Journal of Chinese Ritual, Theatre and Folklore (民俗曲藝)

No. 201, September 2018

Print ISSN: 1025-1383  

Published by: Shih Ho-cheng Folk Culture Foundation  

Special Issue on "Ritual, Festival and Socio-Cultural Practices of Asia-Pacific Society" (亞太儀式、節慶與社會文化實踐)— Part II

Editor-in-chief: Wang Sung-shan (王嵩山)     Table of Contents

*《民俗曲藝》收錄於「臺灣社會科學核心期刊」（TSSCI）及「臺灣人文學核心期刊」（THCI），並同時獲得 EBSCOhost (Humanities Source Ultimate and Chinese Insight databases)，ProQuest，與「國際音樂文獻資料大全」(Répertoire International de Littérature Musicale, RILM) 收錄

亞太儀式、節慶與社會文化實踐專輯（II）

亞太儀式、節慶與社會文化實踐專輯（II）

Special Issue on "Ritual, Festival and Socio-Cultural Practices of Asia-Pacific Society" — Part II

民俗、藝能與文化資產：沖繩竹富島的當代儀式實踐

趙綺芳。〈民俗、藝能與文化資產：沖繩竹富島的當代儀式實踐〉。《民俗曲藝》201 (2018.9): 25-63。

Chao Chi-fang. “Folklore, Performing Arts and Cultural Heritage: Contemporary Ritual Practices of Taketomi Island in Okinawa.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 25-63.

香港潮僑盂蘭勝會的「申遺」與潮屬社群的重建

呂永昇。〈香港潮僑盂蘭勝會的「申遺」與潮屬社群的重建〉。《民俗曲藝》201 (2018.9): 65-100。

Lui Wing Sing. “The Designation of Intangible Cultural Heritage of Yulan Ghost Festival and the Re-construction of Ethnic Chaozhou Communities in Hong Kong.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 65-100.

神在此間：浙江鄉村醮儀召請科儀本中的空間觀念折衝

屈嘯宇、彭連生。〈神在此間：浙江鄉村醮儀召請科儀本中的空間觀念折衝〉。《民俗曲藝》201 (2018.9): 101-67。

Qu Xiaoyu and Peng Liansheng. “Deities Reside Within: Negotiation of the Spatial Concept in the Summon Ritual Script of the Rural Jiao in South Zhejiang.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 101-67.

從《台灣鄉土交響曲》論許石民歌採集與音樂記錄脈絡

徐玫玲。〈從《台灣鄉土交響曲》論許石民歌採集與音樂記錄脈絡〉。《民俗曲藝》201 (2018.9): 169-225。

Shyu Mei-ling. “A Study of the Folk Song Collection and the Context of the Musical Records of Hsu Shih, Being Based upon His Work Symphonic Folk Songs of Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 169-225.

亞太儀式、節慶與社會文化實踐 (I)

亞太儀式、節慶與社會文化實踐專輯（I）

Special Issue on "Ritual, Festival and Socio-Cultural Practices of Asia-Pacific Society" — Part Ⅰ

是傳統還是創新？儀式、性別階序與規範實踐之間的阿美族都蘭婦女組militepuray

羅素玫。〈是傳統還是創新？儀式、性別階序與規範實踐之間的阿美族都蘭婦女組militepuray〉。《民俗曲藝》200 (2018.6): 25-101。

Lo Su-mei. “'Tradition' or 'Creation'? Women’s Organization Militepuray in Between the Practices of ‘Atolan Amis Rituals and Norms of Gender Hierarchy.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 25-101. 

聖母意象與無形文化遺產：以都會阿美族「愛的饗宴」和「慶祝聖母升天節」祭典活動為例的分析

葉淑綾。〈聖母意象與無形文化遺產：以都會阿美族「愛的饗宴」和「慶祝聖母升天節」祭典活動為例的分析〉。《民俗曲藝》200 (2018.6): 103-36。

Yeh Shu-ling. “The Image of Mother Mary and Intangible Heritage: An Analysis Based on Studies of Such Ritual Activities as 'Love Feast' and 'Assumption of the Blessed Mother Mary' Celebrated by the Urban Amis.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 103-36.

文化遺產的束縛或護衛？以阿米斯音樂節的文化實踐與創造能動性為例

林芳誠。〈文化遺產的束縛或護衛？以阿米斯音樂節的文化實踐與創造能動性為例〉。《民俗曲藝》200 (2018.6): 137-200。

Lin Fang-chen. “Safeguarding or Restraining Cultural Heritage? Cultural Practice and Agency of Creativity in the Amis Music Festival.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 137-200.

蘇州上方山太姥信仰及儀式文藝的調查報告

陳泳超。〈蘇州上方山太姥信仰及儀式文藝的調查報告〉。《民俗曲藝》200 (2018.6): 201-55。

Chen Yongchao. “A Survey of Taimu Cult and Ritual Art in Shangfang Mountain, Suzhou.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 201-55.

都市空間、物質文化與戲劇發展

「都市空間、物質文化與戲劇發展」專輯

Special Issue on "City Space, Material Culture and Theatrical Development"

奇術縱橫三十年：第一代松旭齋天勝與天勝一座在臺灣的演出

簡秀珍。〈奇術縱橫三十年：第一代松旭齋天勝與天勝一座在臺灣的演出〉。《民俗曲藝》199 (2018.3): 5-76。

Jian Hsiu-jen. “Thirty Years of Spectacular Magic: Performances of the First-Generation Shōkyokusai Tenkatsu and Tenkatsu Vaudevillian Magic Troupe in Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 5-76.

