Journal of Chinese Ritual, Theatre and Folklore (民俗曲藝)

No. 216, June 2022

Print ISSN: 1025-1383 

Published by: Shih Ho-cheng Folk Culture Foundation 

Special Issue on "Personhood, History and Clothes" (人觀、歷史與服飾) — PartⅠ

Editor-in-chief: Ho Zhaohua (何兆華)

Table of Contents

*The Journal of Chinese Ritual, Theatre and Folklore is currently indexed in EBSCOhost (Humanities Source Ultimate and Chinese Insight databases), ProQuest, Répertoire International de Littérature Musicale (RILM), Taiwan Humanities Citation Index, Core (THCI Core), and Taiwan Social Sciences Citation Index (TSSCI).

人觀、歷史與服飾（I）

人觀、歷史與服飾專輯（I）

Special Issue on "Personhood, History and Clothes" — Part Ⅰ

從二十世紀初舊照片中的服飾來談三個四川西北嘉絨貴族家庭的服飾

王廷宇。〈從二十世紀初舊照片中的服飾來談三個四川西北嘉絨貴族家庭的服飾〉。《民俗曲藝》216 (2022.6): 27-88。

Wang Tingyu. “A Study of Three rGyalrong Noble Families’ Clothing in Northwest Sichuan as Seen in Nine Early 20th-century Photos.” Journal of Chinese Ritual, Theatre and Folklore 216(2022.6): 27-88.

《快雪時晴》戲曲服裝設計之符號隱喻及詮釋

王怡美、宋同正。〈《快雪時晴》戲曲服裝設計之符號隱喻及詮釋〉。《民俗曲藝》216 (2022.6): 89-108。

Wang Yi-meei and Sung Tung-jung. “Symbolic Metaphor and Interpretation of Costume Design in Sunlight after Snowfall.” Journal of Chinese Ritual, Theatre and Folklore 216 (2022.6): 89-108.

晚清戲曲團花圖案的使用與特殊性

郭昭吟。〈晚清戲曲團花圖案的使用與特殊性〉。《民俗曲藝》216 (2022.6): 109-39。

Kuo Chao-yin. “Application and Uniqueness: Embroidered Roundels with Theatrical Figures in Late Qing Garments.” Journal of Chinese Ritual, Theatre and Folklore 216 (2022.6): 109-39.

馬來西亞職業歌仔戲戲班在困境中的經營策略與劇種形塑

林鶴宜。〈馬來西亞職業歌仔戲戲班在困境中的經營策略與劇種形塑：從「新麒麟」到「筱麒麟」〉。《民俗曲藝》216(2022.6): 141-200。

Lin Ho-yi. “Professional Malaysian Gezaixi Troupes’ Management Strategy and Genre Formulation in Times of Trouble: From Xin Kî-lîn to Sió Kî-lîn.” Journal of Chinese Ritual, Theatre and Folklore 216(2022.6): 141-200.

上海報刊中的寧波崑班演出紀錄查考 (1898－1915)

蔣瑜娟。〈上海報刊中的寧波崑班演出紀錄查考 (1898－1915)〉。《民俗曲藝》216(2022.6): 201-54。

Chiang Yu-chuan. “An Inquiry into the Records of Ningbo Kunqu Troupes’ Performances in Shanghai Newspapers (1898–1915).” Journal of Chinese Ritual, Theatre and Folklore 216(2022.6): 201-54.

《民俗曲藝》獲獎

《民俗曲藝》榮獲國家圖書館「111年臺灣學術資源影響力」

期刊長期傳播獎 人類學學門期刊 第一名

CONTENTS OF NO. 215 (March 2022)

Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)

No. 215, March 2022

南朝吳興項羽信仰的神蹟文本製作與國家地方之互動 (The Hagiography Production of Xiang Yu’s Cult in Wuxing and the Interaction between State and Local Society in the Southern Dynasties)

明清二形人的情慾困境與宗教解脫 (Erotic Dilemma and Religious Salvation of Erxing Ren in the Ming and Qing Dynasties)

往生歷程中音聲與影像感知之動態建構與破除：以諾那華藏精舍的中陰共修法會為例 (Dynamically Constructing and Destroying the Perception of Sounds and Images in the Process of Departing: The Case Study of the Intermediate-State Ritual of Nona Hwatsang Center)

民歌採集運動之餘韻：從1967年中國民歌比賽與全省客家民謠比賽談起 (A Study on the Lingering Impact of Folk Song Documentation Movement in 1967) 

南朝吳興項羽信仰的神蹟文本製作與國家地方之互動

何維剛。〈南朝吳興項羽信仰的神蹟文本製作與國家地方之互動〉。《民俗曲藝》215(2022.3): 1-42。

Ho Wei-kang. “The Hagiography Production of Xiang Yu’s Cult in Wuxing and the Interaction between State and Local Society in the Southern Dynasties.” Journal of Chinese Ritual, Theatre and Folklore 215(2022.3): 1-42.

