Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)
No. 233, September 2026
Print ISSN: 1025-1383
Published by: Shih Ho-cheng Folk Culture Foundation
Special Issue on Musicking, Bodily Experiences, and Meaning Construction (樂動、身體經驗與意義建構)
Managing Editor of this Special Issue: Lu Tasaw Hsin-chun
Table of Contents


*《民俗曲藝》收錄於「臺灣社會科學核心期刊」（TSSCI）及「臺灣人文學核心期刊」（THCI），並同時獲得 EBSCOhost (Humanities Source Ultimate and Chinese Insight databases)，ProQuest，與「國際音樂文獻資料大全」(Répertoire International de Littérature Musicale, RILM) 收錄

樂動、身體經驗與意義建構專輯

樂動、身體經驗與意義建構專輯
Special Issue on Musicking, Bodily Experiences, and Meaning Construction

作為制度的身體：習樂與作樂的經驗感知——基於對瑤族度戒儀式音樂的多點觀察

岳子威。〈作為制度的身體：習樂與作樂的經驗感知——基於對瑤族度戒儀式音樂的多點觀察〉。《民俗曲藝》233 (2026.9): 17–63。

Yue Ziwei. “Body as Institution: The Experiential Perception of Music-Learning and Music-Doing–Based on Multi-Sited Observations of the Music of the Yao Ethnic Group’s Dujie Initiation Ritual.” Journal of Chinese Ritual, Theatre and Folklore 233 (2026.9): 17–63.

儀式樂舞做為溯源技術：日本雅樂《蘭陵王入陣曲》身體行動方法研究

李昱伶。〈儀式樂舞做為溯源技術：日本雅樂《蘭陵王入陣曲》身體行動方法研究〉。《民俗曲藝》233 (2026.9): 65–119。

Li Yu-ling. “Ritual Music and Dance as Techniques for Source Tracing: A Study of Method of Physical Actions in Japan’s Gagaku Piece King Lanling.” Journal of Chinese Ritual, Theatre and Folklore 233 (2026.9): 65–119.

悲傷的身體樞軸：巴基斯坦信德省蘇非伊斯蘭獻唱社群的情感實踐與倫理關係轉動

黃佩玲。〈悲傷的身體樞軸：巴基斯坦信德省蘇非伊斯蘭獻唱社群的情感實踐與倫理關係轉動〉。《民俗曲藝》233 (2026.9): 121–79。

Huang Pei-ling. “Embodied Hub of Sorrows: Affective Practice and Pivoting Ethical Relations in a Sufi Devotional Singing Community in Sindh, Pakistan.” Journal of Chinese Ritual, Theatre and Folklore 233 (2026.9): 121–79.

高唱復興：模仿美聲、詩班樂音、與滇北教會的禮儀重建

黃淑莉。〈高唱復興：模仿美聲、詩班樂音、與滇北教會的禮儀重建〉。《民俗曲藝》233 (2026.9): 181–227。

Huang Shu-li. “Singing Revival: Bel Canto, Choral Music, and Liturgical Reconstructions Among Ahmao (Miao) Christians in Northern Yunnan.” Journal of Chinese Ritual, Theatre and Folklore 233 (2026.9): 181–227.

都蘭阿美族傳統樂舞傳承的糾纏：永續性、聲音形象與策略性關係

施永德。〈都蘭阿美族傳統樂舞傳承的糾纏：永續性、聲音形象與策略性關係〉。《民俗曲藝》233 (2026.9): 229–72。

DJ W. Hatfield. “Entangled in Transmission: Sustainability, Figure of Sound, and Strategic Relations in ’Etolan ’Amis Music and Dance Traditions.” Journal of Chinese Ritual, Theatre and Folklore 233 (2026.9): 229–72.

