tag:blogger.com,1999:blog-25544007539501444122024-03-29T03:28:19.992+00:00 Ritual, Theatre and Folklore Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comBlogger365125tag:blogger.com,1999:blog-2554400753950144412.post-56022889791551805702024-03-28T03:03:00.001+00:002024-03-28T03:04:56.867+00:00<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b style="mso-bidi-font-weight: normal;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"></span></b></p><div class="separator" style="clear: both; text-align: left;"><p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"></span></b></p><div class="separator" style="clear: both; text-align: center;"><div style="text-align: left;"><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "華康中圓體\(P\)";"> </span></b></p>
<table border="1" cellpadding="0" cellspacing="0" class="MsoTableGrid" style="border-collapse: collapse; border: none; mso-border-alt: solid white .5pt; mso-border-insideh-themecolor: background1; mso-border-insideh: .5pt solid white; mso-border-insidev-themecolor: background1; mso-border-insidev: .5pt solid white; mso-border-themecolor: background1; mso-padding-alt: 0cm 5.4pt 0cm 5.4pt; mso-yfti-tbllook: 1184;">
<tbody><tr>
<td style="border: 1pt solid white; mso-border-alt: solid white .5pt; mso-border-themecolor: background1; padding: 0cm 5.4pt; width: 134.45pt;" valign="top" width="179">
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2uvKM3yVxK2_fxX8aokefgXfn0vhNwzQR1YesUqvKlkCQJHiqZZTxt8SG7M1wBUiNRKJJnW6sOInQkyAuZ6ptgWrZt4DhkoRFAhMX9_jlq4Fiy1agXWwU147k2cw9VlPKNzx2OwGzx0V8Mci_8Y6MyyZeXWXaEMIzCgDdj4c9hIEUy7XAmHfTxBUunvKJ/s1181/d_223_cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1181" data-original-width="833" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2uvKM3yVxK2_fxX8aokefgXfn0vhNwzQR1YesUqvKlkCQJHiqZZTxt8SG7M1wBUiNRKJJnW6sOInQkyAuZ6ptgWrZt4DhkoRFAhMX9_jlq4Fiy1agXWwU147k2cw9VlPKNzx2OwGzx0V8Mci_8Y6MyyZeXWXaEMIzCgDdj4c9hIEUy7XAmHfTxBUunvKJ/w141-h200/d_223_cover.jpg" width="141" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div>
</td>
<td style="border-left: none; border: 1pt solid white; mso-border-alt: solid white .5pt; mso-border-left-alt: solid white .5pt; mso-border-left-themecolor: background1; mso-border-themecolor: background1; padding: 0cm 5.4pt; width: 403.65pt;" valign="top" width="538">
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><i><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></i></b><b><i><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">Journal of Chinese Ritual, Theatre and Folklore</span></i></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> (<i>Min-su ch’ü-i</i> </span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">民俗曲藝</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">)</span></b></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">
No. 223, March 2024</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: blue; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><br />
</span></b><b><span face=""Arial",sans-serif" lang="EN" style="color: #003366; mso-ansi-language: EN; mso-fareast-font-family: "華康中圓體\(P\)";">Print ISSN</span></b><b><span face=""Arial",sans-serif" lang="EN" style="color: #003366; mso-ansi-language: EN; mso-fareast-font-family: "華康中圓體\(P\)";">: </span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">1025-1383<br />
Published by: Shih Ho-cheng Folk Culture Foundation</span></b></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><span face="Arial, sans-serif" lang="EN-US" style="background-color: #ffa400; font-size: 12pt;"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2024/03/contents-of-no-223-march-2024.html" target="_blank"><span style="color: white;">Table of Contents</span></a></span></b></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><span face=""Arial",sans-serif" lang="EN-US" style="color: maroon; font-size: 10pt; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">*</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: maroon; font-size: 10pt; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">《民俗曲藝》</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: maroon; font-size: 10pt; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">收錄於「臺灣社會科學核心期刊」(</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: maroon; font-size: 10pt; mso-fareast-font-family: "華康中圓體\(P\)";">TSSCI</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: maroon; font-size: 10pt; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)及「臺灣人文學核心期刊」(</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: maroon; font-size: 10pt; mso-fareast-font-family: "華康中圓體\(P\)";">THCI</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: maroon; font-size: 10pt; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">),並同時獲得</span></b><b><span face=""Arial",sans-serif" style="color: maroon; font-size: 10pt; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: maroon; font-size: 10pt;">EBSCOhost (Humanities Source Ultimate and Chinese Insight databases)</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: maroon; font-size: 10pt; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">,</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: maroon; font-size: 10pt; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">ProQuest</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: maroon; font-size: 10pt; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">,</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: maroon; font-size: 10pt; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">與「國際音樂文獻資料大全」</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: maroon; font-size: 10pt; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">(Répertoire International de Littérature Musicale, RILM) </span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: maroon; font-size: 10pt; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">收錄</span></b></p>
</td>
</tr>
</tbody></table><br /></div></div></div>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-17652221864497116842024-03-28T02:37:00.002+00:002024-03-28T02:37:55.363+00:00CONTENTS OF NO. 223 (March 2024)<p style="layout-grid-mode: char; line-height: 15.0pt; margin: 0cm; mso-layout-grid-align: none;"><b><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Journal of Chinese Ritual, Theatre and Folklore</span></i></b><span class="apple-converted-space"><b><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></b></span><b><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">(<i>Min-su ch’ü-i</i><span class="apple-converted-space"> </span></span></b><b><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">民俗曲藝</span></b><b><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">)<o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><a name="OLE_LINK1"></a><a name="OLE_LINK2"><b><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">No. 223, March 2024<o:p></o:p></span></b></a></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">調意曲與早期琴調的音樂性質</span><span style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> <span lang="EN-US">(</span></span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";">Diaoyi </span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";">and the
Musical Features of Early <i>Qindiao</i></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">)<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">清代嘉慶年間以來廣東「粵謳」的流變軌跡:詩文日記、唱詞曲譜與聲音材料的綜合性研究</span><span style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";"> <span lang="EN-US">(</span></span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">The
Transformation of <i>Yueou </i>(Cantonese Songs) since the Early Nineteenth
Century: An Integrated Approach to Studies of Sung Oral Narratives by Examining
Written, Printed, and Audio Materials)<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">閻王、三姑、白蛇傳:戰後地下黨的「工人政治戲劇」(</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1949</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">–</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1950s</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">(</span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Yan Wang, Sangu, and the White Snake: A
History of the “Workers’ Political New Drama” of the Post-War Underground Party
