Journal of Chinese Ritual, Theatre and Folklore (民俗曲藝)
No. 203, March 2019
Print ISSN: 1025-1383
Published by: Shih Ho-cheng Folk Culture Foundation
Special Issue on "Traditional and World Music in School Education" (學校教育中的傳統音樂和世界音樂)
Editor-in-chief: Wang Ying-fen (王櫻芬)
Table of Contents

*《民俗曲藝》收錄於「臺灣社會科學核心期刊」（TSSCI）及「臺灣人文學核心期刊」（THCI），並同時獲得 EBSCOhost (Humanities Source Ultimate and Chinese Insight databases)，ProQuest，與「國際音樂文獻資料大全」(Répertoire International de Littérature Musicale, RILM) 收錄

Traditional and World Music in School Education

Special Issue on "Traditional and World Music in School Education"

學校教育中的傳統音樂和世界音樂專輯

A Drum, a Gong, and a Lion: Three Decades of Culturally Diverse Music Education in International and Canadian Schools

Jennifer M. Walden. “A Drum, a Gong, and a Lion: Three Decades of Culturally Diverse Music Education in International and Canadian Schools.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 35-72.

珍妮佛．M．瓦爾登。〈鼓、鑼及獅子：三十年來在國際學校及加拿大學校的多元文化音樂教育〉。《民俗曲藝》203 (2019.3): 35-72。

Traditional Music and World Music in Japanese School Education

Oshio Satomi. “Traditional Music and World Music in Japanese School Education.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 73-110.

小塩さとみ。〈日本學校教育中的傳統音樂及世界音樂〉。《民俗曲藝》203 (2019.3): 73-110。

高等教育體制下的北管傳習：以國立臺北藝術大學傳統音樂學系北管教學實踐為例

潘汝端。〈高等教育體制下的北管傳習：以國立臺北藝術大學傳統音樂學系北管教學實踐為例〉。《民俗曲藝》203 (2019.3): 111-62。

Pan Ju-tuan. “The Transmission of Beiguan in Higher Education in Taiwan: A Case Study of the Teaching of Beiguan in the Department of Traditional Music of Taipei National University of the Arts.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 111-62.

結「結」與「解」結：鹿港「送肉粽」儀式的探討

黃萍瑛。〈結「結」與「解」結：鹿港「送肉粽」儀式的探討〉。《民俗曲藝》203 (2019.3): 163-97。

Huang Ping-ying. “Knotting and Untying “Knots”: Preliminary Considerations on the “Sending off Meat Dumplings” Ritual in Lukang, Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 163-97.

「戲曲的傳統再造與當代性」專題

Call for Papers / 徵稿啟事

專題論文截稿日期2019年9月30日

CONTENTS OF NO. 202 (December 2018)

Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)

No. 202, December 2018

金堂家鄉、玄關自性與歸鄉之道：齋教金堂派的教名、教旨及修持方法考探 (Golden Hometown, Xuanguan Essence and the Way of Returning to the Original Source: An Exploration of the Name, Teachings and Practice Methods of the Jintang Sect of Zhaijiao)

庶民美學的傳遞、轉化與創造：新加坡職業歌仔戲講戲人陳美英的「臺數」編劇 (The Transmission, Transformation and Innovation of Commoners’ Aesthetics: On the Scripts of a Professional Play Narrator in Singapore, Chen Meiying)

「南麒北馬」商業競爭之表演藝術策略：以京劇鼎盛期（1917-1938）為例 (Southern Qi and Northern Ma, a Case Study of Commercial Competition as a Strategy of Theatrical Performance in the Golden Period of Peking Opera, 1917-1938)

海外覓鄉音：檳城福建歌謠調查及其在地記憶 (In Search of Hometown Accent Abroad: Investigation of Hokkien Ballads and Their Local Memory in Penang)

金堂家鄉、玄關自性與歸鄉之道：齋教金堂派的教名、教旨及修持方法考探

蕭進銘。〈金堂家鄉、玄關自性與歸鄉之道：齋教金堂派的教名、教旨及修持方法考探〉。《民俗曲藝》202 (2018.12): 1-58。

Hsiao Chin-ming. "Golden Hometown, Xuanguan Essence and the Way of Returning to the Original Source: An Exploration of the Name, Teachings and Practice Methods of the Jintang Sect of Zhaijiao." Journal of Chinese Ritual, Theatre and Folklore 202 (2018.12): 1-58.

庶民美學的傳遞、轉化與創造：新加坡職業歌仔戲講戲人陳美英的「臺數」編劇

林鶴宜。〈庶民美學的傳遞、轉化與創造：新加坡職業歌仔戲講戲人陳美英的「臺數」編劇〉。《民俗曲藝》202 (2018.12): 59-131。

Lin Ho-yi. "The Transmission, Transformation and Innovation of Commoners’ Aesthetics: On the Scripts of a Professional Play Narrator in Singapore, Chen Meiying." Journal of Chinese Ritual, Theatre and Folklore 202 (2018.12): 59-131.