明清二形人的情慾困境與宗教解脫

張琬容。〈明清二形人的情慾困境與宗教解脫〉。《民俗曲藝》215(2022.3): 43-83。

Zhang Wanrong. “Erotic Dilemma and Religious Salvation of Erxing Ren in the Ming and Qing Dynasties.” Journal of Chinese Ritual, Theatre and Folklore 215(2022.3): 43-83.

往生歷程中音聲與影像感知之動態建構與破除：以諾那華藏精舍的中陰共修法會為例

劉延芳。〈往生歷程中音聲與影像感知之動態建構與破除：以諾那華藏精舍的中陰共修法會為例〉。《民俗曲藝》215(2022.3): 85-127。

Liou Yanfang. “Dynamically Constructing and Destroying the Perception of Sounds and Images in the Process of Departing: The Case Study of the Intermediate-State Ritual of Nona Hwatsang Center.” Journal of Chinese Ritual, Theatre and Folklore 215(2022.3): 85-127.

民歌採集運動之餘韻：從1967年中國民歌比賽與全省客家民謠比賽談起

鍾繼儀。〈民歌採集運動之餘韻：從1967年中國民歌比賽與全省客家民謠比賽談起〉。《民俗曲藝》215(2022.3): 129-79。

Chung Chi-yi. “A Study on the Lingering Impact of Folk Song Documentation Movement in 1967.” Journal of Chinese Ritual, Theatre and Folklore 215(2022.3): 129-79.

Call for Papers / 徵稿啟事

民間信仰、宗教經典與地方社會：紀念歐大年教授

Popular Beliefs, Religious Texts, and Local Society in the Sinophone World

In Memory of Professor Daniel L. Overmyer

Hakka Religious Culture / 客家宗教文化

Special Issue on Hakka Religious Culture  

客家宗教文化專輯

臺中東勢客家釋教的齋醮傳承：以龍華佛教會瑞德壇為核心

劉懷仁。〈臺中東勢客家釋教的齋醮傳承：以龍華佛教會瑞德壇為核心〉。《民俗曲藝》214(2021.12): 21-95。

Liou Huai-ren. “The Transmission of Hakka Buddhist Rituals in Taichung’s Dongshi District: A Case Study Centering on the Ruide Altar of the Longhua Buddhist Association.” Journal of Chinese Ritual, Theatre and Folklore 214(2021.12): 21-95.

信仰與族群關係：以馬來西亞仙四師爺信仰為例

張翰璧、白偉權、蔡芬芳。〈信仰與族群關係：以馬來西亞仙四師爺信仰為例〉。《民俗曲藝》214(2021.12): 97-148。

Chang Han-pi, Pek Wee Chuen, and Tsai Fen-fang. “Religion and Ethnic Relations: The Cult of Sin Si Sze Ya in Malaysia.” Journal of Chinese Ritual, Theatre and Folklore 214(2021.12): 97-148.

當信仰超越族群：1907年吉隆坡仙四師爺宮廟產訴訟案與當地華人權力結構的轉變

黃佩雯。〈當信仰超越族群：1907年吉隆坡仙四師爺宮廟產訴訟案與當地華人權力結構的轉變〉。《民俗曲藝》214(2021.12): 149-95。

Ng Pui Bun. “When Religion Transcends Ethnicity: A Temple Property Dispute and the Transformation of Overseas Chinese Power Structures in Kuala Lumpury.” Journal of Chinese Ritual, Theatre and Folklore 214(2021.12): 149-95.

清代以來浙南石倉客家移民聚落的象徵世界

巫能昌。〈清代以來浙南石倉客家移民聚落的象徵世界〉。《民俗曲藝》214(2021.12): 197-271。

Wu Nengchang. “The Symbolic World of Hakka Migrant Communities in Shicang (Southern Zhejiang) since the Qing Dynasty.” Journal of Chinese Ritual, Theatre and Folklore 214(2021.12): 197-271.

