柯榮三。〈五股開臺尊王過爐十座駐駕公廟碑文調查與探賾〉。《民俗曲藝》231 (2026.3): 159–212。
Ko Jung-san. “An Investigation of Inscriptions from Ten Temples Hosting the Wugu Kaitai Zunwang Handing Over the Censer Ceremony.” Journal of Chinese Ritual, Theatre and Folklore 231 (2026.3): 159–212.
No. 230, December 2025
Print ISSN: 1025-1383
Published by: Shih Ho-cheng Folk Culture Foundation
Special Issue on New Paradigms for the Study of Yao
Religion and Culture (瑤族宗教與文化研究的新典範) — Part II
Managing Editor of this Special Issue: Chen Meiwen, Chang Chaojan
*《民俗曲藝》收錄於「臺灣社會科學核心期刊」（TSSCI）及「臺灣人文學核心期刊」（THCI），並同時獲得 EBSCOhost (Humanities Source Ultimate and Chinese Insight databases)，ProQuest，與「國際音樂文獻資料大全」(Répertoire International de Littérature Musicale, RILM) 收錄
瑤族宗教與文化研究的新典範專輯（II）
Special Issue on New Paradigms for the Study of Yao Religion and Culture — Part II
張卓。〈「九州」內外：排瑤生命儀式中的中心與邊地觀〉。《民俗曲藝》230 (2025.12): 29–77。
Zhang Zhuo. “In and Beyond the ‘Nine Provinces’: Center and Periphery in Pai Yao Life-Cycle Rituals.” Journal of Chinese Ritual, Theatre and Folklore 230 (2025.12): 29–77.
韋飛歐、黃家信。〈采借與創造：廣西環岑王老山瑤族墳墓立碑的禮俗研究〉。《民俗曲藝》230 (2025.12): 79–128。
Wei Feiou and Huang Jiaxin. “Borrowing and Creating: A Study of Yao Tombstone Erection Rituals in the Cenwanglaoshan Region of Guangxi.” Journal of Chinese Ritual, Theatre and Folklore 230 (2025.12): 79–128.
孫嘉玥。〈多面黃氏女：一則漢族佛教故事在藍靛瑤文化中的流傳與演變〉。《民俗曲藝》230 (2025.12): 129–77。
Sun Jiayue. “The Many Faces of Woman Huang: The Transmission and Transformation of a Han Chinese Buddhist Story in Lanten Yao Culture.” Journal of Chinese Ritual, Theatre and Folklore 230 (2025.12): 129–77.
徐天基、羅丹。〈冀東南地方社會的功果儀式：以表功師傅為中心〉。《民俗曲藝》230 (2025.12): 179–222。
Xu Tianji and Luo Dan. “The Gongguo Ritual of Contemporary Popular Sects in Southeast Hebei: A Study Centered on the Merit-delivering Masters.” Journal of Chinese Ritual, Theatre and Folklore 230 (2025.12): 179–222.
Special Issue on New Paradigms for the Study of Yao Religion and Culture — Part I
肖習。〈德國巴伐利亞州立圖書館藏瑤族手抄本《諸品經》研究〉。《民俗曲藝》229 (2025.9): 29–90。
Xian Xi. “A Study of Yao Manuscripts Entitled Zhupin Jing Preserved in the Bavarian State Library.” Journal of Chinese Ritual, Theatre and Folklore 229 (2025.9): 29–90.
吳佳芸。〈法水與符令：勉瑤手抄本記載的治傷法事研究〉。《民俗曲藝》229 (2025.9): 91–146。
Wu Chia-yun. “Ritual Water and Talismanic Decrees: A Study of Healing Rituals in Iu-Mien Yao Manuscripts.” Journal of Chinese Ritual, Theatre and Folklore 229 (2025.9): 91–146.
趙曉梅。〈桂東北桑江紅瑤與苗人拋牌儀式比較與解讀〉。《民俗曲藝》229 (2025.9): 147–208。
Zhao Xiaomei. “A Comparative Interpretation of the Paopai (Daoist Ordination) Rituals among the Hong Yao (Red Yao) and Qingyi Miao (Blue-Clad Miao) in the Sangjiang Region of Northeastern Guangxi.” Journal of Chinese Ritual, Theatre and Folklore 229 (2025.9): 147–208.
