從祖先到神明：近二十年來一個村落女神的文化建構

黃萍瑛。〈從祖先到神明：近二十年來一個村落女神的文化建構〉。《民俗曲藝》224 (2024.6): 91-139。

Huang Ping-ying. “From Ancestor to Deity: The Cultural Construction of a Chinese Village Goddess during the Past Two Decades.” Journal of Chinese Ritual, Theatre and Folklore 224 (2024.6): 91-139.

打造「經典客家菜」：飲食敘事、族群政策與臺灣客家意象之建構（2000年迄今）

張正霖。〈打造「經典客家菜」：飲食敘事、族群政策與臺灣客家意象之建構（2000年迄今）〉。《民俗曲藝》220 (2023.6): 63-115。

Chang Cheng-lin. “Shaping “Classic Hakka Cuisine”: Food Narratives, Ethnic Policy, and the Construction of Hakka Images in Taiwan since 2000.” Journal of Chinese Ritual, Theatre and Folklore 220 (2023.6): 63-115.

「祠墓合一」的文化景觀：都市化歷程中的新加坡雙龍山五屬義祠之變遷

江柏煒。〈「祠墓合一」的文化景觀：都市化歷程中的新加坡雙龍山五屬義祠之變遷〉。《民俗曲藝》220 (2023.6): 261-305。

Chiang Bo-wei. “The Cultural Landscape of ‘Integration of Cemetery and Ancestral Hall’ of Hakka Immigrants in Singapore: A Case Study of Ying Fo Fui Kun Ancestral Temple in Urbanization Processes.” Journal of Chinese Ritual, Theatre and Folklore 220 (2023.6): 261-305.

民歌採集運動之餘韻：從1967年中國民歌比賽與全省客家民謠比賽談起

鍾繼儀。〈民歌採集運動之餘韻：從1967年中國民歌比賽與全省客家民謠比賽談起〉。《民俗曲藝》215(2022.3): 129-79。

Chung Chi-yi. “A Study on the Lingering Impact of Folk Song Documentation Movement in 1967.” Journal of Chinese Ritual, Theatre and Folklore 215(2022.3): 129-79.

Hakka Religious Culture / 客家宗教文化

Special Issue on Hakka Religious Culture  

客家宗教文化專輯

臺中東勢客家釋教的齋醮傳承：以龍華佛教會瑞德壇為核心

劉懷仁。〈臺中東勢客家釋教的齋醮傳承：以龍華佛教會瑞德壇為核心〉。《民俗曲藝》214(2021.12): 21-95。

Liou Huai-ren. “The Transmission of Hakka Buddhist Rituals in Taichung’s Dongshi District: A Case Study Centering on the Ruide Altar of the Longhua Buddhist Association.” Journal of Chinese Ritual, Theatre and Folklore 214(2021.12): 21-95.

信仰與族群關係：以馬來西亞仙四師爺信仰為例

張翰璧、白偉權、蔡芬芳。〈信仰與族群關係：以馬來西亞仙四師爺信仰為例〉。《民俗曲藝》214(2021.12): 97-148。

Chang Han-pi, Pek Wee Chuen, and Tsai Fen-fang. “Religion and Ethnic Relations: The Cult of Sin Si Sze Ya in Malaysia.” Journal of Chinese Ritual, Theatre and Folklore 214(2021.12): 97-148.

當信仰超越族群：1907年吉隆坡仙四師爺宮廟產訴訟案與當地華人權力結構的轉變

黃佩雯。〈當信仰超越族群：1907年吉隆坡仙四師爺宮廟產訴訟案與當地華人權力結構的轉變〉。《民俗曲藝》214(2021.12): 149-95。

Ng Pui Bun. “When Religion Transcends Ethnicity: A Temple Property Dispute and the Transformation of Overseas Chinese Power Structures in Kuala Lumpury.” Journal of Chinese Ritual, Theatre and Folklore 214(2021.12): 149-95.

清代以來浙南石倉客家移民聚落的象徵世界

巫能昌。〈清代以來浙南石倉客家移民聚落的象徵世界〉。《民俗曲藝》214(2021.12): 197-271。

Wu Nengchang. “The Symbolic World of Hakka Migrant Communities in Shicang (Southern Zhejiang) since the Qing Dynasty.” Journal of Chinese Ritual, Theatre and Folklore 214(2021.12): 197-271.

無形文化遺產的永續發展：臺灣客家八音的生態變遷與樂人、制度調節者、機構主事者的遺產化適應

許馨文。〈無形文化遺產的永續發展：臺灣客家八音的生態變遷與樂人、制度調節者、機構主事者的遺產化適應〉。《民俗曲藝》211 (2021.3): 59-116。

Hsu Hsin-wen. "The Sustainability of Intangible Cultural Heritage: The Changing Ecology of Taiwan Hakka Bayin, and the Adaptation of Musicians, Scholars, and Government Officials to Heritagization." Journal of Chinese Ritual, Theatre and Folklore 211 (2021.3): 59-116.