「飲食模式、物性與文化」(Modes of Diet, Materialities and Culture) 專題

Call for Papers / 徵稿啟事

專題摘要投稿截止日期2021年11月22日

專題論文截稿日期2022年3月31日

CONTENTS OF NO. 213 (September 2021)

Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)

No. 213, September 2021

界域的文化動能：冷戰前期仰光唐人街的電影跨國網絡及其影響 (Cultural Agency of the Borderlands: Transnational Cinematic Networks and Their Impacts on Rangoon Chinatown’s Early Cold War)

聲響技術的跨域交纏：臺灣國語流行音樂錄音室研究初探 (The Trans-Regional Entanglement of Sound and Technology: A Preliminary Study on the Recording Studios of Mandarin Popular Music in Taiwan)

道德與秩序：當代泰國一貫道教團發展的教外張力與教內分歧 (Morality and Order: The External Tension and Inner Discrepancy of Yiguan Dao’s Development in Contemporary Thailand)

臺灣歌仔冊編寫人「歌仔先」梁松林、蔡碖事蹟的考索與調查 (A Biographical Study of Two Taiwanese Kua-á Lyricists Liang Songlin and Cai Lun)

江蘇常熟師娘現象的調查報告 (A Survey of the Shiniang Phenomenon in Changshu, Jiangsu)

界域的文化動能：冷戰前期仰光唐人街的電影跨國網絡及其影響

呂心純。〈界域的文化動能：冷戰前期仰光唐人街的電影跨國網絡及其影響〉。《民俗曲藝》213 (2021.9): 1-47。

Lu Tasaw Hsin-chun. “Cultural Agency of the Borderlands: Transnational Cinematic Networks and Their Impacts on Rangoon Chinatown’s Early Cold War.” Journal of Chinese Ritual, Theatre and Folklore 213 (2021.9):1-47.

聲響技術的跨域交纏：臺灣國語流行音樂錄音室研究初探

程明。〈聲響技術的跨域交纏：臺灣國語流行音樂錄音室研究初探〉。《民俗曲藝》213 (2021.9): 49-95。

Cheng Ming. “The Trans-Regional Entanglement of Sound and Technology: A Preliminary Study on the Recording Studios of Mandarin Popular Music in Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 213 (2021.9): 49-95.

道德與秩序：當代泰國一貫道教團發展的教外張力與教內分歧

林育生。〈道德與秩序：當代泰國一貫道教團發展的教外張力與教內分歧〉。《民俗曲藝》213 (2021.9): 97-144。

Lin Yu-sheng. “Morality and Order: The External Tension and Inner Discrepancy of Yiguan Dao’s Development in Contemporary Thailand.” Journal of Chinese Ritual, Theatre and Folklore 213 (2021.9): 97-144.

臺灣歌仔冊編寫人「歌仔先」梁松林、蔡碖事蹟的考索與調查

柯榮三。〈臺灣歌仔冊編寫人「歌仔先」梁松林、蔡碖事蹟的考索與調查〉。《民俗曲藝》213(2021.9): 145-75。

Ko Jung-san. “A Biographical Study of Two Taiwanese Kua-á Lyricists Liang Songlin and Cai Lun.” Journal of Chinese Ritual, Theatre and Folklore 213 (2021.9): 145-75.

江蘇常熟師娘現象的調查報告

陳泳超。〈江蘇常熟師娘現象的調查報告〉。《民俗曲藝》213 (2021.9): 177-226。

Chen Yongchao. “A Survey of the Shiniang Phenomenon in Changshu, Jiangsu.” Journal of Chinese Ritual, Theatre and Folklore 213 (2021.9): 177-226.

CONTENTS OF NO. 212 (June 2021)

Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)

No. 212, June 2021

甲必丹制度的現代變奏：以柔佛古廟遊神為個案 (The Modern Variation of the Kapitan System: A Case Study of the Johor Bahru Old Chinese Temple’s Annual Chingay Parade)

Affiliating to a Communal Temple via the Statue of a Deity: Firecracker Societies in Macau, 1900-1966 (以一個神像依附社區寺廟：澳門炮會，1900-1966)

瓊州火雷聖娘信仰探源 (A Study on the Goddess of Fire and Thunder in Kheng-chew)

文化資產與國族想像：臺南府城日治時期古蹟詮釋中的時空再現 (Cultural Heritage and National Imaginings: Time and Space in the Interpretation of Monuments from Japanese Era in Tainan)

甲必丹制度的現代變奏：以柔佛古廟遊神為個案

莊仁傑。〈甲必丹制度的現代變奏：以柔佛古廟遊神為個案〉。《民俗曲藝》212 (2021.6): 1-42。

Chong Ren Jie Henry. “The Modern Variation of the Kapitan System: A Case Study of the Johor Bahru Old Chinese Temple’s Annual Chingay Parade.” Journal of Chinese Ritual, Theatre and Folklore 212 (2021.6): 1-42.

