12): 189-231。
Liou You-cheng. “Shifts in the Attractiveness of Jiajiang Confronting Firecrackers: A Case Study of the Chiayi Zhenyou Troupe.” Journal of Chinese Ritual, Theatre and Folklore 218 (2022.12): 189-231.
江桂珍。〈織織不倦：烏來泰雅族服的經緯之間〉。《民俗曲藝》217
(2022.9): 27-65。
Chiang Kuei-chen. “Between Warp and Woof: The Invention of Ethnic Costume of Ulay Atayal.” Journal of Chinese Ritual, Theatre and Folklore 217 (2022.9): 27-65.
王瀞苡。〈臺灣刺繡神明衣之流變與人觀〉。《民俗曲藝》217 (2022.9): 67-104。
Wang Ching-yi. “The Evolution and Personhood of Embroidered Deity’s Clothing in Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 217 (2022.9): 67-104.
余明旂、張至善。〈排灣族平織技藝民族誌：以平和 (Piyuma) 部落及古樓 (Kuljaljau) 部落為中心〉。《民俗曲藝》217 (2022.9): 105-59。
Semuenuq Paljaljuman and Chang Chi-shan. “Ethnography of Paiwan Plain Weaving with a Special Emphasis on That of the Piyuma and the Kuljaljau Tribes.” Journal of Chinese Ritual, Theatre and Folklore 217 (2022.9): 105-59.
張超然。〈陞壇轉經：道教誦經儀式的形成與發展〉。《民俗曲藝》217 (2022.9): 161-200。
Chang Chao-jan. “Ascending the Altar to Chant the Scriptures: The Formation and Development of Daoist Scripture Reaction Rituals.” Journal of Chinese Ritual, Theatre and Folklore 217 (2022.9): 161-200.
鍾雲鶯。〈先天道在越南的傳承與發展：以明師道南雅堂的文獻為考察核心〉。《民俗曲藝》217 (2022.9): 201-49。
Chung Yun-ying.
“The Continuance and Development of Xiantiandao in Vietnam: Focusing on
the Literatures of Minh Sư Đạo of Nam Nha Temple in Cần Thơ.” Journal
of Chinese Ritual, Theatre and Folklore 217 (2022.9): 201-49.
王廷宇。〈從二十世紀初舊照片中的服飾來談三個四川西北嘉絨貴族家庭的服飾〉。《民俗曲藝》216
(2022.6): 27-88。
Wang Tingyu. “A Study
of Three rGyalrong Noble Families’ Clothing in
王怡美、宋同正。〈《快雪時晴》戲曲服裝設計之符號隱喻及詮釋〉。《民俗曲藝》216 (2022.6): 89-108。
Wang Yi-meei and Sung Tung-jung. “Symbolic Metaphor and Interpretation of Costume Design in Sunlight after Snowfall.” Journal of Chinese Ritual, Theatre and Folklore 216 (2022.6): 89-108.
郭昭吟。〈晚清戲曲團花圖案的使用與特殊性〉。《民俗曲藝》216 (2022.6): 109-39。
Kuo Chao-yin. “Application and Uniqueness: Embroidered Roundels with Theatrical Figures in Late Qing Garments.” Journal of Chinese Ritual, Theatre and Folklore 216 (2022.6): 109-39.
林鶴宜。〈馬來西亞職業歌仔戲戲班在困境中的經營策略與劇種形塑：從「新麒麟」到「筱麒麟」〉。《民俗曲藝》216(2022.6): 141-200。
Lin Ho-yi. “Professional Malaysian Gezaixi Troupes’ Management Strategy and Genre Formulation in Times of Trouble: From Xin Kî-lîn to Sió Kî-lîn.” Journal of Chinese Ritual, Theatre and Folklore 216(2022.6): 141-200.
蔣瑜娟。〈上海報刊中的寧波崑班演出紀錄查考 (1898－1915)〉。《民俗曲藝》216(2022.6):
201-54。
Chiang Yu-chuan. “An Inquiry into the Records of Ningbo Kunqu Troupes’ Performances in Shanghai Newspapers (1898–1915).” Journal of Chinese Ritual, Theatre and Folklore 216(2022.6): 201-54.