商業機制‧區隔策略：臺灣布袋戲商業劇場1946-1960

陳龍廷。〈商業機制‧區隔策略：臺灣布袋戲商業劇場1946-1960〉。《民俗曲藝》199 (2018.3): 77-126。

Chen Long-ting. “Mechanism and Distinction: Taiwan’s Commercial Puppet Theatre, 1946-1960.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 77-126.

晚清上海演劇文化對北方戲曲生態的影響：以王鐘聲在天津的演出活動軌跡為例

游富凱。〈晚清上海演劇文化對北方戲曲生態的影響：以王鐘聲在天津的演出活動軌跡為例〉。《民俗曲藝》199 (2018.3): 127-76。

Yu Fu-kai. “The Late Qing Shanghai-Style Opera Culture and Its Influences on the Environments of Northern Opera: A Case Study of Wang Zhongsheng's Theatre in Tianjin.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 127-76.

香港戲曲史上的商業戲園 (1865-1910)

容世誠。〈香港戲曲史上的商業戲園 (1865-1910)〉。《民俗曲藝》199 (2018.3): 177-211。

Yung Sai-shing. “Commercial Opera Theatres of Hong Kong (1865-1910): Preliminary Observations from Social History.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 177-211.

香港摩登：五十年代都巿發展與香港粵劇發展脈絡

鄭寧恩。〈香港摩登：五十年代都巿發展與香港粵劇發展脈絡〉。《民俗曲藝》199 (2018.3): 213-62。

Cheng Ling Yan. “A Modern City: The Urban Development of Hong Kong and the Local Cantonese Opera Productions in the 1950s.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 213-62.

潛跡與明蹤：清中葉《雷峰塔》傳奇演變新論

汪詩珮。〈潛跡與明蹤：清中葉《雷峰塔》傳奇演變新論〉。《民俗曲藝》199 (2018.3): 263-327。

Wang Shih-pe. “The Underlain Footprints and Revealed Route: A Re-examination on the Development of Thunder Peak Pagoda in Mid-Qing.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 263-327.

CONTENTS OF NO. 198 (December 2017)

Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)

No. 198, December 2017

目連救母、妙善救父、哪吒大戰李靖︰父系社會中兒子與女兒的主體性建構 (Mulian Saves His Mother, Miaoshan Saves Her Father, Nezha Battles with Li Jing: The Processes of Subjectification of Sons and Daughters in Chinese Society)

混雜與交融的「傳統」想像：馬來西亞在地職業戲班「麒麟」閩劇團歌仔戲劇目及演出觀察 (The Intertwined and Integrated Imaginations of “Tradition”: Some Observations on the Repertoire and Performance of Kî-lîn [麒麟] Professional Hoklo [Min] Opera Troupe in Malaysia)

南北交加・東西交響：日治時期北港音樂子弟團的分類與發展 (Polyphonic Melodies: The Classification and Development of Beigang Amateur Musical Troupes during the Japanese Colonial Era)

遺址時空劇場：西安、羅馬遺址再現的比較研究 (Heritage as Spatial-Temporal Theatre: Comparative Research on the Representation of Historic Ruins in Rome and Xi’an)

常民節氣觀 (Commoner’s Philosophy of Jieqi, the 24 Solar Terms)

「日光歌劇團」演藝現象述論 (On the Performance Phenomena of Riguang Opera Troupe)

目連救母、妙善救父、哪吒大戰李靖︰父系社會中兒子與女兒的主體性建構

丁仁傑。〈目連救母、妙善救父、哪吒大戰李靖︰父系社會中兒子與女兒的主體性建構〉。《民俗曲藝》198 (2017.12): 1-62。

Ting Jen-chieh. "Mulian Saves His Mother, Miaoshan Saves Her Father, Nezha Battles with Li Jing: The Processes of Subjectification of Sons and Daughters in Chinese Society." Journal of Chinese Ritual, Theatre and Folklore 198 (2017.12): 1-62.

混雜與交融的「傳統」想像：馬來西亞在地職業戲班「麒麟」閩劇團歌仔戲劇目及演出觀察

林鶴宜。〈混雜與交融的「傳統」想像：馬來西亞在地職業戲班「麒麟」閩劇團歌仔戲劇目及演出觀察〉。《民俗曲藝》198 (2017.12): 63-126。

Lin Ho-yi. "The Intertwined and Integrated Imaginations of 'Tradition': Some Observations on the Repertoire and Performance of Kî-lîn (麒麟) Professional Hoklo (Min) Opera Troupe in Malaysia." Journal of Chinese Ritual, Theatre and Folklore 198 (2017.12): 63-126.

南北交加・東西交響：日治時期北港音樂子弟團的分類與發展

李孟勳。〈南北交加・東西交響：日治時期北港音樂子弟團的分類與發展〉。《民俗曲藝》198 (2017.12): 127-64。

Li Meng-hsun. "Polyphonic Melodies: The Classification and Development of Beigang Amateur Musical Troupes during the Japanese Colonial Era." Journal of Chinese Ritual, Theatre and Folklore 198 (2017.12): 127-64.