(1949–1950s))<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">異鄉人成神:臺南地區日本人成神的信仰與傳播研究</span><span style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> <span lang="EN-US">(</span></span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Foreign Gods: Research on Legends of
Japanese Becoming Gods and Contemporary Popular Religious Beliefs in Tainan)<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">張東初與廿世紀越南明師道德濟宗的發展:以人物為中心的探討</span><span style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> <span lang="EN-US">(</span></span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Chang Dongchu and the Development of
Vietnam’s Tông Đức Tế of Minh Sư Đạo during the Twentieth Century: A Case Study
of Proselytizers)<o:p></o:p></span></p>
<p><span style="color: #003366; font-family: "華康中圓體(P)", sans-serif; font-size: 12pt;">臺南關大駕初探:以西羅殿與米街忠澤堂大駕為例</span><span style="color: #003366; font-family: Arial, sans-serif; font-size: 12pt;"> <span lang="EN-US">(</span></span><i><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; font-size: 12.0pt; mso-ansi-language: EN-SG; mso-bidi-language: AR-SA; mso-fareast-font-family: "華康中圓體\(P\)"; mso-fareast-language: ZH-TW; mso-font-kerning: 1.0pt;">Kuan </span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-font-kerning: 1.0pt;">tuā </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; font-size: 12.0pt; mso-ansi-language: EN-SG; mso-bidi-language: AR-SA; mso-fareast-font-family: "華康中圓體\(P\)"; mso-fareast-language: ZH-TW; mso-font-kerning: 1.0pt;">k</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; font-size: 12.0pt; mso-ansi-language: EN-SG; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-bidi-language: AR-SA; mso-fareast-language: ZH-TW; mso-font-kerning: 1.0pt; mso-hansi-font-family: Arial;">à</span></i><span lang="EN-SG" style="color: #003366; font-family: Arial, sans-serif; font-size: 12pt;"> in Tainan: A Preliminary
Study of the Xiluodian and Rice Street Zhongzetang)<span></span></span></p><a name='more'></a> <b><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></b><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><b><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Articles <o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ansi-language: FR; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">孫俊彥。</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〈調意曲與早期琴調的音樂性質〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">223 (2024.03): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">1-50</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Sun Chun-yen</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “</span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";">Diaoyi </span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";">and the
Musical Features of Early <i>Qindiao</i></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 223 (2024.03): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">1-50</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2024/03/blog-post_27.html"><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2024/03/blog-post_27.html</span></a></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ansi-language: FR; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">程美寶</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">清代嘉慶年間以來廣東「粵謳」的流變軌跡:詩文日記、唱詞曲譜與聲音材料的綜合性研究</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">223 (2024.3): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">51-104</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Ching May Bo.</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> “</span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">The Transformation of <i>Yueou </i>(Cantonese Songs) since the Early
Nineteenth Century: An Integrated Approach to Studies of Sung Oral Narratives
by Examining Written, Printed, and Audio Materials”</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 223 (2024.3): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">51-104</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2024/03/blog-post_26.html"><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2024/03/blog-post_26.html</span></a></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ansi-language: FR; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">林傳凱</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">閻王、三姑、白蛇傳:戰後地下黨的「工人政治戲劇」(</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1949</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">–</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1950s</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">223 (2024.3): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">105-51</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Lin
Chuan-kai. “</span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Yan
Wang, Sangu, and the White Snake: A History of the “Workers’ Political New
Drama” of the Post-War Underground Party (1949-1950s)</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 223 (2024.3): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">105-51</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2024/03/19491950s.html"><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2024/03/19491950s.html</span></a></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">李淑如。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">異鄉人成神:<span lang="EN-US"> </span>臺南地區日本人成神的信仰與傳播研究</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">223 (2024.3): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">153-214</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Lee
Shu-ju. “</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">Foreign Gods: Research on Legends of Japanese Becoming Gods and
Contemporary Popular Religious Beliefs in Tainan</span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">.</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 223 (2024.3): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">153-214</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2024/03/blog-post_22.html"><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2024/03/blog-post_22.html</span></a></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 20.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">鍾雲鶯。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">張東初與廿世紀越南明師道德濟宗的發展:以人物為中心的探討</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">223 (2024.3): 215-75</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><a name="_Hlk145585024"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Chung Yun-ying. “</span></a><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Chang
Dongchu and the Development of Vietnam’s Tông Đức Tế of Minh Sư Đạo during the Twentieth
Century: A Case Study of Proselytizers</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.”</span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> Journal of Chinese
Ritual, Theatre and Folklore</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> 223 (2024.3): 215-75.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2024/03/blog-post_21.html"><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2024/03/blog-post_21.html</span></a></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><b><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Field Report<o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">阮偉華。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">臺南關大駕初探:以西羅殿與米街忠澤堂大駕為例</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">223 (2024.3): 277-318</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Juan Wei-hua</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “</span><i><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Kuan </span></i><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">tuā </span></i><i><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">k</span></i><i><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ansi-language: EN-SG; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">à</span></i><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";"> in Tainan: A Preliminary Study of the
Xiluodian and Rice Street Zhongzetang</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and Folklore</i> 223 (2024.3): 277-318.
