Call for Papers / 徵稿啟事

樂動、身體經驗與意義建構
Musicking, Bodily Experiences, and Meaning Construction

專題徵稿啟事
專題摘要投稿截止日期2024年7月31日
專題論文截稿日期2024年12月31日

 

Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)

No. 224, June 2024
Print ISSN: 1025-1383
Published by: Shih Ho-cheng Folk Culture Foundation

Table of Contents

*《民俗曲藝》收錄於「臺灣社會科學核心期刊」（TSSCI）及「臺灣人文學核心期刊」（THCI），並同時獲得 EBSCOhost (Humanities Source Ultimate and Chinese Insight databases)，ProQuest，與「國際音樂文獻資料大全」(Répertoire International de Littérature Musicale, RILM) 收錄

CONTENTS OF NO. 224 (June 2024)

Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)

No. 224, June 2024

明清妙善觀音戲的市場需求與敘事變異 (Market Demand and Narrative Variations of Miaoshan Guanyin Dramas during the Ming and Qing Dynasties)

被搬演的真實：1920年代上海時事戲《槍斃閻瑞生》(Reality on Stage: Executing Yen Ruisheng, a 1920’s Topical Drama in Shanghai)

從祖先到神明：近二十年來一個村落女神的文化建構 (From Ancestor to Deity: The Cultural Construction of a Chinese Village Goddess during the Past Two Decades)

雲林大埤地區的複合式儀式動員網域：反思臺灣民間信仰的圈域研究 (Complex Ritual Networks in Dapi Township, Yunlin County: Reflections on Circle Research in the Study of Taiwanese Popular Religion)

閭山派清壇請神咒講唱敘事研究：以茄萣劉部堂法派心辰壇小法團為例 (Research on Narrative Chanting for Invoking Deities at Lüshan Taoist Altars: A Case Study of the Xiaofatuan Group at the Liu Butang in Qieding (Gaoxiong))

臺南市釋教壇師承系譜與經營現況初探 (A Preliminary Study of the Genealogy and Management of Buddhist Altars and Masters in Tainan City)

文化資產審議新範例：文化部指定國定古蹟的嘉義城隍廟 (A New Paradigm for Reviewing Cultural Assets: The Chiayi City God Temple, a National Monument Designated by the Ministry of Culture)

明清妙善觀音戲的市場需求與敘事變異

林智莉。〈明清妙善觀音戲的市場需求與敘事變異〉。《民俗曲藝》224 (2024.6): 1-47。

Lin Zhi-li. “Market Demand and Narrative Variations of Miaoshan Guanyin Dramas during the Ming and Qing Dynasties.” Journal of Chinese Ritual, Theatre and Folklore 224 (2024.6): 1-47.

被搬演的真實：1920年代上海時事戲《槍斃閻瑞生》

程筱媛。〈被搬演的真實：1920年代上海時事戲《槍斃閻瑞生》〉。《民俗曲藝》224 (2024.6): 49-89。

Cheng Hsiao-yuan. “Reality on Stage: Executing Yen Ruisheng, a 1920’s Topical Drama in Shanghai.” Journal of Chinese Ritual, Theatre and Folklore 224 (2024.6): 49-89.

從祖先到神明：近二十年來一個村落女神的文化建構

黃萍瑛。〈從祖先到神明：近二十年來一個村落女神的文化建構〉。《民俗曲藝》224 (2024.6): 91-139。

Huang Ping-ying. “From Ancestor to Deity: The Cultural Construction of a Chinese Village Goddess during the Past Two Decades.” Journal of Chinese Ritual, Theatre and Folklore 224 (2024.6): 91-139.

雲林大埤地區的複合式儀式動員網域：反思臺灣民間信仰的圈域研究

齊偉先、郭應哲、張舜彬。〈雲林大埤地區的複合式儀式動員網域：反思臺灣民間信仰的圈域研究〉。《民俗曲藝》224 (2024.6): 141-94。

Chi Wei-hsian, Kuo Yin-zhe, and Zhang Shun-bin. “Complex Ritual Networks in Dapi Township, Yunlin County: Reflections on Circle Research in the Study of Taiwanese Popular Religion.” Journal of Chinese Ritual, Theatre and Folklore 224 (2024.6): 141-94.