日治時期新竹客家街庄招贅婚生子女從姓現象的分析

李俊豪、莊英章、楊文山、徐淑瑤、黃郁麟。〈日治時期新竹客家街庄招贅婚生子女從姓現象的分析〉。《民俗曲藝》197 (2017.9): 77-106。

Li Chun-hao, Chuang Ying-chang, Yang Wen-shan, Hsu Shu-yao, and Huang Yu-ling. “The Patterns of Uxorilocal Marriage Couples Surnaming Their Children in the Hakka Settlements in Colonial Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 197 (2017.9): 77-106.

當纏足遇上天然足：族群融合與社會壓力

葉高華。〈當纏足遇上天然足：族群融合與社會壓力〉。《民俗曲藝》197 (2017.9): 107-33。

Yap Ko-hua. “When Bound Feet Encounter Natural Feet: Ethnic Assimilation and Social Pressure.” Journal of Chinese Ritual, Theatre and Folklore 197 (2017.9): 107-33.

閩客通婚與家戶社經地位關係之研究 (1905-1945): 以福爾摩沙歷史職業與社會分層資料庫分析

林嘉琪、楊文山、褚齡霙、黃湘楨、郭曜軒。〈閩客通婚與家戶社經地位關係之研究（1905-1945）：以福爾摩沙歷史職業與社會分層資料庫分析〉。《民俗曲藝》197 (2017.9): 135-84。

Lin Chia-chi, Yang Wen-shan, Chuu Ling-in, Huang Hsiang-chen, and Kuo Yao-hsuan. “The Relationship between Household Economic Status and Ethnic Intermarriage, 1905-1945: Formosa Historical International Standard Classification of Occupations Database (Formosa HISCO).” Journal of Chinese Ritual, Theatre and Folklore 197 (2017.9): 135-84.

閩客潮箏曲《出水蓮》的地緣背景及演奏流變：以張學海、饒寧新、林毛根三個演奏版本為例

張儷瓊。〈閩客潮箏曲《出水蓮》的地緣背景及演奏流變：以張學海、饒寧新、林毛根三個演奏版本為例〉。《民俗曲藝》194 (2016.12): 53-112。

Chang Li-chiung. "The Geo-relational Background and Performance Variations of the Piece “Lotus” in Minnan, Hakka, and Chaozhou Zheng Music: On the Three Versions of Zhang Xuehai, Rao Ningxin, and Lin Maogen." Journal of Chinese Ritual, Theatre and Folklore 194 (2016.12): 53-112.

臺灣客家研究中的東南亞視野

劉堉珊。〈臺灣客家研究中的東南亞視野〉。《民俗曲藝》194 (2016.12): 155-207。

Liu Yu-shan. "A General Review of the Development of Southeast Asian Hakka Studies in Taiwan." Journal of Chinese Ritual, Theatre and Folklore 194 (2016.12): 155-207.

客潮二派箏樂小曲之形質流變

張儷瓊。〈客潮二派箏樂小曲之形質流變〉。《民俗曲藝》184 (2014.6): 155-227。

Chang Li-chiung. “A Research on the Form and Character of Zheng Folk Tunes in Hakka and Chaozhou Music.” Journal of Chinese Ritual, Theatre and Folklore 184 (2014.6): 155-227.

潮惠兩裔客家人分佈比例與新竹枋寮義民祭祀圈之關係

張正田。〈潮惠兩裔客家人分佈比例與新竹枋寮義民祭祀圈之關係〉。《民俗曲藝》180 (2013.6): 131-64。

Zhang Zheng-tian. "Distribution and Proportion of the Chaozhou and Huizhou Hakka and Their Status within the Ritual Sphere of Yimin Temple, Xinzhu." Journal of Chinese Ritual, Theatre and Folklore 180 (2013.6): 131-64.

客家串調箏曲之研究

張儷瓊。〈客家「串調」箏曲之研究〉。《民俗曲藝》175 (2012.3): 43-88。
Chang Li-chiung. "A Study of Hakka Zheng Music Chuandiao." Journal of Chinese Ritual, Theatre and Folklore 175 (2012.3): 43-88.

水利空間與地域建構：社子溪流域的水圳、祭典與儀式社群

傅寶玉。〈水利空間與地域建構：社子溪流域的水圳、祭典與儀式社群〉。《民俗曲藝》174 (2011.12): 359-416。
Fu Bao-yu. “Irrigation and Territorial Construction: Sacrifice to the Deities of the Three Realms in Shezi Stream Basin.” Journal of Chinese Ritual, Theatre and Folklore 174 (2011.12): 359-416.

文字／電子時代的口傳技藝：一個苗栗客家山歌婚宴表演場域的觀察

吳翠松。〈文字／電子時代的口傳技藝：一個苗栗客家山歌婚宴表演場域的觀察〉。《民俗曲藝》172 (2011.6): 231-77。

Wu Tsui-sung. “The Verbal Art in a Literate/Electronic Age: A Case Study of Hakka Folksong Performance in Weddings.” Journal of Chinese Ritual, Theatre and Folklore 172 (2011.6): 231-77.