林鶴宜。〈步下戲臺的肉身神像：新加坡歌仔戲扮仙戲的「不完美複製」與靈媒的介入共演〉。《民俗曲藝》232 (2026.6): 107–59。
Lin Ho-yi. “Embodied Divine Images Stepping Off the Stage: ‘Imperfect Copying’ and the Co-Performance of Spirit Medium Intervention in Singaporean Gezaixi ‘Deity-Impersonation Plays’ (Banxianxi).” Journal of Chinese Ritual, Theatre and Folklore 232 (2026.6): 107–59.
傅裕惠。〈搏杯與神意：試探個人和群體介入以廟口為核心的宗教場域現象〉。《民俗曲藝》232 (2026.6): 161–97。
Fu Yu-hui. “Between Divine Will and Human Agency: Exploring the Dynamics of Individual and Collective Engagements Within Temple-Centered Religious Fields.” Journal of Chinese Ritual, Theatre and Folklore 232 (2026.6): 161–97.
何兆華。〈流動中的花樣：貴州革一苗族花樣本的圖像學、民族誌與知識傳承〉。《民俗曲藝》232 (2026.6): 199–251。
Ho Zhaohua. “Patterns in Motion: Iconography, Ethnography, and Knowledge Transmission in Miao Embroidery Samplers from Geyi (Guizhou).” Journal of Chinese Ritual, Theatre and Folklore 232 (2026.6): 199–251.
Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)
No. 231, March 2026
Print ISSN: 1025-1383
Published by: Shih Ho-cheng Folk Culture Foundation
Table of Contents
Table of Contents
*《民俗曲藝》收錄於「臺灣社會科學核心期刊」（TSSCI）及「臺灣人文學核心期刊」（THCI），並同時獲得 EBSCOhost (Humanities Source Ultimate and Chinese Insight databases)，ProQuest，與「國際音樂文獻資料大全」(Répertoire International de Littérature Musicale, RILM) 收錄
Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)
尋回金屬盤中的聲音：以未發行錄音重建臺灣古倫美亞流行歌產製過程 (Recovering Sound from
Metal Discs: Reconstructing the Production Process of Taiwan Columbias’s
Popular Songs Using Unreleased Recordings)
敵偽、附匪與邪教？：從檔案觀察三十年代國民政府在中國取締一貫道之歷程 (‘Enemy Agents,’ ‘Communist Sympathizers,’ and ‘Heterodox Cults’?
The Nationalist Government’s Suppression of the Yiguandao (I-Kuan Tao) in 1940s
China Viewed from the Perspective of National Archives)
在文化中學習：鄒族傳統歌謠的世代傳承機制及教育意涵 (Learning Within Culture: Intergenerational
Transmission Mechanisms and Educational Implications of Tsou Traditional
Ballads)
五股開臺尊王過爐十座駐駕公廟碑文調查與探賾 (An Investigation of Inscriptions from Ten Temples Hosting the Wugu Kaitai Zunwang Handing Over the Censer Ceremony)
王櫻芬。〈尋回金屬盤中的聲音：以未發行錄音重建臺灣古倫美亞流行歌產製過程〉。《民俗曲藝》231 (2026.3): 1–59。
Wang Ying-fen. “Recovering Sound from Metal Discs: Reconstructing the Production Process of Taiwan Columbias’s Popular Songs Using Unreleased Recordings.” Journal of Chinese Ritual, Theatre and Folklore 231 (2026.3): 1–59.
鍾雲鶯。〈敵偽、附匪與邪教？：從檔案觀察三十年代國民政府在中國取締一貫道之歷程〉。《民俗曲藝》231 (2026.3): 61–107。
Chung Yun-ying. “‘Enemy Agents,’ ‘Communist Sympathizers,’ and ‘Heterodox Cults’? The Nationalist Government’s Suppression of the Yiguandao (I-Kuan Tao) in 1940s China Viewed from the Perspective of National Archives.” Journal of Chinese Ritual, Theatre and Folklore 231 (2026.3): 61–107.
童信智Pukiringan·Palivuljung、洋愷威Mo’o Yasakie。〈在文化中學習：鄒族傳統歌謠的世代傳承機制及教育意涵〉。《民俗曲藝》231 (2026.3): 109–58。
Tung Hsin-chih (Pukiringan·Palivuljung) and Yang Kai-wei (Mo’o Yasakie). “Learning Within Culture: Intergenerational Transmission Mechanisms and Educational Implications of Tsou Traditional Ballads.” Journal of Chinese Ritual, Theatre and Folklore 231 (2026.3): 109–58.
