趙曉梅。〈桂東北桑江紅瑤與苗人拋牌儀式比較與解讀〉。《民俗曲藝》229 (2025.9): 147–208。
Zhao Xiaomei. “A Comparative Interpretation of the Paopai (Daoist Ordination) Rituals among the Hong Yao (Red Yao) and Qingyi Miao (Blue-Clad Miao) in the Sangjiang Region of Northeastern Guangxi.” Journal of Chinese Ritual, Theatre and Folklore 229 (2025.9): 147–208.
蔡宗平。〈義子女與爐主：花蓮勝安宮王母信仰的雙重特質〉。《民俗曲藝》228 (2025.6): 45–99。
Tsai Tsung-ping. “Disciple and Incense Master: The Dual Characteristics of the Eternal Mother Cult at the Sheng-An Temple.” Journal of Chinese Ritual, Theatre and Folklore 228 (2025.6): 45–99.
江趙展。〈「教派化」與「民間信仰化」之間：戰後淡水行忠堂之變遷與新形態〉。《民俗曲藝》221 (2023.9): 273-333。
Chiang Chao-chan. “Between Sectarian Religion and Local Cult:Transformation and New Forms of the Tamsui Xingzhong Tang Phoenix Hall in Postwar Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 221 (2023.9): 273-333.
林振源、呂燁。〈敕水禁壇比較研究：以贛東北上饒地方道教為中心〉。《民俗曲藝》220
(2023.6): 203-60。
Lin Chen-yuan and Lü Ye. “Comparative Research on Chishui Jintan: A Focus on Local Taoism in Northeast Jiangxi.” Journal of Chinese Ritual, Theatre and Folklore 220 (2023.6): 203-60.
李偉呈。〈皇權下的聖道：日治後期中部地區的鸞堂網絡與時代適應——以《皇民奉公經附孝經》為中心〉。《民俗曲藝》219 (2023.3): 231-78。
Li Wei-chen. “Confucianism under the Heavenly Sovereign’s Power: Phoenix Hall Networks and Adaptations in Central Taiwan during the Late Japanese Colonial Era—Centering on The Classics of Komin Hokokai and Filial Piety.” Journal of Chinese Ritual, Theatre and Folklore 219 (2023.3): 231-78.
何維剛。〈南朝吳興項羽信仰的神蹟文本製作與國家地方之互動〉。《民俗曲藝》215(2022.3): 1-42。
Ho Wei-kang. “The Hagiography Production of Xiang Yu’s Cult in Wuxing and the Interaction between State and Local Society in the Southern Dynasties.” Journal of Chinese Ritual, Theatre and Folklore 215(2022.3): 1-42.
張琬容。〈明清二形人的情慾困境與宗教解脫〉。《民俗曲藝》215(2022.3): 43-83。
Zhang Wanrong. “Erotic Dilemma and Religious Salvation of Erxing Ren in the Ming and Qing Dynasties.” Journal of Chinese Ritual, Theatre and Folklore 215(2022.3): 43-83.
民間信仰、宗教經典與地方社會：紀念歐大年教授
Popular Beliefs, Religious Texts, and Local Society in the
Sinophone World
In Memory of Professor Daniel L. Overmyer
劉懷仁。〈臺中東勢客家釋教的齋醮傳承：以龍華佛教會瑞德壇為核心〉。《民俗曲藝》214(2021.12): 21-95。
Liou Huai-ren. “The
Transmission of Hakka Buddhist Rituals in
張翰璧、白偉權、蔡芬芳。〈信仰與族群關係：以馬來西亞仙四師爺信仰為例〉。《民俗曲藝》214(2021.12): 97-148。
Chang Han-pi, Pek Wee Chuen, and Tsai Fen-fang. “Religion and Ethnic Relations: The Cult
of Sin Si Sze Ya in
黃佩雯。〈當信仰超越族群：1907年吉隆坡仙四師爺宮廟產訴訟案與當地華人權力結構的轉變〉。《民俗曲藝》214(2021.12):
149-95。
Ng Pui Bun. “When
Religion Transcends Ethnicity: A
陳泳超。〈江蘇常熟師娘現象的調查報告〉。《民俗曲藝》213 (2021.9): 177-226。
Chen Yongchao. “A
Survey of the Shiniang Phenomenon in
Journal of Chinese
Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)
No. 212, June 2021
甲必丹制度的現代變奏：以柔佛古廟遊神為個案 (The
Modern Variation of the Kapitan System: A Case Study of the
Affiliating to a Communal Temple via the Statue of a Deity:
Firecracker Societies in Macau, 1900-1966 (以一個神像依附社區寺廟：澳門炮會，1900-1966)
瓊州火雷聖娘信仰探源 (A Study on the Goddess of
Fire and Thunder in Kheng-chew)
文化資產與國族想像：臺南府城日治時期古蹟詮釋中的時空再現 (Cultural
Heritage and National Imaginings: Time and Space in the Interpretation of
Monuments from Japanese Era in
Zhu Tianshu. “Affiliating to a Communal
朱天舒。〈以一個神像依附社區寺廟：澳門炮會，1900-1966〉。《民俗曲藝》212 (2021.6): 43-107。
謝博剛。〈走上回家的山徑，讓石板家屋升起煙來：由一趟臺東布農社群「尋根之旅」思考「文化資產」的認同與實踐〉。《民俗曲藝》210 (2020.12): 65-104。
Hsieh Po-kang. "Bunun’s Homecoming: Rethinking Ethnic Identity and the Practice of Cultural Heritage in the 'Return to Hahaul Action.'" Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 65-104.
李宜澤。〈祭儀地景的多重記憶與環境偏移：南勢阿美族里漏部落船祭活動變遷與文化製作〉。《民俗曲藝》210 (2020.12): 9-63。
Lee Yi-tze. "Environmental Shift and Multi-Memories of Ritual Landscape: Making Culture through the Transformation of the Lidaw Tribe’s Boat Ritual." Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 9-63.
林芳誠。〈都蘭阿美人的文化再生產：以護衛舞的傘與矛為例〉。《民俗曲藝》210 (2020.12): 145-96。
Lin Fang-chen. "Umbrella or Spear? A Case Study on the Cultural Reproduction in Kulakul (Warrior Dance) of ‘Atolan Amis." Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 145-96.