</span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2024/03/blog-post.html"><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2024/03/blog-post.html</span></a></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span><span lang="EN-US"></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-73021637166244441032024-03-27T01:21:00.003+00:002024-03-27T01:21:24.037+00:00調意曲與早期琴調的音樂性質<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ansi-language: FR; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">孫俊彥。</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〈調意曲與早期琴調的音樂性質〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">223 (2024.03): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">1-50</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Sun Chun-yen</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “</span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";">Diaoyi </span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";">and the
Musical Features of Early <i>Qindiao</i></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 223 (2024.03): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">1-50</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<span></span></span></p><a name='more'></a><o:p></o:p><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">琴調是琴樂構成的基礎。明代多數的琴譜當中,都收有各琴調的「調意曲」,暗示其具有幫助琴人演奏並理解琴調的作用。但古代文獻對琴調的音樂性質或是調意曲的着墨甚少,有待琴界的探索。為了進一步瞭解明代以前所使用的早期琴調,本研究選擇以《事林廣記》、《太音大全集》、《神奇秘譜》及《西麓堂琴統》中所收錄的調意曲為主要研究材料,理由是這四種文獻的時間較早,有助於揭露琴調的早期性質。另一方面這四種文獻所收錄的調意曲,彼此之間具有差異性,可以看出琴樂在長時間實踐下的可能變化。透過調意曲的分析,本研究發現早期琴調除了音階構成、畢曲音以外,還具有諸多音樂性質,例如慣用的旋律型、特殊的取音位置、音樂色彩的布局、終止式等。顯示早期琴調的內涵其實豐富而多元。藉由認識琴調的音樂性質,有助於更貼切地解讀古譜,進而重塑古調的音樂面貌。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Diao</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">, a
concept similar to “mode,” lies at the base of <i>qin</i> music. Most <i>qin</i>
handbooks from the Ming dynasty contain short pieces known as <i>diaoyi</i>,
literally “meaning of <i>diao</i>,” implying their roles in helping players
perform such music and understand how <i>diao</i> functions. However, ancient
literature has little to say about the musical features of <i>diao</i> and <i>diaoyi</i>.
To further understand early <i>diao</i> used during the Ming dynasty, this
article focuses on <i>diaoyi</i> collected in the <i>Shilin guangji</i>, <i>Taiyin
daquanji</i>,<i> Shenqi mipu</i> and <i>Xilutang qintong</i> as its main source
materials due to the fact that they predate other handbooks and might reveal
the nature of early <i>qin diao</i>. Furthermore, differences between these <i>diaoyi
</i>could indicate possible changes in <i>qin</i> music during long-term
practice. By studying <i>diaoyi</i>, this article shows that the idea of early <i>qin
diao</i> encompasses a variety of music properties, including not only a scale
with a certain ending degree, but also melodic patterns and particular finger
positions, as well as layouts of musical colors and cadences. These findings
can help present-day <i>qin</i> performers to reconstruct music from ancient
tablatures.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Also in <i>Journal
of Chinese Ritual, Theatre and Folklore:</i><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">孫俊彥</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">原漢共譜的「山地」戀曲</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">──</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">談〈馬蘭姑娘〉的可能源流與認同想像</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">181 (2013.9): 265-319</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Sun Chun-yen</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">A Mountain Love Song between Cross Cultural Couples: A Study of
the Origin and Imagined Identity of 'The Maiden of Malan.'</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">” <i>Journal of Chinese Ritual, Theatre and
Folklore </i>181 (2013.9): 265-319.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="http://ritualtheatreandfolkloreat.blogspot.tw/2013/12/blog-post.html"><span style="font-family: "Arial",sans-serif;">http://ritualtheatreandfolkloreat.blogspot.tw/2013/12/blog-post.html</span></a></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">孫俊彥。〈儀式性質與歌舞系統:談馬蘭部落豐年祭歌舞的類型問題〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">177 (2012.9): 1-55</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Sun Chun-yen. "Ritual Character and Dance
System: A Study on the Types of Falangaw New Year Ritual Dances." <i>Journal of Chinese Ritual, Theatre and Folklore</i>
177 (2012.9): 1-55.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="http://ritualtheatreandfolkloreat.blogspot.tw/2012/09/blog-post.html%23more"><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">http://ritualtheatreandfolkloreat.blogspot.tw/2012/09/blog-post.html#more</span></a></span><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">孫俊彥。〈歌謠中的部落、歷史與生活:以三首馬蘭阿美族的現代歌謠為例〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">171 (2011.3): 65-120</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Sun Chun-yen. “Village, History, and Life in the
Ballads: A Study of Three Modern Ballads of the Falangaw Amis.” <i>Journal of Chinese Ritual, Theatre and