謝佳瀅。〈論《笑府》與《笑林廣記》中「慳吝待客」笑話之流變〉。《民俗曲藝》229 (2025.9): 209–32。
Hsieh Chia-ying. “Textual Variations of “Miserly Host” Tales in the Xiaofu and Xiaolin Guangji Jestbooks.” Journal of Chinese Ritual, Theatre and Folklore 229 (2025.9): 209–32.
Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)
明代選本、曲譜中所見《五倫全備記》考 (A Study on the Wulunquanbei Ji in Ming Anthologies and
Compendia of Scores)
義子女與爐主：花蓮勝安宮王母信仰的雙重特質 (Disciple and Incense Master: The Dual Characteristics of the Eternal
Mother Cult at the Sheng-An Temple)
文化復振作為日常生活的社會運動：卡大地布的經驗 (Cultural Revitalization as Everyday life Social Movement: A Case
Study of the Katratripulr Community in Taiwan)
吳秀卿、何鑫。〈明代選本、曲譜中所見《五倫全備記》考〉。《民俗曲藝》228 (2025.6): 1–43。
Oh Sookyung and He Xin. “A Study on the Wulunquanbei Ji in Ming Anthologies and Compendia of Scores.” Journal of Chinese Ritual, Theatre and Folklore 228 (2025.6): 1–43.
蔡宗平。〈義子女與爐主：花蓮勝安宮王母信仰的雙重特質〉。《民俗曲藝》228 (2025.6): 45–99。
Tsai Tsung-ping. “Disciple and Incense Master: The Dual Characteristics of the Eternal Mother Cult at the Sheng-An Temple.” Journal of Chinese Ritual, Theatre and Folklore 228 (2025.6): 45–99.
陳玉苹。〈文化復振作為日常生活的社會運動：卡大地布的經驗〉。《民俗曲藝》228 (2025.6): 101–53。
Chen Yu-ping. “Cultural Revitalization as Everyday life Social Movement: A Case Study of the Katratripulr Community in Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 228 (2025.6): 101–53.
楊士賢。〈嘉義市釋教壇師承系譜與經營現況初探〉。《民俗曲藝》228 (2025.6): 155–206。
Yang Shih-hsien. “A Preliminary Study of the Genealogy and Management of Buddhist Altars and Masters in Chiayi City.” Journal of Chinese Ritual, Theatre and Folklore 228 (2025.6): 155–206.
「華人佛教儀式」(Chinese
Buddhist Ritual) 專題徵稿啟事
專題摘要投稿截止日期2025年7月31日
專題論文截稿日期2025年12月31日
Johan Rols. “Empirically Derived Ritual: How
Prohibitions on Tree-Cutting Illustrate Relations Between Sacred Cosmology and
Empiric Knowledge.” Journal of Chinese Ritual, Theatre and Folklore 227
(2025.3): 9–46.
壽酣。〈源於經驗的儀式：伐木禁令如何體現神聖宇宙觀與經驗知識之間的關係〉。《民俗曲藝》227 (2025.3): 9–46。
楊玉君。〈元宵祈願的弱化與隱喻〉。《民俗曲藝》227 (2025.3): 47–87。
Yang Yujun. “The Reduction and Metaphor of Lantern Festival Wishes.” Journal of Chinese Ritual, Theatre and Folklore 227 (2025.3): 47–87.
楊政賢。〈島嶼生態、生計經濟與歲時祭儀：蘭嶼Minganangana（慰勞祭）與Mapasamorang So Piyavean（收穫祭）的民俗變遷〉。《民俗曲藝》227 (2025.3): 89–135。
Yang Cheng-hsien. “Folklore Changes Associated with Island Ecology, Subsistence Economy, and Annual Rituals: A Case Study of Minganangana and Mapasamorang So Piyavean on Orchid Island.” Journal of Chinese Ritual, Theatre and Folklore 227 (2025.3): 89–135.
謝瑞隆。〈濁水溪沖積平原「拜溪」民俗之考察研究〉。《民俗曲藝》227 (2025.3): 137–84。
Hsieh Jui-long. “An Investigative Study of “River Worship” Folklore in the Zhuoshui River Alluvial Plain.” Journal of Chinese Ritual, Theatre and Folklore 227 (2025.3): 137–84.