Affiliating to a Communal Temple via the Statue of a Deity: Firecracker Societies in Macau, 1900-1966

Zhu Tianshu. “Affiliating to a Communal Temple via the Statue of a Deity: Firecracker Societies in Macau, 1900-1966.” Journal of Chinese Ritual, Theatre and Folklore 212 (2021.6): 43-107.

朱天舒。〈以一個神像依附社區寺廟：澳門炮會，1900-1966〉。《民俗曲藝》212 (2021.6): 43-107。

瓊州火雷聖娘信仰探源

 鄭翔鵬、張曉威。〈瓊州火雷聖娘信仰探源〉。《民俗曲藝》212 (2021.6): 109-60。

Zheng Xiang Peng and Chong Siou Wei. “A Study on the Goddess of Fire and Thunder in Kheng-chew.” Journal of Chinese Ritual, Theatre and Folklore 212 (2021.6): 109-60.

文化資產與國族想像：臺南府城日治時期古蹟詮釋中的時空再現

 姚明俐。〈文化資產與國族想像：臺南府城日治時期古蹟詮釋中的時空再現〉。《民俗曲藝》212 (2021.6): 161-214。

Yao Ming-li. “Cultural Heritage and National Imaginings: Time and Space in the Interpretation of Monuments from Japanese Era in Tainan.” Journal of Chinese Ritual, Theatre and Folklore 212 (2021.6): 161-214.

「從城鎮、國家到世界：戲劇節的美學碰撞與文化政治」專題

Call for Papers / 徵稿啟事

專題摘要投稿截止日期2021年7月20日

專題論文截稿日期2021年12月31日

製作文化（Part II）

製作文化專輯（II）

Special Issue on "Making Culture" — Part II

無形文化資產的再生產：以嘉義城隍廟九大柱中元普度為例

江志宏。〈無形文化資產的再生產：以嘉義城隍廟九大柱中元普度為例〉。《民俗曲藝》211 (2021.3): 9-57。

Chiang Chih-hung. "The Reproduction of Intangible Cultural Heritage: A Case Study of the Nine Pillars’ Chungyuan Festival Rituals at City God Temple in Chiayi." Journal of Chinese Ritual, Theatre and Folklore 211 (2021.3): 9-57.

無形文化遺產的永續發展：臺灣客家八音的生態變遷與樂人、制度調節者、機構主事者的遺產化適應

許馨文。〈無形文化遺產的永續發展：臺灣客家八音的生態變遷與樂人、制度調節者、機構主事者的遺產化適應〉。《民俗曲藝》211 (2021.3): 59-116。

Hsu Hsin-wen. "The Sustainability of Intangible Cultural Heritage: The Changing Ecology of Taiwan Hakka Bayin, and the Adaptation of Musicians, Scholars, and Government Officials to Heritagization." Journal of Chinese Ritual, Theatre and Folklore 211 (2021.3): 59-116.

誰的「常民」？臺灣竹工藝文化資產的成形及其課題

江明親。〈誰的「常民」？臺灣竹工藝文化資產的成形及其課題〉。《民俗曲藝》211 (2021.3): 117-65。

Chiang Min-chin Kay. "Whose “Folk”? On the Formation and Related Issues of Taiwan’s Bamboo Cultural Heritage." Journal of Chinese Ritual, Theatre and Folklore 211 (2021.3): 117-65.

越南民間教派「四恩孝義」經典的產生

 鍾雲鶯。〈越南民間教派「四恩孝義」經典的產生〉。《民俗曲藝》211 (2021.3): 167-224。

Chung Yun-ying. "The Production of Scriptures in Vietnamese Sect Tứ Ân Hiếu Nghĩa." Journal of Chinese Ritual, Theatre and Folklore 211 (2021.3): 167-224.