Folklore </i>171 (2011.3): 65-120.<o:p></o:p></span></p>
<p><a href="https://ritualtheatreandfolkloreat.blogspot.com/2011/03/blog-post_29.html"><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2011/03/blog-post_29.html</span></a> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-70970438744838915442024-03-26T01:08:00.004+00:002024-03-26T01:08:44.132+00:00清代嘉慶年間以來廣東「粵謳」的流變軌跡:詩文日記、唱詞曲譜與聲音材料的綜合性研究<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ansi-language: FR; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">程美寶</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">清代嘉慶年間以來廣東「粵謳」的流變軌跡:詩文日記、唱詞曲譜與聲音材料的綜合性研究</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">223 (2024.3): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">51-104</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Ching May Bo.</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> “</span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">The Transformation of <i>Yueou </i>(Cantonese Songs) since the Early
Nineteenth Century: An Integrated Approach to Studies of Sung Oral Narratives
by Examining Written, Printed, and Audio Materials”</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 223 (2024.3): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">51-104</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<span></span></span></p><a name='more'></a><o:p></o:p><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">本文以清代嘉慶道光年間流行於廣東省城(今廣州)珠江畫舫的以粵語演唱的「粵謳」為探討對象,檢閱紙本及錄音資料,結合觀察和實踐,追溯其流變軌跡。筆者認為,粵謳興起的年代,最早可追溯至嘉慶十六年(</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1811</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">),而私人日記等材料,亦揭示了許多過去少人注意的演唱和聆聽粵謳的細節。就《越謳》編者誰屬的問題,筆者爬梳出更多資料,認為可斷定為南海文人招子庸。同治光緒年間的文獻,反映了粵謳在彼時已不流行;時至晚清,粵謳更像一種供閱讀的文體而非演唱的歌體。幸好,二十世紀二○至三○年代出版的數種粵謳樂譜,以工尺譜記下粵謳的一種時興的唱法;六○至八○年代,香港一位瞽姬的錄音,則留存了另一種可能更貼近清代的唱法。種種材料,反映了男性和女性在書寫傳統和口述傳統對曲藝的承傳,扮演了不同的角色,亦對當代唱曲者重新演繹粵謳,有莫大的啟發。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">This article adopts an integrated approach to
research Chinese sung oral narratives (<i>quyi</i>) by studying the
transformation of “<i>yueou</i>” (literally, Cantonese songs) through an
examination of a variety of written, printed, and audio materials. It suggests
that this particular genre of Cantonese songs emerged in the provincial capital
of Guangdong (Guangzhou, Canton) no later than the first decade of the
nineteenth century. An abundance of written and printed materials reveals
important details about how <i>yueou</i> might have been performed and
appreciated during those years, and also confirms that the compiler of the
songbook entitled <i>Yueou</i> was most likely Zhao Ziyong, a Nanhai literatus
active in Canton during the 1820s-1830s. Literature published since the 1860s
shows that <i>yueou</i> was by then considered out of fashion, and by the late
Qing <i>yueou</i> was more like a literature style than a song genre.
Fortunately, scores published in the 1920s and 1930s document at least one type
of singing pattern of <i>yueou</i>, while audio records left by a blind lady
singer in Hong Kong in the 1960s and 1980s preserve another. These two types of
literature (scores and audio records) indicate the different roles played by
men and women in written and oral traditions in terms of passing down different
styles of sung oral narratives. They also serve as important references for
singers today to arrange and create their own vocal performances of <i>yueou</i>.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p><p> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-76698503999219957842024-03-25T02:09:00.001+00:002024-03-25T02:09:32.947+00:00閻王、三姑、白蛇傳:戰後地下黨的「工人政治戲劇」(1949–1950s)<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ansi-language: FR; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">林傳凱</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">閻王、三姑、白蛇傳:戰後地下黨的「工人政治戲劇」(</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1949</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">–</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1950s</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">223 (2024.3): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">105-51</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Lin
Chuan-kai. “</span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Yan
Wang, Sangu, and the White Snake: A History of the “Workers’ Political New
Drama” of the Post-War Underground Party (1949-1950s)</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 223 (2024.3): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">105-51</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<span></span></span></p><a name='more'></a><o:p></o:p><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">本文爬梳與戰後初期臺灣省工作委員會的「工人政治戲劇」。本文指出,自</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1920</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">年代臺灣出現以戲劇改革社會改革的實踐後,長期存在「階級身分」及「與地方社會扞格」的雙重門檻,導致參與者乃至於觀眾多為知識分子。戰後,地下黨基於動員工人的目標,基於其文藝觀,開始出現運用本地語言、本地劇種、並邀請工人進入編、導、演等環節的實驗。其中,劇情更積極挪用工人熟悉的神、鬼、妖故事並批判性的加以改造。這催生了兩種特殊的戲劇案例:工人臺語話劇、改良歌仔戲,並一度於</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1949</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">年於臺北市的工人間引發熱烈迴響。不過,隨着</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1950</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">年「白色恐怖」,這些參與者最終以死難收場,導致剛浮現的跨越雙重門檻的潛力就此告終。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p><span style="color: #003366; font-family: Arial, sans-serif;">This paper reconstructs the history of the