閭山派清壇請神咒講唱敘事研究：以茄萣劉部堂法派心辰壇小法團為例

劉元豪。〈閭山派清壇請神咒講唱敘事研究：以茄萣劉部堂法派心辰壇小法團為例〉。《民俗曲藝》224 (2024.6): 195-237。

Liou Yuan-hao. “Research on Narrative Chanting for Invoking Deities at Lüshan Taoist Altars: A Case Study of the Xiaofatuan Group at the Liu Butang in Qieding (Gaoxiong).” Journal of Chinese Ritual, Theatre and Folklore 224 (2024.6): 195-237.

臺南市釋教壇師承系譜與經營現況初探

楊士賢。〈臺南市釋教壇師承系譜與經營現況初探〉。《民俗曲藝》224 (2024.6): 239-82。

Yang Shih-hsien. “A Preliminary Study of the Genealogy and Management of Buddhist Altars and Masters in Tainan City.” Journal of Chinese Ritual, Theatre and Folklore 224 (2024.6): 239-82.

文化資產審議新範例：文化部指定國定古蹟的嘉義城隍廟

褚填正。〈文化資產審議新範例：文化部指定國定古蹟的嘉義城隍廟〉。《民俗曲藝》224 (2024.6): 283-319。

Chu Tien-cheng. “A New Paradigm for Reviewing Cultural Assets: The Chiayi City God Temple, a National Monument Designated by the Ministry of Culture.” Journal of Chinese Ritual, Theatre and Folklore 224 (2024.6): 283-319.

CONTENTS OF NO. 223 (March 2024)

Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)

No. 223, March 2024

調意曲與早期琴調的音樂性質 (Diaoyi and the Musical Features of Early Qindiao)

清代嘉慶年間以來廣東「粵謳」的流變軌跡：詩文日記、唱詞曲譜與聲音材料的綜合性研究 (The Transformation of Yueou (Cantonese Songs) since the Early Nineteenth Century: An Integrated Approach to Studies of Sung Oral Narratives by Examining Written, Printed, and Audio Materials)

閻王、三姑、白蛇傳：戰後地下黨的「工人政治戲劇」（1949–1950s）(Yan Wang, Sangu, and the White Snake: A History of the “Workers’ Political New Drama” of the Post-War Underground Party (1949–1950s))

異鄉人成神：臺南地區日本人成神的信仰與傳播研究 (Foreign Gods: Research on Legends of Japanese Becoming Gods and Contemporary Popular Religious Beliefs in Tainan)

張東初與廿世紀越南明師道德濟宗的發展：以人物為中心的探討 (Chang Dongchu and the Development of Vietnam’s Tông Đức Tế of Minh Sư Đạo during the Twentieth Century: A Case Study of Proselytizers)

臺南關大駕初探：以西羅殿與米街忠澤堂大駕為例 (Kuan tuā kà in Tainan: A Preliminary Study of the Xiluodian and Rice Street Zhongzetang)

調意曲與早期琴調的音樂性質

孫俊彥。〈調意曲與早期琴調的音樂性質〉。《民俗曲藝》223 (2024.03): 1-50。

Sun Chun-yen. “Diaoyi and the Musical Features of Early Qindiao.” Journal of Chinese Ritual, Theatre and Folklore 223 (2024.03): 1-50.

清代嘉慶年間以來廣東「粵謳」的流變軌跡：詩文日記、唱詞曲譜與聲音材料的綜合性研究

程美寶。〈清代嘉慶年間以來廣東「粵謳」的流變軌跡：詩文日記、唱詞曲譜與聲音材料的綜合性研究〉。《民俗曲藝》223 (2024.3): 51-104。

Ching May Bo. “The Transformation of Yueou (Cantonese Songs) since the Early Nineteenth Century: An Integrated Approach to Studies of Sung Oral Narratives by Examining Written, Printed, and Audio Materials”.” Journal of Chinese Ritual, Theatre and Folklore 223 (2024.3): 51-104.

閻王、三姑、白蛇傳：戰後地下黨的「工人政治戲劇」（1949–1950s）

林傳凱。〈閻王、三姑、白蛇傳：戰後地下黨的「工人政治戲劇」（1949–1950s）〉。《民俗曲藝》223 (2024.3): 105-51。

Lin Chuan-kai. “Yan Wang, Sangu, and the White Snake: A History of the “Workers’ Political New Drama” of the Post-War Underground Party (1949-1950s).” Journal of Chinese Ritual, Theatre and Folklore 223 (2024.3): 105-51.