Journal of Chinese
Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)
南朝吳興項羽信仰的神蹟文本製作與國家地方之互動 (The
Hagiography Production of Xiang Yu’s Cult in Wuxing and the Interaction between
State and Local Society in the Southern Dynasties)
明清二形人的情慾困境與宗教解脫 (Erotic
Dilemma and Religious Salvation of Erxing Ren in the Ming and Qing
Dynasties)
往生歷程中音聲與影像感知之動態建構與破除：以諾那華藏精舍的中陰共修法會為例 (Dynamically
Constructing and Destroying the Perception of Sounds and Images in the Process
of Departing: The Case Study of the Intermediate-State Ritual of
民歌採集運動之餘韻：從1967年中國民歌比賽與全省客家民謠比賽談起 (A
Study on the Lingering Impact of Folk Song Documentation Movement in 1967)
何維剛。〈南朝吳興項羽信仰的神蹟文本製作與國家地方之互動〉。《民俗曲藝》215(2022.3): 1-42。
Ho Wei-kang. “The Hagiography Production of Xiang Yu’s Cult in Wuxing and the Interaction between State and Local Society in the Southern Dynasties.” Journal of Chinese Ritual, Theatre and Folklore 215(2022.3): 1-42.
張琬容。〈明清二形人的情慾困境與宗教解脫〉。《民俗曲藝》215(2022.3): 43-83。
Zhang Wanrong. “Erotic Dilemma and Religious Salvation of Erxing Ren in the Ming and Qing Dynasties.” Journal of Chinese Ritual, Theatre and Folklore 215(2022.3): 43-83.
劉延芳。〈往生歷程中音聲與影像感知之動態建構與破除：以諾那華藏精舍的中陰共修法會為例〉。《民俗曲藝》215(2022.3): 85-127。
Liou Yanfang. “Dynamically Constructing and Destroying the
Perception of Sounds and Images in the Process of Departing: The Case Study of
the Intermediate-State Ritual of
鍾繼儀。〈民歌採集運動之餘韻：從1967年中國民歌比賽與全省客家民謠比賽談起〉。《民俗曲藝》215(2022.3): 129-79。
Chung Chi-yi. “A Study on the Lingering Impact of Folk Song Documentation Movement in 1967.” Journal of Chinese Ritual, Theatre and Folklore 215(2022.3): 129-79.
民間信仰、宗教經典與地方社會：紀念歐大年教授
Popular Beliefs, Religious Texts, and Local Society in the
Sinophone World
In Memory of Professor Daniel L. Overmyer
劉懷仁。〈臺中東勢客家釋教的齋醮傳承：以龍華佛教會瑞德壇為核心〉。《民俗曲藝》214(2021.12): 21-95。
Liou Huai-ren. “The
Transmission of Hakka Buddhist Rituals in
張翰璧、白偉權、蔡芬芳。〈信仰與族群關係：以馬來西亞仙四師爺信仰為例〉。《民俗曲藝》214(2021.12): 97-148。
Chang Han-pi, Pek Wee Chuen, and Tsai Fen-fang. “Religion and Ethnic Relations: The Cult
of Sin Si Sze Ya in
黃佩雯。〈當信仰超越族群：1907年吉隆坡仙四師爺宮廟產訴訟案與當地華人權力結構的轉變〉。《民俗曲藝》214(2021.12):
149-95。
Ng Pui Bun. “When
Religion Transcends Ethnicity: A
巫能昌。〈清代以來浙南石倉客家移民聚落的象徵世界〉。《民俗曲藝》214(2021.12): 197-271。
Wu Nengchang. “The
Symbolic World of Hakka Migrant Communities in Shicang (
Call for Papers / 徵稿啟事
專題摘要投稿截止日期
專題論文截稿日期
Journal of Chinese
Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)
界域的文化動能：冷戰前期仰光唐人街的電影跨國網絡及其影響 (Cultural
Agency of the Borderlands: Transnational Cinematic Networks and Their Impacts
on Rangoon Chinatown’s Early Cold War)
聲響技術的跨域交纏：臺灣國語流行音樂錄音室研究初探 (The
Trans-Regional Entanglement of Sound and Technology: A Pre
道德與秩序：當代泰國一貫道教團發展的教外張力與教內分歧 (Morality and Order: The External Tension and Inner Discrepancy
of Yiguan Dao’s Development in Contemporary Thailand)
臺灣歌仔冊編寫人「歌仔先」梁松林、蔡碖事蹟的考索與調查 (A Biographical Study of Two Taiwanese Kua-á Lyricists Liang Songlin and Cai Lun)
江蘇常熟師娘現象的調查報告 (A Survey of the Shiniang Phenomenon in Changshu, Jiangsu)
呂心純。〈界域的文化動能：冷戰前期仰光唐人街的電影跨國網絡及其影響〉。《民俗曲藝》213 (2021.9): 1-47。
Lu Tasaw Hsin-chun. “Cultural Agency of the Borderlands: Transnational Cinematic Networks and Their Impacts on Rangoon Chinatown’s Early Cold War.” Journal of Chinese Ritual, Theatre and Folklore 213 (2021.9):1-47.