“workers’ political new drama” performed by the “Taiwan Provincial Working
Committee” of the underground party during the early postwar period. It argues
that, following the emergence of “political new drama” in Taiwan in the 1920s,
the “double threshold” of “class” and “incompatibility with local culture” had
existed for a long time, resulting in its appearing largely limited to
intellectuals. After the war, the underground party promoted the “drama
movement” due to its “literary and artistic view,” which led to the tendency of
actively appropriating local culture and mobilizing workers as creators. In
terms of form, this wave of “drama movement” used Taiwanese language and the
“native” drama genre Taiwanese Opera, while also combining elements of folk
songs; in terms of content, it appropriated familiar stories of gods, ghosts
and demons, and transformed them into stories of “class oppression” through
“de-spiritualization.” This workers’ movement aroused enthusiastic reactions
among Taipei laborers in 1949 and only fell silent after the peak of the “White
Terror” during the 1950s.</span> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-39159885296027652222024-03-22T05:46:00.001+00:002024-03-22T05:46:36.384+00:00異鄉人成神: 臺南地區日本人成神的信仰與傳播研究<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">李淑如。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">異鄉人成神:<span lang="EN-US"> </span>臺南地區日本人成神的信仰與傳播研究</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">223 (2024.3): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">153-214</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Lee
Shu-ju. “</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">Foreign Gods: Research on Legends of Japanese Becoming Gods and
Contemporary Popular Religious Beliefs in Tainan</span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">.</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 223 (2024.3): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">153-214</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<span></span></span></p><a name='more'></a> <o:p></o:p><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">日治時期(</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1895</span><span lang="EN-US" style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">–</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1945</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)對臺灣的歷史與文化發展而言,是一段深刻且巨大的改變,五十年的時間在臺灣民間留下大量的傳說,也豐富了臺灣民間信仰的內容。除了「一街庄一社」的日本神道傳播外,民間信仰出現祭祀在臺成神的日本人的現象。現實社會中日本人治理臺灣,在神靈的世界中,日本人也進入臺灣神明的譜系。臺灣民間在日治時期末尾開始出現祭祀死後成神的日本人,這些神祇的數量不少,且有緩慢增加的趨勢,但過去的學術研究成果,比較缺少系統性的論述,筆者認為尚有可討論的空間。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">祭祀日本神的廟宇散見臺灣各處,並未自成一個信仰系統,隨着民間信仰的多元開展,近年來有更多人注意到日本神的存在。而這些神祇又以臺南為多數,本論文擬解決的問題為日本神如何被臺灣民間信仰所接受?日本神祇信仰彼此間有何不同?此脈絡信仰如何在臺南民間信仰持續發展以延續香火並擴張信仰範圍?透過上述這些問題的釐清,理解曾經被殖民的臺灣人如何接納與殖民政府相關的信仰神祇,映現何種殖民記憶?如何展現民間信仰的包容力,同時也讓此信仰在地化,發展出獨特的信仰樣貌,更展現戰爭經驗對民間信仰的影響。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">The period of Japanese colonial rule (1895-1945)
witnessed a period of profound and tremendous changes in Taiwan’s history and
cultural development. A large number of legends in Taiwanese folklore from
these 50 years still survive, and there is ample evidence of Japanese impact on
Taiwan’s popular religious patterns. In addition to the spread of the Japanese
Shinto religion of “one town, one shrine,” there are also popular religious
cults for the worship of Japanese people who became worshipped as deities in
Taiwan. This reflects the reality of Japanese governance over Taiwan, which
also extended to the divine world, where Japanese gods could be included in the
Taiwanese pantheon. The number of such deities is considerable, and tends to
increase annually. However, the author argues that further research is required
in order to obtain more systematic knowledge of these issues, and that there is
room for further discussions.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Temples dedicated to Japanese deities are scattered
all over Taiwan, and have yet to form a distinct belief system of their own. As
part of the diversification of popular religion in recent years, more people
have become aware of the existence of these Japanese gods, particularly in
Tainan where their number has grown. This paper intends to address the question
of how Japanese gods are accepted into Taiwanese popular religion. What
differences exist in the cults to these Japanese deities? How can this belief
system continue to develop in Taiwanese popular religion by both sustaining its
incense power and expand the scope of people who worship such deities? By
clarifying these issues, we can better understand how the Taiwanese people accepted
deities associated with colonial memories and wartime experiences, thereby
demonstrating their tolerance for diverse religious beliefs. <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Also in <i>Journal