異鄉人成神： 臺南地區日本人成神的信仰與傳播研究

李淑如。〈異鄉人成神： 臺南地區日本人成神的信仰與傳播研究〉。《民俗曲藝》223 (2024.3): 153-214。

Lee Shu-ju. “Foreign Gods: Research on Legends of Japanese Becoming Gods and Contemporary Popular Religious Beliefs in Tainan.” Journal of Chinese Ritual, Theatre and Folklore 223 (2024.3): 153-214.

張東初與廿世紀越南明師道德濟宗的發展：以人物為中心的探討

鍾雲鶯。〈張東初與廿世紀越南明師道德濟宗的發展：以人物為中心的探討〉。《民俗曲藝》223 (2024.3): 215-75。

Chung Yun-ying. “Chang Dongchu and the Development of Vietnam’s Tông Đức Tế of Minh Sư Đạo during the Twentieth Century: A Case Study of Proselytizers.” Journal of Chinese Ritual, Theatre and Folklore 223 (2024.3): 215-75.

臺南關大駕初探：以西羅殿與米街忠澤堂大駕為例

阮偉華。〈臺南關大駕初探：以西羅殿與米街忠澤堂大駕為例〉。《民俗曲藝》223 (2024.3): 277-318。

Juan Wei-hua. “Kuan tuā kà in Tainan: A Preliminary Study of the Xiluodian and Rice Street Zhongzetang.” Journal of Chinese Ritual, Theatre and Folklore 223 (2024.3): 277-318.

民間信仰、宗教經典與地方社會：紀念歐大年教授專輯II

民間信仰、宗教經典與地方社會：紀念歐大年教授專輯II

Special Issue on Popular Beliefs, Religious Texts, and Local Communities in the Sinophone World: In Memory of Professor Daniel L. Overmyer—PART II

Xucun, a Brief History

John Lagerwey. “Xucun, a Brief History.” Journal of Chinese Ritual, Theatre and Folklore 222 (2023.12): 19-61.

勞格文。〈許村簡史〉。《民俗曲藝》222 (2023.12): 19-61。

現存安龍謝土儀式中所見的普庵信仰探索：以「化九良」為考察線索

伍小劼、劉芸。〈現存安龍謝土儀式中所見的普庵信仰探索：以「化九良」為考察線索〉。《民俗曲藝》222 (2023.12): 63-95。

Wu Xiaojie and Liu Yun. “An Exploration of Pu’an Beliefs in the Extant Anlong Xietu (Retaining the Dragons and Thanking Earth) Rituals: A Clue Seen in “Converting Jiuliang”.” Journal of Chinese Ritual, Theatre and Folklore 222 (2023.12): 63-95.

「聖地」的塑造：近代青幫組織中的羅教記憶及其空間化

陳明華。〈「聖地」的塑造：近代青幫組織中的羅教記憶及其空間化〉。《民俗曲藝》222 (2023.12): 97-134。

Chen Minghua. “Shaping the “Holy Land”: Memories of the Luo Sect and its Spatialization in the Development of the Modern Green Gang (Qingbang).” Journal of Chinese Ritual, Theatre and Folklore 222 (2023.12): 97-134.

Consuming Rice Cakes, Sailing to Salvation

Nikolas Broy. “Consuming Rice Cakes, Sailing to Salvation: The Taiwanese Longhuapai Initiation Festival and the Question of Buddhist Orientations among Zhaijiao (Vegetarian Sects).” Journal of Chinese Ritual, Theatre and Folklore 222 (2023.12): 135-85.

百可思。〈吞噬糍粑，駛往救世：關於臺灣龍華派過光場儀式以及齋教之佛教導向問題〉。《民俗曲藝》222 (2023.12): 135-85。

當代冀東南民間教派的儀式專家：以經卷為中心的研究

徐天基、羅丹。〈當代冀東南民間教派的儀式專家：以經卷為中心的研究〉。《民俗曲藝》222 (2023.12): 187-229。

Xu Tianji and Luo Dan. “The Ritual Experts of Contemporary Popular Religious Sects in Southeast Hebei: A Study Centered on Scriptures.” Journal of Chinese Ritual, Theatre and Folklore 222 (2023.12): 187-229.