文本、物質與實踐：宗教戲曲的跨越性思考專輯

文本、物質與實踐：宗教戲曲的跨越性思考專輯
Special Issue on Text, Materiality, and Practice: Interdisciplinary Perspectives on Religious Dramas

洪水與女妖：清代武戲《泗州城》的異質疊合與文化張力

李依卓。〈洪水與女妖：清代武戲《泗州城》的異質疊合與文化張力〉。《民俗曲藝》232 (2026.6): 7–49。

Li Yizhuo. “Flood and Female Demon: Heterogeneous Composition and Cultural Tension in the Qing-Dynasty Martial Drama Sizhou City.” Journal of Chinese Ritual, Theatre and Folklore 232 (2026.6): 7–49.

北港媽祖轎前「馬陣吹」的歷史傳承與藝師蘇仁義的宗教實踐

吳佩熏。〈北港媽祖轎前「馬陣吹」的歷史傳承與藝師蘇仁義的宗教實踐〉。《民俗曲藝》232 (2026.6): 51–106。

Wu Pei-hsun. “The Historical Lineage of Beigang Mazu’s Mazhenchui Temple Procession Troupe and Master Artist Su Ren-yi’s Religious Practice.” Journal of Chinese Ritual, Theatre and Folklore 232 (2026.6): 51–106.

步下戲臺的肉身神像：新加坡歌仔戲扮仙戲的「不完美複製」與靈媒的介入共演

林鶴宜。〈步下戲臺的肉身神像：新加坡歌仔戲扮仙戲的「不完美複製」與靈媒的介入共演〉。《民俗曲藝》232 (2026.6): 107–59。

Lin Ho-yi. “Embodied Divine Images Stepping Off the Stage: ‘Imperfect Copying’ and the Co-Performance of Spirit Medium Intervention in Singaporean Gezaixi ‘Deity-Impersonation Plays’ (Banxianxi).” Journal of Chinese Ritual, Theatre and Folklore 232 (2026.6): 107–59.

搏杯與神意：試探個人和群體介入以廟口為核心的宗教場域現象

傅裕惠。〈搏杯與神意：試探個人和群體介入以廟口為核心的宗教場域現象〉。《民俗曲藝》232 (2026.6): 161–97。

Fu Yu-hui. “Between Divine Will and Human Agency: Exploring the Dynamics of Individual and Collective Engagements Within Temple-Centered Religious Fields.” Journal of Chinese Ritual, Theatre and Folklore 232 (2026.6): 161–97.

流動中的花樣：貴州革一苗族花樣本的圖像學、民族誌與知識傳承

何兆華。〈流動中的花樣：貴州革一苗族花樣本的圖像學、民族誌與知識傳承〉。《民俗曲藝》232 (2026.6): 199–251。

Ho Zhaohua. “Patterns in Motion: Iconography, Ethnography, and Knowledge Transmission in Miao Embroidery Samplers from Geyi (Guizhou).” Journal of Chinese Ritual, Theatre and Folklore 232 (2026.6): 199–251.

CONTENTS OF NO. 231 (March 2026)

Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)

No. 231, March 2026

尋回金屬盤中的聲音：以未發行錄音重建臺灣古倫美亞流行歌產製過程 (Recovering Sound from Metal Discs: Reconstructing the Production Process of Taiwan Columbias’s Popular Songs Using Unreleased Recordings)

敵偽、附匪與邪教？：從檔案觀察三十年代國民政府在中國取締一貫道之歷程 (‘Enemy Agents,’ ‘Communist Sympathizers,’ and ‘Heterodox Cults’? The Nationalist Government’s Suppression of the Yiguandao (I-Kuan Tao) in 1940s China Viewed from the Perspective of National Archives)

在文化中學習：鄒族傳統歌謠的世代傳承機制及教育意涵 (Learning Within Culture: Intergenerational Transmission Mechanisms and Educational Implications of Tsou Traditional Ballads)

五股開臺尊王過爐十座駐駕公廟碑文調查與探賾 (An Investigation of Inscriptions from Ten Temples Hosting the Wugu Kaitai Zunwang Handing Over the Censer Ceremony)

尋回金屬盤中的聲音：以未發行錄音重建臺灣古倫美亞流行歌產製過程

王櫻芬。〈尋回金屬盤中的聲音：以未發行錄音重建臺灣古倫美亞流行歌產製過程〉。《民俗曲藝》231 (2026.3): 1–59。

Wang Ying-fen. “Recovering Sound from Metal Discs: Reconstructing the Production Process of Taiwan Columbias’s Popular Songs Using Unreleased Recordings.” Journal of Chinese Ritual, Theatre and Folklore 231 (2026.3): 1–59.