of Chinese Ritual, Theatre and Folklore:</i><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">李淑如</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">張家港地區薦亡法會儀式與宣卷調查報告</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">204 (2019.6): 197-250</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">Lee
Shu-ju</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">Field Research
on Buddhist Mortuary Rituals and Precious Scroll Recitation in <st1:place w:st="on"><st1:city w:st="on">Zhangjiagang City</st1:city>, <st1:state w:st="on">Jiangsu</st1:state></st1:place></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 204 (2019.6): 197-250. <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2019/06/blog-post.html"><span style="color: blue; font-family: "Arial",sans-serif;">https://ritualtheatreandfolkloreat.blogspot.com/2019/06/blog-post.html</span></a></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p><span style="color: #003366; font-family: Arial, sans-serif;"> </span> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-22240775737838525972024-03-21T07:02:00.002+00:002024-03-21T07:02:46.020+00:00張東初與廿世紀越南明師道德濟宗的發展:以人物為中心的探討<p class="MsoNormal" style="layout-grid-mode: char; line-height: 20.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">鍾雲鶯。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">張東初與廿世紀越南明師道德濟宗的發展:以人物為中心的探討</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">223 (2024.3): 215-75</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><a name="_Hlk145585024"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Chung Yun-ying. “</span></a><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Chang
Dongchu and the Development of Vietnam’s Tông Đức Tế of Minh Sư Đạo during the
Twentieth Century: A Case Study of Proselytizers</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.”</span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> Journal of Chinese Ritual,
Theatre and Folklore</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> 223 (2024.3): 215-75.<span></span></span></p><a name='more'></a><o:p></o:p><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1863</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">年,先天道張東初傳道越南,並以明師道為名,廣為傳播,影響了越南的民間教派。本文乃探討張東初自立稱祖的自我論述,並以廿世紀明師道德濟宗發展的關鍵人物為主。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">張東初是先天道第一位落實海外傳教者,並在東南亞廣設道場,他以此論述接續先天道祖師之位的正當性。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">廿世紀明師道德濟宗的發展,初期以張東初的後輩張道新在越南中部發展優異,張氏的弟子程道清成功地在北部發展,開辦以女性修行團體為主的明師道佛堂。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">阮覺原是明師道成功在地化的關鍵人物,以他為核心的德濟佛堂系統多以越南人為主,奠定了明師道在南部的厚實基礎。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王道深是先天道東初派的第九代祖師,長期經營越南,他以越文撰述明師道的皈依證明,申辦「南宗佛堂居士教會」,對明師道產生重大影響。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">In 1863, Chang Dongchu preached Xiantiandao (the
Great Way of Former Heaven) religion in Vietnam, naming it Minh Sư Đạo. His
teachings successfully spread and influenced Vietnamese folk religion. This
paper aims to explore Chang Dongchu’s discourse about being the founder of the
Xiantiandao, and how his followers developed the Tông <a name="_Hlk161923917">Đức
Tế</a> doctrines of <a name="_Hlk161923837">Minh Sư Đạo</a> in the twentieth
century.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">Chang Dongchu
was the Xiantianda</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">o’s</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> first proselytizer in
Southeast Asian countries, utilizing his success in transmitting this relig</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">ion’s</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> doctrine and practice as evidence of his legitimacy as a
Xiantiandao founder. His follower, Chang Daosin, further developed this
religion in Central Vietnam. By founding halls for women believers, </span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Chang’s </span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">disciple Cheng Daoqing successfully developed the Xiantiandao in
Northern Vietnam.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Nguyễn Giác Nguyên was critical to the <a name="_Hlk161923939">Minh Sư Đạo</a>’s localization, building the Đức Tế Temple
(also known as the Nam Nha Temple) and laying a solid foundation for the Minh
Sư Đạo in Southern Vietnam. <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Wang Daoshen was the nineteenth-generation
patriarch of the Dongchu branch of the Xiantiandao, and made a huge impact on
the Minh Sư Đạo’s development. He lived in Vietnam for a long time, prepared a Minh
Sư Ðo certificate of conversion in Vietnamese, and applied to the government to
establish the “Lay Buddhist Association of the Nanzong Sect.”</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Also in <i>Journal
of Chinese Ritual, Theatre and Folklore:</i><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">鍾雲鶯。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">先天道在越南的傳承與發展:以明師道南雅堂的文獻為考察核心</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">217 (2022.9): </span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">201-49</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Chung Yun-ying.