柯榮三。〈五股開臺尊王過爐十座駐駕公廟碑文調查與探賾〉。《民俗曲藝》231 (2026.3): 159–212。
Ko Jung-san. “An Investigation of Inscriptions from Ten Temples Hosting the Wugu Kaitai Zunwang Handing Over the Censer Ceremony.” Journal of Chinese Ritual, Theatre and Folklore 231 (2026.3): 159–212.
瑤族宗教與文化研究的新典範專輯（II）
Special Issue on New Paradigms for the Study of Yao Religion and Culture — Part II
張卓。〈「九州」內外：排瑤生命儀式中的中心與邊地觀〉。《民俗曲藝》230 (2025.12): 29–77。
Zhang Zhuo. “In and Beyond the ‘Nine Provinces’: Center and Periphery in Pai Yao Life-Cycle Rituals.” Journal of Chinese Ritual, Theatre and Folklore 230 (2025.12): 29–77.
韋飛歐、黃家信。〈采借與創造：廣西環岑王老山瑤族墳墓立碑的禮俗研究〉。《民俗曲藝》230 (2025.12): 79–128。
Wei Feiou and Huang Jiaxin. “Borrowing and Creating: A Study of Yao Tombstone Erection Rituals in the Cenwanglaoshan Region of Guangxi.” Journal of Chinese Ritual, Theatre and Folklore 230 (2025.12): 79–128.
孫嘉玥。〈多面黃氏女：一則漢族佛教故事在藍靛瑤文化中的流傳與演變〉。《民俗曲藝》230 (2025.12): 129–77。
Sun Jiayue. “The Many Faces of Woman Huang: The Transmission and Transformation of a Han Chinese Buddhist Story in Lanten Yao Culture.” Journal of Chinese Ritual, Theatre and Folklore 230 (2025.12): 129–77.
徐天基、羅丹。〈冀東南地方社會的功果儀式：以表功師傅為中心〉。《民俗曲藝》230 (2025.12): 179–222。
Xu Tianji and Luo Dan. “The Gongguo Ritual of Contemporary Popular Sects in Southeast Hebei: A Study Centered on the Merit-delivering Masters.” Journal of Chinese Ritual, Theatre and Folklore 230 (2025.12): 179–222.
Special Issue on New Paradigms for the Study of Yao Religion and Culture — Part I
肖習。〈德國巴伐利亞州立圖書館藏瑤族手抄本《諸品經》研究〉。《民俗曲藝》229 (2025.9): 29–90。
Xian Xi. “A Study of Yao Manuscripts Entitled Zhupin Jing Preserved in the Bavarian State Library.” Journal of Chinese Ritual, Theatre and Folklore 229 (2025.9): 29–90.
吳佳芸。〈法水與符令：勉瑤手抄本記載的治傷法事研究〉。《民俗曲藝》229 (2025.9): 91–146。
Wu Chia-yun. “Ritual Water and Talismanic Decrees: A Study of Healing Rituals in Iu-Mien Yao Manuscripts.” Journal of Chinese Ritual, Theatre and Folklore 229 (2025.9): 91–146.
趙曉梅。〈桂東北桑江紅瑤與苗人拋牌儀式比較與解讀〉。《民俗曲藝》229 (2025.9): 147–208。
Zhao Xiaomei. “A Comparative Interpretation of the Paopai (Daoist Ordination) Rituals among the Hong Yao (Red Yao) and Qingyi Miao (Blue-Clad Miao) in the Sangjiang Region of Northeastern Guangxi.” Journal of Chinese Ritual, Theatre and Folklore 229 (2025.9): 147–208.
謝佳瀅。〈論《笑府》與《笑林廣記》中「慳吝待客」笑話之流變〉。《民俗曲藝》229 (2025.9): 209–32。
Hsieh Chia-ying. “Textual Variations of “Miserly Host” Tales in the Xiaofu and Xiaolin Guangji Jestbooks.” Journal of Chinese Ritual, Theatre and Folklore 229 (2025.9): 209–32.
Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)
明代選本、曲譜中所見《五倫全備記》考 (A Study on the Wulunquanbei Ji in Ming Anthologies and
Compendia of Scores)
義子女與爐主：花蓮勝安宮王母信仰的雙重特質 (Disciple and Incense Master: The Dual Characteristics of the Eternal
Mother Cult at the Sheng-An Temple)
文化復振作為日常生活的社會運動：卡大地布的經驗 (Cultural Revitalization as Everyday life Social Movement: A Case
Study of the Katratripulr Community in Taiwan)
吳秀卿、何鑫。〈明代選本、曲譜中所見《五倫全備記》考〉。《民俗曲藝》228 (2025.6): 1–43。
Oh Sookyung and He Xin. “A Study on the Wulunquanbei Ji in Ming Anthologies and Compendia of Scores.” Journal of Chinese Ritual, Theatre and Folklore 228 (2025.6): 1–43.
蔡宗平。〈義子女與爐主：花蓮勝安宮王母信仰的雙重特質〉。《民俗曲藝》228 (2025.6): 45–99。
Tsai Tsung-ping. “Disciple and Incense Master: The Dual Characteristics of the Eternal Mother Cult at the Sheng-An Temple.” Journal of Chinese Ritual, Theatre and Folklore 228 (2025.6): 45–99.
陳玉苹。〈文化復振作為日常生活的社會運動：卡大地布的經驗〉。《民俗曲藝》228 (2025.6): 101–53。
Chen Yu-ping. “Cultural Revitalization as Everyday life Social Movement: A Case Study of the Katratripulr Community in Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 228 (2025.6): 101–53.
楊士賢。〈嘉義市釋教壇師承系譜與經營現況初探〉。《民俗曲藝》228 (2025.6): 155–206。
Yang Shih-hsien. “A Preliminary Study of the Genealogy and Management of Buddhist Altars and Masters in Chiayi City.” Journal of Chinese Ritual, Theatre and Folklore 228 (2025.6): 155–206.
「華人佛教儀式」(Chinese
Buddhist Ritual) 專題徵稿啟事
專題摘要投稿截止日期2025年7月31日
專題論文截稿日期2025年12月31日
Johan Rols. “Empirically Derived Ritual: How
Prohibitions on Tree-Cutting Illustrate Relations Between Sacred Cosmology and
Empiric Knowledge.” Journal of Chinese Ritual, Theatre and Folklore 227
(2025.3): 9–46.
壽酣。〈源於經驗的儀式：伐木禁令如何體現神聖宇宙觀與經驗知識之間的關係〉。《民俗曲藝》227 (2025.3): 9–46。
楊玉君。〈元宵祈願的弱化與隱喻〉。《民俗曲藝》227 (2025.3): 47–87。
Yang Yujun. “The Reduction and Metaphor of Lantern Festival Wishes.” Journal of Chinese Ritual, Theatre and Folklore 227 (2025.3): 47–87.
楊政賢。〈島嶼生態、生計經濟與歲時祭儀：蘭嶼Minganangana（慰勞祭）與Mapasamorang So Piyavean（收穫祭）的民俗變遷〉。《民俗曲藝》227 (2025.3): 89–135。
Yang Cheng-hsien. “Folklore Changes Associated with Island Ecology, Subsistence Economy, and Annual Rituals: A Case Study of Minganangana and Mapasamorang So Piyavean on Orchid Island.” Journal of Chinese Ritual, Theatre and Folklore 227 (2025.3): 89–135.
謝瑞隆。〈濁水溪沖積平原「拜溪」民俗之考察研究〉。《民俗曲藝》227 (2025.3): 137–84。
Hsieh Jui-long. “An Investigative Study of “River Worship” Folklore in the Zhuoshui River Alluvial Plain.” Journal of Chinese Ritual, Theatre and Folklore 227 (2025.3): 137–84.
范欽慧。〈聲景記憶與環境感知：以達悟族的人與非人聆聽為例〉。《民俗曲藝》227 (2025.3): 185–236。
Fan Chin-hui. “Soundscape Memory and Perception: An Example of the Tao People’s Listening to Humans and Nonhumans.” Journal of Chinese Ritual, Theatre and Folklore 227 (2025.3): 185–236.
雷天宇。〈咒圖：明清以降的家居佛教儀式用具初探〉。《民俗曲藝》227 (2025.3): 237–72。
Lei Tianyu. “Mantra Paintings: A Study of Ming-Qing Domestic Buddhist Ritual Instruments.” Journal of Chinese Ritual, Theatre and Folklore 227 (2025.3): 237–72.