程明。〈聲響技術的跨域交纏：臺灣國語流行音樂錄音室研究初探〉。《民俗曲藝》213 (2021.9): 49-95。
Cheng Ming. “The
Trans-Regional Entanglement of Sound and Technology: A Pre
林育生。〈道德與秩序：當代泰國一貫道教團發展的教外張力與教內分歧〉。《民俗曲藝》213 (2021.9): 97-144。
Lin Yu-sheng. “Morality and Order: The External Tension and Inner Discrepancy of Yiguan Dao’s Development in Contemporary Thailand.” Journal of Chinese Ritual, Theatre and Folklore 213 (2021.9): 97-144.
柯榮三。〈臺灣歌仔冊編寫人「歌仔先」梁松林、蔡碖事蹟的考索與調查〉。《民俗曲藝》213(2021.9): 145-75。
Ko Jung-san. “A Biographical Study of Two Taiwanese Kua-á Lyricists Liang Songlin and Cai Lun.” Journal of Chinese Ritual, Theatre and Folklore 213 (2021.9): 145-75.
陳泳超。〈江蘇常熟師娘現象的調查報告〉。《民俗曲藝》213 (2021.9): 177-226。
Chen Yongchao. “A
Survey of the Shiniang Phenomenon in
Journal of Chinese
Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)
No. 212, June 2021
甲必丹制度的現代變奏：以柔佛古廟遊神為個案 (The
Modern Variation of the Kapitan System: A Case Study of the
Affiliating to a Communal Temple via the Statue of a Deity:
Firecracker Societies in Macau, 1900-1966 (以一個神像依附社區寺廟：澳門炮會，1900-1966)
瓊州火雷聖娘信仰探源 (A Study on the Goddess of
Fire and Thunder in Kheng-chew)
文化資產與國族想像：臺南府城日治時期古蹟詮釋中的時空再現 (Cultural
Heritage and National Imaginings: Time and Space in the Interpretation of
Monuments from Japanese Era in
莊仁傑。〈甲必丹制度的現代變奏：以柔佛古廟遊神為個案〉。《民俗曲藝》212 (2021.6): 1-42。
Chong Ren Jie Henry. “The Modern Variation of the Kapitan System: A Case Study of the Johor Bahru Old Chinese Temple’s Annual Chingay Parade.” Journal of Chinese Ritual, Theatre and Folklore 212 (2021.6): 1-42.
Zhu Tianshu. “Affiliating to a Communal
朱天舒。〈以一個神像依附社區寺廟：澳門炮會，1900-1966〉。《民俗曲藝》212 (2021.6): 43-107。
鄭翔鵬、張曉威。〈瓊州火雷聖娘信仰探源〉。《民俗曲藝》212 (2021.6): 109-60。
Zheng Xiang Peng and Chong Siou Wei. “A Study on the Goddess of Fire and Thunder in Kheng-chew.” Journal of Chinese Ritual, Theatre and Folklore 212 (2021.6): 109-60.