“The Continuance and Development of Xiantiandao in Vietnam: Focusing on
the Literatures of Minh Sư Đạo of Nam Nha Temple in Cần Thơ.” <i>Journal
of Chinese Ritual, Theatre and Folklore </i>217 (2022.9): 201-49. <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2022/09/blog-post_21.html"><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2022/09/blog-post_21.html</span></a></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">鍾雲鶯。〈越南民間教派「四恩孝義」經典的產生〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">211 (2021.3): 167-224</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Chung Yun-ying. "The Production of Scriptures
in Vietnamese Sect Tứ Ân Hiếu Nghĩa." <i>Journal
of Chinese Ritual, Theatre and Folklore</i> 211 (2021.3): 167-224.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2021/03/blog-post.html"><span style="font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2021/03/blog-post.html</span></a></span><span lang="EN-US" style="color: blue; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">
<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">鍾雲鶯。〈越南寶山奇香教派及其傳衍</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">――</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">以「四恩孝義」為探討核心〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">190 (2015.12): 67-127</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Chung Yun-ying. "The Sect and Lineage of Buu
Son Ki Huong in Vietnam: A Discussion Centered on Tu An Hieu Nghia." <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 190 (2015.12): 67-127.<o:p></o:p></span></p>
<p><a href="https://ritualtheatreandfolkloreat.blogspot.com/2016/02/blog-post_15.html"><span style="font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2016/02/blog-post_15.html</span></a> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-16776099673830820052024-03-20T08:19:00.002+00:002024-03-20T08:19:49.825+00:00臺南關大駕初探:以西羅殿與米街忠澤堂大駕為例<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">阮偉華。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">臺南關大駕初探:以西羅殿與米街忠澤堂大駕為例</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">223 (2024.3): 277-318</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Juan Wei-hua</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “</span><i><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Kuan </span></i><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">tuā </span></i><i><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">k</span></i><i><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ansi-language: EN-SG; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">à</span></i><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";"> in Tainan: A Preliminary Study of the
Xiluodian and Rice Street Zhongzetang</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and Folklore</i> 223 (2024.3): 277-318.<span></span></span></p><a name='more'></a>
<span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><a href="https:"></a> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">「關大駕」是臺南相當盛行的信仰儀式。大駕是由四人所扛,無轎頂僅以紅布覆蓋的藤轎,行進方向由神明作主指示,扛駕人員配合之。關大駕的高峰是在民國六○至八○年代(</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">1972–2001</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">),而後不少宮廟因時代變遷、產業形態改變,人員逐漸忙於加班或輪班而減少關大駕,乃至停關。雖然可惜,但約於民國一百年(</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">2011</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">)開始,些許宮廟已慢慢復甦或是開始關大駕,復振逐漸失落的信仰儀式。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">關大駕通常在晚間進行,從站駕到神明坐駕,短則一至二小時,長則三至四小時,也有站了四小時後神明未降駕者。再者,大駕的行進路線全由神明主導,因此無人可以準確預測當天關大駕的時長與路線。此外,大駕出門必為要事,並非熱鬧慶典,且擁有「跨境辦案」特權,隨時都能在路上辦事,因此廟方通常不會大張聲勢的宣布大駕出門時間。綜合以上所述,「神秘」、「低調」、「不確定性」讓關大駕相關的研究論文少之又少,甚至可說是一星半點。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">筆者以田調臺南市眾多關大駕之廟宇為基底,爬梳關大駕緣由、運作方式、特點,解構大駕的組成、空間、功能,並以同為家族祀神開基的西羅殿與米街忠澤堂之大駕為例,分析兩間宮廟關大駕之異同。最後,筆者亦會提及現今關大駕所面臨的處境及可能的因應之道。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Kuan </span></i><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">tuā</span></i><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> kà</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> has been a prevalent
ritual practice in Tainan. The </span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">tuā</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> <i>kà</i> is a rattan-made sedan chair covered with a red cloth
and carried by four bearers. During the 1970s to 1990s, the practice of <i>kuan
</i></span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">tuā</span></i><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> kà</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> reached its peak. However, due to changing times and the
transformation of industrial structures, people became increasingly busy
working shifts or doing overtime, which caused a decline the frequency of <i>kuan
</i></span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">tuā</span></i><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> kà</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">; in some locations it even ceased to exist. While this is
regrettable, thankfully around the year 2011 certain temples restarted or began
their own traditions of <i>kuan </i></span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">tuā</span></i><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> kà</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">. <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Kuan </span></i><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">tuā</span></i><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> kà </span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">is usually held at night.
It can take at least 1-2 hours and at times as many as 3-4 to wait for the
deity to descend (the deity’s arrival is deemed impossible after 4 hours have
passed). In addition, the route of the </span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">tuā</span></i><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> kà</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> procession is decided by
the deity; therefore, no one can predict how long this ritual event will last
or where the procession will go. In addition, the deity can use </span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">tuā</span></i><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> kà</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> to deal with important
matters and can solve troublesome cases on the spot, at times even crossing
local boundaries. Owing to the seriousness of these rites, temples typically
will not release this information to the public or in advance. To sum up,
features such as mysteriousness, low profile, and unpredictability increase the
difficulty of researching the <i>kuan </i></span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">tuā</span></i><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> kà</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">, not to mention writing
academic papers about it. <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Based on field research, this paper aims to
investigate the origin, procedures, and features of <i>kuan </i></span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">tuā</span></i><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> kà</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">, so as to deconstruct the </span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif;">tuā</span></i><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> kà</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">’s components, space, and
functions, while also analyzing the similarities and differences of the <i>tu
kà</i> at temples known as the Xiluodian and Rice Street Zhongzetang. The paper
will conclude by assessing the situation of the<i> tu kà</i> today, and
possible measures to cope with current problems.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p><p> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-70098043479355986842023-12-31T07:11:00.000+00:002024-03-20T08:14:30.089+00:00民間信仰、宗教經典與地方社會:紀念歐大年教授專輯II<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ansi-language: EN-SG; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">民間信仰、宗教經典與地方社會:紀念歐大年教授專輯</span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">II<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Special
Issue on Popular Beliefs, Religious Texts, and Local Communities in the