范欽慧。〈聲景記憶與環境感知：以達悟族的人與非人聆聽為例〉。《民俗曲藝》227 (2025.3): 185–236。
Fan Chin-hui. “Soundscape Memory and Perception: An Example of the Tao People’s Listening to Humans and Nonhumans.” Journal of Chinese Ritual, Theatre and Folklore 227 (2025.3): 185–236.
雷天宇。〈咒圖：明清以降的家居佛教儀式用具初探〉。《民俗曲藝》227 (2025.3): 237–72。
Lei Tianyu. “Mantra Paintings: A Study of Ming-Qing Domestic Buddhist Ritual Instruments.” Journal of Chinese Ritual, Theatre and Folklore 227 (2025.3): 237–72.
明代選本中的戲、曲、文學與文化專輯 II
Special Issue on the Role of Xi (Plays), Qu
(Lyrics), Literature, and Culture in Ming Miscellanies —PART II
Yang Dan. “‘Different’ Versions of Kunqu Singing Rules: Comparing
Textual Variants in Nanci Yinzheng and Wei Liangfu’s Qulü in Late
Ming Qu Anthologies.” Journal of Chinese Ritual, Theatre and Folklore
226 (2024.12): 7-28.
楊丹。〈「另一種」崑曲曲律：《南詞引正》與晚明曲類選本中的魏良輔《曲律》比較〉。《民俗曲藝》226 (2024.12): 7-28。
Hsu Yung-fang. “Late Ming Wanderings through Space and Time: On the ‘Travel’
Volume of the Yuefu Hongshan.” Journal of Chinese Ritual, Theatre
and Folklore 226 (2024.12): 29-78.
許詠芳。〈晚明的時空漫遊：論《樂府紅珊》中的〈遊賞〉卷〉。《民俗曲藝》226 (2024.12): 29-78。
康韻梅。〈明代「虞初」系列選集對唐代小說的編選和評議〉。《民俗曲藝》226 (2024.12):
79-134。
Kang Yun-mei. “Editorial Strategies and the Commentaries on Tang Tales in the Ming Yuchu Anthologies.” Journal of Chinese Ritual, Theatre and Folklore 226 (2024.12): 79-134.
陳志信。〈論晚明清初江右文士賀貽孫的泛戲曲評述及其意義〉。《民俗曲藝》226 (2024.12): 135-67。
Chen Chih-hsin. “The Significance of Pan-Xiqu Commentaries in the Work of the Late Ming and Early Qing Jiangxi Literatus.” Journal of Chinese Ritual, Theatre and Folklore 226 (2024.12): 135-67.
陳乃華。〈「我們穿得和山神（Yullha）一樣！」：安多熱貢六月會（Lurol）祭祀中的人神關係與服飾意涵〉。《民俗曲藝》226 (2024.12): 169-216。
Chen Nai-hua. “‘Dressing Up as a Mountain God (Yullha)!’: Exploring Human-Deity Relationships and the Symbolic Significance of Clothing at the Lurol Festival in Amdo Rebgong.” Journal of Chinese Ritual, Theatre and Folklore 226 (2024.12): 169-216.
葉八方。〈「內山師公」的儀式傳統：以安溪老君派為探討對象〉。《民俗曲藝》226 (2024.12): 217-53。
Yeh Pa-fang. “Guardians of Tradition: Investigating the Daoist Rituals of Anxi Laojun School.” Journal of Chinese Ritual, Theatre and Folklore 226 (2024.12): 217-53.
明代選本中的戲、曲、文學與文化專輯 Ⅰ
Special Issue on the Role of Xi (Plays), Qu (Lyrics), Literature, and Culture in Ming Miscellanies PART Ⅰ
Tan Tian Yuan. “Do the Parts Add Up? Textual Systems and Segments of Sijie Ji (The Four
Seasons) in Ming Anthologies.” Journal of Chinese Ritual, Theatre and Folklore 225 (2024.9): 17-57.
陳靝沅。〈聚零為整？明代曲選中《四節記》的文本系統與零散文本〉。《民俗曲藝》225 (2024.9): 17-57。
汪詩珮。〈晚明曲類選本「三欄併讀」初探：以《琵琶記》、《三國記》選齣為例〉。《民俗曲藝》225 (2024.9): 59-124。
Wang Shih-pe. “Exploring the ‘Triple-Register-Reading Strategy’ in Late Ming Qu Anthologies: Selections from Pipa Ji and Sanguo Ji.” Journal of Chinese Ritual, Theatre and Folklore 225 (2024.9): 59-124.