Journal of Chinese Ritual, Theatre and Folklore (民俗曲藝)

No. 205, September 2019

Print ISSN: 1025-1383  

Published by Shih Ho-cheng Folk Culture Foundation  

Special Issue on "The Emergence of a Temple-Centric Society" (以廟宇為中心之社會的形成專輯) — Part I Table of Contents 

Editor-in-chief: John Lagerwey (勞格文) 

*《民俗曲藝》收錄於「臺灣社會科學核心期刊」（TSSCI）及「臺灣人文學核心期刊」（THCI），並同時獲得 EBSCOhost (Humanities Source Ultimate and Chinese Insight databases)，ProQuest，與「國際音樂文獻資料大全」(Répertoire International de Littérature Musicale, RILM) 收錄

Special Issue on "The Emergence of a Temple-Centric Society"— Part I

Special Issue on "The Emergence of a Temple-Centric Society"— Part I

「以廟宇為中心之社會的形成」專輯 I

The Emergence of a Temple-Centric Society

John Lagerwey. “The Emergence of a Temple-Centric Society.” Journal of Chinese Ritual, Theatre and Folklore 205 (2019.9): 29-102.

勞格文。〈以廟宇為中心之社會的形成〉。《民俗曲藝》205 (2019.9): 29-102。

The Rise of a "Temple-Centric" Society in Putian in the Song and Later Transformations of the Ritual Sphere

Kenneth Dean and Zheng Zhenman. “The Rise of a 'Temple-Centric' Society in Putian in the Song and Later Transformations of the Ritual Sphere.” Journal of Chinese Ritual, Theatre and Folklore 205 (2019.9): 103-59.

丁荷生、鄭振滿。〈以社廟為中心：宋代莆田社會儀式空間與後期的演變〉。《民俗曲藝》205 (2019.9): 103-59。

The Rise of Northern Chinese Regional Temple Cults: A Case Study of the Worship of King Tang

Barend J. ter Haar. “The Rise of Northern Chinese Regional Temple Cults: A Case Study of the Worship of King Tang.” Journal of Chinese Ritual, Theatre and Folklore 205 (2019.9): 161-213.

田海。〈中國北方區域廟宇信仰的興起：湯王信仰的個案分析〉。《民俗曲藝》205 (2019.9): 161-213。

隱形的無生老母：新加坡先天道宗教網絡與變遷

戚常卉。〈隱形的無生老母：新加坡先天道宗教網絡與變遷〉。《民俗曲藝》205 (2019.9): 215-64。

Chi Chang-hui. “The Invisible Eternal Mother: Xiantiandao’s Changing Religious Networks in Singapore.” Journal of Chinese Ritual, Theatre and Folklore 205 (2019.9): 215-64.

霹靂日系布袋戲：《Thunderbolt Fantasy東離劍遊紀》的演藝特質

吳明德。〈霹靂日系布袋戲：《Thunderbolt Fantasy東離劍遊紀》的演藝特質〉。《民俗曲藝》205 (2019.9): 265-312。

Wu Ming-te. “The Japanese Style Puppetry of Pili: The Characteristics of the Performing Arts of Thunderbolt Fantasy: Dongli Jianyou Ji.” Journal of Chinese Ritual, Theatre and Folklore 205 (2019.9): 265-312.

「製作文化」(Making Culture) 專題

Call for Papers / 徵稿啟事

專題摘要投稿截止日期2019年7月8日

專題論文截稿日期2019年12月31日

「戲曲的傳統再造與當代性」專題

Call for Papers / 徵稿啟事

專題論文截稿日期2019年9月30日

傳統戲曲在十九世紀末、二十世紀初面臨西方戲劇的來襲，經過了幾回合的論爭，在「保護傳統」和「轉型創新」的拉扯中，迎來了戲曲的「現代」。無論「保護」或「創新」，當創作者面對的是現代觀眾，為現代觀眾而表演，「傳統再造」就成了無可避免、註定要被開啟的歷程。

Local Religion in Jiangnan / 江南地方宗教

Special Issue on "Local Religion in Jiangnan"

江南地方宗教專輯

宋元以來王江涇的商業、移民與地方信仰

王健。〈宋元以來王江涇的商業、移民與地方信仰〉。《民俗曲藝》204 (2019.6): 21-49。

Wang Jian. “Commerce, Migration and Local Beliefs in Wangjiangjing District (Northern Zhejiang) since the Song and Yuan Dynasties.” Journal of Chinese Ritual, Theatre and Folklore 204 (2019.6): 21-49.

宋元以來江蘇常熟真武崇拜考

巫能昌。〈宋元以來江蘇常熟真武崇拜考〉。《民俗曲藝》204 (2019.6): 51-98。

Wu Nengchang. “The Zhenwu Cult in Changshu (Jiangsu) since the Song and Yuan Dynasties.” Journal of Chinese Ritual, Theatre and Folklore 204 (2019.6): 51-98.  