流動的神譜：以山西洪洞五道將軍為個案

王堯。〈流動的神譜：以山西洪洞五道將軍為個案〉。《民俗曲藝》222 (2023.12): 231-85。

Wang Yao. “The Fluid Pantheon in Local Religion: A Case Study of the General of the Five Paths in Hongdong, Shanxi Province.” Journal of Chinese Ritual, Theatre and Folklore 222 (2023.12): 231-85.

性別與親密：泰山娘娘相關寶卷中的人神關係

馬竹君。〈性別與親密：泰山娘娘相關寶卷中的人神關係〉。《民俗曲藝》222 (2023.12): 287-331。

Ma Zhujun. “Gender and Intimacy: Deity-Human Relationships in Precious Scrolls about the Lady of Mount Tai.” Journal of Chinese Ritual, Theatre and Folklore 222 (2023.12): 287-331.

Call for Papers / 徵稿啟事

瑤族宗教與文化研究的新典範

New Paradigms for the Study of Yao Religion and Culture

民間信仰、宗教經典與地方社會：紀念歐大年教授專輯 I

民間信仰、宗教經典與地方社會：紀念歐大年教授專輯 I

Special Issue on Popular Beliefs, Religious Texts, and Local Communities in the Sinophone World: In Memory of Professor Daniel L. Overmyer—PART I

「筆籙」鉤沉：明清扶乩的一個子類型

胡劼辰。〈「筆籙」鉤沉：明清扶乩的一個子類型〉。《民俗曲藝》221 (2023.9): 31-80。

Hu Jiechen. “Rediscovering the ‘Brush Register’: A Sub-Type of Spirit-Writing during the Ming and Qing Dynasties.” Journal of Chinese Ritual, Theatre and Folklore 221 (2023.9): 31-80.

近代江南鄉紳的扶乩結社與地方社會：以川沙道善壇為中心的考察（1895-1945）

張玉清。〈近代江南鄉紳的扶乩結社與地方社會：以川沙道善壇為中心的考察（1895-1945）〉。《民俗曲藝》221 (2023.9): 81-136。

Zhang Yuqing. “Gentry, Spirit-Writing Groups and Local Society in Modern Jiangnan: A Case Study of Daoshan Tan (“Altar of Doing Good”) in Chuansha, Jiangsu (1895–1945).” Journal of Chinese Ritual, Theatre and Folklore 221 (2023.9): 81-136.

維新時代的「脫魂術」：近代雲南遊冥類鸞書中的文體、技術和劫運觀

楊春宇。〈維新時代的「脫魂術」：近代雲南遊冥類鸞書中的文體、技術和劫運觀〉。《民俗曲藝》221 (2023.9): 137-86。

Yang Chunyu. “Ecstatic Journeys for an Era of Renewal: Genres, Techniques and Views of the Kalpa in the Phoenix Books on Touring the Underworld from Modern Yunnan.” Journal of Chinese Ritual, Theatre and Folklore 221 (2023.9): 137-86.

《大乘開香作用科文》與《五部六冊》寶卷的流傳

李志鴻。〈《大乘開香作用科文》與《五部六冊》寶卷的流傳〉。《民俗曲藝》221 (2023.9): 187-220。

Li Zhihong. “Dasheng Kaixiang Zuoyong Kewen and the Spread of the Precious Scrolls of the Wubu Liuce.” Journal of Chinese Ritual, Theatre and Folklore 220 (2023.9): 187-220.

《通天混海圖》析論

宋軍。〈《通天混海圖》析論〉。《民俗曲藝》221 (2023.9): 221-72。

Song Jun. “An Analysis of the Tongtian Hunhai Tu.” Journal of Chinese Ritual, Theatre and Folklore 221 (2023.9): 221-72.

「教派化」與「民間信仰化」之間：戰後淡水行忠堂之變遷與新形態

江趙展。〈「教派化」與「民間信仰化」之間：戰後淡水行忠堂之變遷與新形態〉。《民俗曲藝》221 (2023.9): 273-333。

Chiang Chao-chan. “Between Sectarian Religion and Local Cult:Transformation and New Forms of the Tamsui Xingzhong Tang Phoenix Hall in Postwar Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 221 (2023.9): 273-333.

飲食模式、物性與文化專輯 II

飲食模式、物性與文化專輯 II

Special Issue on "Modes of Diet, Materialities and Culture" — Part II