敵偽、附匪與邪教？：從檔案觀察三十年代國民政府在中國取締一貫道之歷程

鍾雲鶯。〈敵偽、附匪與邪教？：從檔案觀察三十年代國民政府在中國取締一貫道之歷程〉。《民俗曲藝》231 (2026.3): 61–107。

Chung Yun-ying. “‘Enemy Agents,’ ‘Communist Sympathizers,’ and ‘Heterodox Cults’? The Nationalist Government’s Suppression of the Yiguandao (I-Kuan Tao) in 1940s China Viewed from the Perspective of National Archives.” Journal of Chinese Ritual, Theatre and Folklore 231 (2026.3): 61–107.

在文化中學習：鄒族傳統歌謠的世代傳承機制及教育意涵

童信智Pukiringan·Palivuljung、洋愷威Mo’o Yasakie。〈在文化中學習：鄒族傳統歌謠的世代傳承機制及教育意涵〉。《民俗曲藝》231 (2026.3): 109–58。

Tung Hsin-chih (Pukiringan·Palivuljung) and Yang Kai-wei (Mo’o Yasakie). “Learning Within Culture: Intergenerational Transmission Mechanisms and Educational Implications of Tsou Traditional Ballads.” Journal of Chinese Ritual, Theatre and Folklore 231 (2026.3): 109–58.

五股開臺尊王過爐十座駐駕公廟碑文調查與探賾

柯榮三。〈五股開臺尊王過爐十座駐駕公廟碑文調查與探賾〉。《民俗曲藝》231 (2026.3): 159–212。

Ko Jung-san. “An Investigation of Inscriptions from Ten Temples Hosting the Wugu Kaitai Zunwang Handing Over the Censer Ceremony.” Journal of Chinese Ritual, Theatre and Folklore 231 (2026.3): 159–212.

瑤族宗教與文化研究的新典範專輯（II）

瑤族宗教與文化研究的新典範專輯（II）

Special Issue on New Paradigms for the Study of Yao Religion and Culture — Part II

「九州」內外：排瑤生命儀式中的中心與邊地觀

張卓。〈「九州」內外：排瑤生命儀式中的中心與邊地觀〉。《民俗曲藝》230 (2025.12): 29–77。

Zhang Zhuo. “In and Beyond the ‘Nine Provinces’: Center and Periphery in Pai Yao Life-Cycle Rituals.” Journal of Chinese Ritual, Theatre and Folklore 230 (2025.12): 29–77.

采借與創造：廣西環岑王老山瑤族墳墓立碑的禮俗研究

韋飛歐、黃家信。〈采借與創造：廣西環岑王老山瑤族墳墓立碑的禮俗研究〉。《民俗曲藝》230 (2025.12): 79–128。

Wei Feiou and Huang Jiaxin. “Borrowing and Creating: A Study of Yao Tombstone Erection Rituals in the Cenwanglaoshan Region of Guangxi.” Journal of Chinese Ritual, Theatre and Folklore 230 (2025.12): 79–128.

多面黃氏女：一則漢族佛教故事在藍靛瑤文化中的流傳與演變

孫嘉玥。〈多面黃氏女：一則漢族佛教故事在藍靛瑤文化中的流傳與演變〉。《民俗曲藝》230 (2025.12): 129–77。

Sun Jiayue. “The Many Faces of Woman Huang: The Transmission and Transformation of a Han Chinese Buddhist Story in Lanten Yao Culture.” Journal of Chinese Ritual, Theatre and Folklore 230 (2025.12): 129–77.