「南麒北馬」商業競爭之表演藝術策略：以京劇鼎盛期（1917-1938）為例

李湉茵。〈「南麒北馬」商業競爭之表演藝術策略：以京劇鼎盛期（1917-1938）為例〉。《民俗曲藝》202 (2018.12): 133-79。

Lee Tien-yin. "Southern Qi and Northern Ma, a Case Study of Commercial Competition as a Strategy of Theatrical Performance in the Golden Period of Peking Opera, 1917-1938." Journal of Chinese Ritual, Theatre and Folklore 202 (2018.12): 133-79.

海外覓鄉音：檳城福建歌謠調查及其在地記憶

黃文車。〈海外覓鄉音：檳城福建歌謠調查及其在地記憶〉。《民俗曲藝》202 (2018.12): 181-219。

Huang Wen-chu. "In Search of Hometown Accent Abroad: Investigation of Hokkien Ballads and Their Local Memory in Penang." Journal of Chinese Ritual, Theatre and Folklore 202 (2018.12): 181-219.

亞太儀式、節慶與社會文化實踐專輯（II）

亞太儀式、節慶與社會文化實踐專輯（II）

Special Issue on "Ritual, Festival and Socio-Cultural Practices of Asia-Pacific Society" — Part II

民俗、藝能與文化資產：沖繩竹富島的當代儀式實踐

趙綺芳。〈民俗、藝能與文化資產：沖繩竹富島的當代儀式實踐〉。《民俗曲藝》201 (2018.9): 25-63。

Chao Chi-fang. “Folklore, Performing Arts and Cultural Heritage: Contemporary Ritual Practices of Taketomi Island in Okinawa.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 25-63.

香港潮僑盂蘭勝會的「申遺」與潮屬社群的重建

呂永昇。〈香港潮僑盂蘭勝會的「申遺」與潮屬社群的重建〉。《民俗曲藝》201 (2018.9): 65-100。

Lui Wing Sing. “The Designation of Intangible Cultural Heritage of Yulan Ghost Festival and the Re-construction of Ethnic Chaozhou Communities in Hong Kong.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 65-100.

神在此間：浙江鄉村醮儀召請科儀本中的空間觀念折衝

屈嘯宇、彭連生。〈神在此間：浙江鄉村醮儀召請科儀本中的空間觀念折衝〉。《民俗曲藝》201 (2018.9): 101-67。

Qu Xiaoyu and Peng Liansheng. “Deities Reside Within: Negotiation of the Spatial Concept in the Summon Ritual Script of the Rural Jiao in South Zhejiang.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 101-67.

從《台灣鄉土交響曲》論許石民歌採集與音樂記錄脈絡

徐玫玲。〈從《台灣鄉土交響曲》論許石民歌採集與音樂記錄脈絡〉。《民俗曲藝》201 (2018.9): 169-225。

Shyu Mei-ling. “A Study of the Folk Song Collection and the Context of the Musical Records of Hsu Shih, Being Based upon His Work Symphonic Folk Songs of Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 169-225.

亞太儀式、節慶與社會文化實踐 (I)

亞太儀式、節慶與社會文化實踐專輯（I）

Special Issue on "Ritual, Festival and Socio-Cultural Practices of Asia-Pacific Society" — Part Ⅰ

是傳統還是創新？儀式、性別階序與規範實踐之間的阿美族都蘭婦女組militepuray

羅素玫。〈是傳統還是創新？儀式、性別階序與規範實踐之間的阿美族都蘭婦女組militepuray〉。《民俗曲藝》200 (2018.6): 25-101。

Lo Su-mei. “'Tradition' or 'Creation'? Women’s Organization Militepuray in Between the Practices of ‘Atolan Amis Rituals and Norms of Gender Hierarchy.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 25-101. 

聖母意象與無形文化遺產：以都會阿美族「愛的饗宴」和「慶祝聖母升天節」祭典活動為例的分析

葉淑綾。〈聖母意象與無形文化遺產：以都會阿美族「愛的饗宴」和「慶祝聖母升天節」祭典活動為例的分析〉。《民俗曲藝》200 (2018.6): 103-36。

Yeh Shu-ling. “The Image of Mother Mary and Intangible Heritage: An Analysis Based on Studies of Such Ritual Activities as 'Love Feast' and 'Assumption of the Blessed Mother Mary' Celebrated by the Urban Amis.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 103-36.

文化遺產的束縛或護衛？以阿米斯音樂節的文化實踐與創造能動性為例

林芳誠。〈文化遺產的束縛或護衛？以阿米斯音樂節的文化實踐與創造能動性為例〉。《民俗曲藝》200 (2018.6): 137-200。

Lin Fang-chen. “Safeguarding or Restraining Cultural Heritage? Cultural Practice and Agency of Creativity in the Amis Music Festival.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 137-200.

蘇州上方山太姥信仰及儀式文藝的調查報告

陳泳超。〈蘇州上方山太姥信仰及儀式文藝的調查報告〉。《民俗曲藝》200 (2018.6): 201-55。

Chen Yongchao. “A Survey of Taimu Cult and Ritual Art in Shangfang Mountain, Suzhou.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 201-55.