製作文化（Part Ⅰ）

製作文化專輯（I）

Special Issue on "Making Culture" — Part Ⅰ

走上回家的山徑，讓石板家屋升起煙來：由一趟臺東布農社群「尋根之旅」思考「文化資產」的認同與實踐

謝博剛。〈走上回家的山徑，讓石板家屋升起煙來：由一趟臺東布農社群「尋根之旅」思考「文化資產」的認同與實踐〉。《民俗曲藝》210 (2020.12): 65-104。

Hsieh Po-kang. "Bunun’s Homecoming: Rethinking Ethnic Identity and the Practice of Cultural Heritage in the 'Return to Hahaul Action.'" Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 65-104.

祭儀地景的多重記憶與環境偏移：南勢阿美族里漏部落船祭活動變遷與文化製作

李宜澤。〈祭儀地景的多重記憶與環境偏移：南勢阿美族里漏部落船祭活動變遷與文化製作〉。《民俗曲藝》210 (2020.12): 9-63。

Lee Yi-tze. "Environmental Shift and Multi-Memories of Ritual Landscape: Making Culture through the Transformation of the Lidaw Tribe’s Boat Ritual." Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 9-63.

土氣、洋氣還是接地氣？重新「觀看」時尚伸展臺上的民族服裝與族群服飾

 何兆華、王廷宇。〈土氣、洋氣還是接地氣？重新「觀看」時尚伸展臺上的民族服裝與族群服飾〉。《民俗曲藝》210 (2020.12): 105-43。

Ho Zhaohua and Wang Tingyu. "Rustic, Fancy, or Authentic? A New Perspective on the Minority and Ethnic Clothing on the Fashion Show Runway." Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 105-43.

都蘭阿美人的文化再生產：以護衛舞的傘與矛為例

林芳誠。〈都蘭阿美人的文化再生產：以護衛舞的傘與矛為例〉。《民俗曲藝》210 (2020.12): 145-96。

Lin Fang-chen. "Umbrella or Spear? A Case Study on the Cultural Reproduction in Kulakul (Warrior Dance) of ‘Atolan Amis." Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 145-96.

【玉連環】五箏譜之演奏及其文本間性探析

張儷瓊。〈【玉連環】五箏譜之演奏及其文本間性探析〉。《民俗曲藝》210 (2020.12): 197-263。

Chang Li-chiung. "Yulianhuan, Performance and Intertextuality among the Five Zheng Score Versions." Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 197-263.

人觀、歷史與服飾（Personhood, History and Clothes）專題

 Call for Papers / 徵稿啟事

專題摘要投稿截止日期2020年11月30日

專題論文截稿日期2021年6月30日 

戲曲的傳統再造與當代性

戲曲的傳統再造與當代性專輯

Special Issue on "The Reconstruction of the Theatrical Tradition in the Contemporary Context"

《王魁負桂英》的當代映象：以京劇、豫劇、歌仔戲編演為例

張啟豐。〈《王魁負桂英》的當代映象：以京劇、豫劇、歌仔戲編演為例〉。《民俗曲藝》209 (2020.9): 7-65。

Chang Chi-feng. “Contemporary Images of Wang Kuei’s Betrayal of Kuiying: Case Studies of Peking Opera, Taiwan Bangzi Opera, and Kua-a Opera.” Journal of Chinese Ritual, Theatre and Folklore 209 (2020.9): 7-65.

九〇年代以來歌仔戲「正典化」的美學現象

傅裕惠。〈九〇年代以來歌仔戲「正典化」的美學現象〉。《民俗曲藝》209 (2020.9): 67-110。

Fu Yu-hui. “The Aesthetics of Canonization in Traditional Taiwanese Opera since 1990s.” Journal of Chinese Ritual, Theatre and Folklore 209 (2020.9): 67-110.

電視歌仔戲「新調創作」的傳統、承襲與轉化：以劉文亮作品《天龍傳奇》為例

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Chen Hsin-han. “Tradition, Convention and Transformation of TV Gezixi: A Case Study of Dragon Legend by Liu Wenliang.” Journal of Chinese Ritual, Theatre and Folklore 209 (2020.9): 111-29.

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Lin Ho-chun. “Contemporary Cross-Genre Performance of Kun Opera and Traditional Japanese Opera in 1998–2018.” Journal of Chinese Ritual, Theatre and Folklore 209 (2020.9): 131-68.

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SI TOU Sau Ieng. “On the Buddhist Kunqu Opera Innate Resentment: Its Subject of Ajase and the Significance of Temple Performances.” Journal of Chinese Ritual, Theatre and Folklore 209 (2020.9): 169-209.