冀東南地方社會的功果儀式：以表功師傅為中心

徐天基、羅丹。〈冀東南地方社會的功果儀式：以表功師傅為中心〉。《民俗曲藝》230 (2025.12): 179–222。

Xu Tianji and Luo Dan. “The Gongguo Ritual of Contemporary Popular Sects in Southeast Hebei: A Study Centered on the Merit-delivering Masters.” Journal of Chinese Ritual, Theatre and Folklore 230 (2025.12): 179–222.

Call for Papers / 徵稿啟事

「療癒性民俗的情感與當代詮釋」專題徵稿啟事

專題摘要投稿截止日期2025年11月30日
專題論文截稿日期2026年6月30日

瑤族宗教與文化研究的新典範專輯（I）

瑤族宗教與文化研究的新典範專輯（I）

Special Issue on New Paradigms for the Study of Yao Religion and Culture — Part I

德國巴伐利亞州立圖書館藏瑤族手抄本《諸品經》研究

肖習。〈德國巴伐利亞州立圖書館藏瑤族手抄本《諸品經》研究〉。《民俗曲藝》229 (2025.9): 29–90。

Xian Xi. “A Study of Yao Manuscripts Entitled Zhupin Jing Preserved in the Bavarian State Library.” Journal of Chinese Ritual, Theatre and Folklore 229 (2025.9): 29–90.

法水與符令：勉瑤手抄本記載的治傷法事研究

吳佳芸。〈法水與符令：勉瑤手抄本記載的治傷法事研究〉。《民俗曲藝》229 (2025.9): 91–146。

Wu Chia-yun. “Ritual Water and Talismanic Decrees: A Study of Healing Rituals in Iu-Mien Yao Manuscripts.” Journal of Chinese Ritual, Theatre and Folklore 229 (2025.9): 91–146.

桂東北桑江紅瑤與苗人拋牌儀式比較與解讀

趙曉梅。〈桂東北桑江紅瑤與苗人拋牌儀式比較與解讀〉。《民俗曲藝》229 (2025.9): 147–208。

Zhao Xiaomei. “A Comparative Interpretation of the Paopai (Daoist Ordination) Rituals among the Hong Yao (Red Yao) and Qingyi Miao (Blue-Clad Miao) in the Sangjiang Region of Northeastern Guangxi.” Journal of Chinese Ritual, Theatre and Folklore 229 (2025.9): 147–208.

論《笑府》與《笑林廣記》中「慳吝待客」笑話之流變

謝佳瀅。〈論《笑府》與《笑林廣記》中「慳吝待客」笑話之流變〉。《民俗曲藝》229 (2025.9): 209–32。

Hsieh Chia-ying. “Textual Variations of “Miserly Host” Tales in the Xiaofu and Xiaolin Guangji Jestbooks.” Journal of Chinese Ritual, Theatre and Folklore 229 (2025.9): 209–32.

CONTENTS OF NO. 228 (June 2025)

 Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)

No. 228, June 2025

明代選本、曲譜中所見《五倫全備記》考 (A Study on the Wulunquanbei Ji in Ming Anthologies and Compendia of Scores)

義子女與爐主：花蓮勝安宮王母信仰的雙重特質 (Disciple and Incense Master: The Dual Characteristics of the Eternal Mother Cult at the Sheng-An Temple)

文化復振作為日常生活的社會運動：卡大地布的經驗 (Cultural Revitalization as Everyday life Social Movement: A Case Study of the Katratripulr Community in Taiwan)

嘉義市釋教壇師承系譜與經營現況初探 (A Preliminary Study of the Genealogy and Management of Buddhist Altars and Masters in Chiayi City)

明代選本、曲譜中所見《五倫全備記》考

吳秀卿、何鑫。〈明代選本、曲譜中所見《五倫全備記》考〉。《民俗曲藝》228 (2025.6): 1–43。

Oh Sookyung and He Xin. “A Study on the Wulunquanbei Ji in Ming Anthologies and Compendia of Scores.” Journal of Chinese Ritual, Theatre and Folklore 228 (2025.6): 1–43.