潘曾沂的信仰與生活世界：兼論清中葉江南的居士佛教

邵佳德。〈潘曾沂的信仰與生活世界：兼論清中葉江南的居士佛教〉。《民俗曲藝》204 (2019.6): 99-145。

Shao Jiade. “The Religious and Living Worlds of the Jiangnan Philanthropist Pan Zengyi, with Further References to Lay Buddhism during the Mid-Qing.” Journal of Chinese Ritual, Theatre and Folklore 204 (2019.6): 99-145.

船與岸：東太湖流域民間信仰中的兩種傳統

朱明川。〈船與岸：東太湖流域民間信仰中的兩種傳統〉。《民俗曲藝》204 (2019.6): 147-95。

Zhu Mingchuan. “Boatmen and Land-based Residents: Two Popular Religious Traditions in the Eastern Lake Tai Basin.” Journal of Chinese Ritual, Theatre and Folklore 204 (2019.6): 147-95.

張家港地區薦亡法會儀式與宣卷調查報告

李淑如。〈張家港地區薦亡法會儀式與宣卷調查報告〉。《民俗曲藝》204 (2019.6): 197-250。

Lee Shu-ju. “Field Research on Buddhist Mortuary Rituals and Precious Scroll Recitation in Zhangjiagang City, Jiangsu.” Journal of Chinese Ritual, Theatre and Folklore 204 (2019.6): 197-250.

Traditional and World Music in School Education

Special Issue on "Traditional and World Music in School Education"

學校教育中的傳統音樂和世界音樂專輯

A Drum, a Gong, and a Lion: Three Decades of Culturally Diverse Music Education in International and Canadian Schools

Jennifer M. Walden. “A Drum, a Gong, and a Lion: Three Decades of Culturally Diverse Music Education in International and Canadian Schools.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 35-72.

珍妮佛．M．瓦爾登。〈鼓、鑼及獅子：三十年來在國際學校及加拿大學校的多元文化音樂教育〉。《民俗曲藝》203 (2019.3): 35-72。

Traditional Music and World Music in Japanese School Education

Oshio Satomi. “Traditional Music and World Music in Japanese School Education.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 73-110.

小塩さとみ。〈日本學校教育中的傳統音樂及世界音樂〉。《民俗曲藝》203 (2019.3): 73-110。

高等教育體制下的北管傳習：以國立臺北藝術大學傳統音樂學系北管教學實踐為例

潘汝端。〈高等教育體制下的北管傳習：以國立臺北藝術大學傳統音樂學系北管教學實踐為例〉。《民俗曲藝》203 (2019.3): 111-62。

Pan Ju-tuan. “The Transmission of Beiguan in Higher Education in Taiwan: A Case Study of the Teaching of Beiguan in the Department of Traditional Music of Taipei National University of the Arts.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 111-62.

結「結」與「解」結：鹿港「送肉粽」儀式的探討

黃萍瑛。〈結「結」與「解」結：鹿港「送肉粽」儀式的探討〉。《民俗曲藝》203 (2019.3): 163-97。

Huang Ping-ying. “Knotting and Untying “Knots”: Preliminary Considerations on the “Sending off Meat Dumplings” Ritual in Lukang, Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 163-97.

CONTENTS OF NO. 202 (December 2018)

Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)

No. 202, December 2018

金堂家鄉、玄關自性與歸鄉之道：齋教金堂派的教名、教旨及修持方法考探 (Golden Hometown, Xuanguan Essence and the Way of Returning to the Original Source: An Exploration of the Name, Teachings and Practice Methods of the Jintang Sect of Zhaijiao)

庶民美學的傳遞、轉化與創造：新加坡職業歌仔戲講戲人陳美英的「臺數」編劇 (The Transmission, Transformation and Innovation of Commoners’ Aesthetics: On the Scripts of a Professional Play Narrator in Singapore, Chen Meiying)

「南麒北馬」商業競爭之表演藝術策略：以京劇鼎盛期（1917-1938）為例 (Southern Qi and Northern Ma, a Case Study of Commercial Competition as a Strategy of Theatrical Performance in the Golden Period of Peking Opera, 1917-1938)

海外覓鄉音：檳城福建歌謠調查及其在地記憶 (In Search of Hometown Accent Abroad: Investigation of Hokkien Ballads and Their Local Memory in Penang)

金堂家鄉、玄關自性與歸鄉之道：齋教金堂派的教名、教旨及修持方法考探

蕭進銘。〈金堂家鄉、玄關自性與歸鄉之道：齋教金堂派的教名、教旨及修持方法考探〉。《民俗曲藝》202 (2018.12): 1-58。

Hsiao Chin-ming. "Golden Hometown, Xuanguan Essence and the Way of Returning to the Original Source: An Exploration of the Name, Teachings and Practice Methods of the Jintang Sect of Zhaijiao." Journal of Chinese Ritual, Theatre and Folklore 202 (2018.12): 1-58.