Sinophone World: In Memory of Professor Daniel L. Overmyer—PART II</span></p><a name='more'></a><a name="_Hlk145583619"><o:p></o:p></a><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a name="_Hlk145580263"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">趙昕毅、王見川。〈</span></a><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">前言</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〉。</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">221 (2023.9): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">1-18</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a name="_Hlk145583640"><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Chao
Shin-yi and Wang Chien-chuan</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “Introduction.” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 222 (2023.12): </span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">1</span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">-18</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span lang="EN-US" style="color: #003366;"> </span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; margin-bottom: 0cm; margin-left: 24.0pt; margin-right: 24.0pt; margin-top: 0cm; margin: 0cm 24pt; mso-layout-grid-align: none; mso-para-margin-bottom: 0cm; mso-para-margin-left: 2.0gd; mso-para-margin-right: 2.0gd; mso-para-margin-top: 0cm; text-align: justify; text-justify: inter-ideograph;"><a name="OLE_LINK2"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">在前一期(</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">221</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">期),我們概括歐大年(</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">Daniel L. Overmyer, 1935</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">–</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">2021</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)教授一生研究的四大方向:扶乩、寶卷、民間教派和地方宗教,並收錄關於寶卷和扶乩的最新研究。在這一期的專輯收錄論文七篇,圍繞地方宗教和民間宗教教派,特別是二者的交集。歐大年素來主張民間教派只要環境許可,一向十分公開,與一般地方民眾互動。近二十年來的研究成果,更發現民間教派有各種程度和形式的本地化。<span lang="EN-US">……</span></span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""Arial",sans-serif" lang="EN-US" style="color: navy; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">Articles in this Special Issue<o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">John Lagerwey</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";">Xucun, a Brief History</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 222 (2023.12): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">19-61</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ansi-language: FR; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">勞格文。</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〈許村簡史〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">222 (2023.12): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">19-61</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/12/xucun-brief-history.html"><span face=""Arial",sans-serif" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/12/xucun-brief-history.html</span></a></span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ansi-language: FR; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">伍小劼、劉芸</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。〈現存安龍謝土儀式中所見的普庵信仰探索:以「化九良」為考察線索〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">222 (2023.12): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">63-95</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Wu Xiaojie and Liu Yun.</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> “</span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">An Exploration of Pu’an Beliefs in the
Extant <i>Anlong Xietu</i> (Retaining the Dragons and Thanking Earth) Rituals: A
Clue Seen in “Converting Jiuliang”</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and Folklore</i> 222 (2023.12): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">63-95</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/12/blog-post_19.html"><span face=""Arial",sans-serif" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/12/blog-post_19.html</span></a></span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ansi-language: FR; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">陳明華</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">「聖地」的塑造:近代青幫組織中的羅教記憶及其空間化</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">222 (2023.12): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">97-134</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Chen
Minghua. “</span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Shaping
the “Holy Land”: Memories of the Luo Sect and its Spatialization in the
Development of the Modern Green Gang (<i>Qingbang</i>)</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 222 (2023.12): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">97-134</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/12/blog-post_18.html"><span face=""Arial",sans-serif" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/12/blog-post_18.html</span></a></span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Nikolas
Broy. “</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">Consuming Rice Cakes, Sailing to Salvation: The Taiwanese
Longhuapai Initiation Festival and the Question of Buddhist Orientations among <i>Zhaijiao</i>
(Vegetarian Sects)</span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">.</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 222 (2023.12): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">135-85</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">百可思。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">吞噬糍粑,駛往救世:關於臺灣龍華派過光場儀式以及齋教之佛教導向問題</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">222 (2023.12): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">135-85</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/12/consuming-rice-cakes-sailing-to.html"><span face=""Arial",sans-serif" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/12/consuming-rice-cakes-sailing-to.html</span></a></span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 20pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">徐天基、羅丹。〈當代冀東南民間教派的儀式專家:以經卷為中心的研究〉。</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">222 (2023.12):
187-229</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a name="_Hlk145585024"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Xu Tianji and Luo Dan. “The Ritual Experts of
Contemporary Popular Religious Sects in Southeast Hebei: A Study Centered on
Scriptures.”</span></a><i><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> Journal of Chinese
Ritual, Theatre and Folklore</span></i><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> 222 (2023.12): 187-229.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/12/blog-post_14.html"><span face=""Arial",sans-serif" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/12/blog-post_14.html</span></a></span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">王堯。〈流動的神譜:以山西洪洞五道將軍為個案〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">222 (2023.12): 231-85</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a name="_Hlk145585074"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">Wang Yao</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">The Fluid Pantheon in Local Religion: A Case Study of the
General of the Five Paths in Hongdong, Shanxi Province</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” </span><i><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Journal of Chinese
Ritual, Theatre and Folklore</span></i><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> 222 (2023.12): 231-85. </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/12/blog-post_13.html"><span face=""Arial",sans-serif" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/12/blog-post_13.html</span></a></span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">馬竹君。〈性別與親密:泰山娘娘相關寶卷中的人神關係〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">222 (2023.12):
287-331</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">Ma Zhujun</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">Gender and Intimacy: Deity-Human Relationships in Precious
Scrolls about the Lady of Mount Tai</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and Folklore</i> 222 (2023.12):
287-331. </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/12/blog-post.html"><span face=""Arial",sans-serif" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/12/blog-post.html</span></a></span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span><span lang="EN-US"></span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p><span face="Arial, sans-serif"> </span> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-79296099806607511252023-12-30T01:46:00.000+00:002024-03-20T08:15:04.122+00:00Xucun, a Brief History<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">John Lagerwey</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";">Xucun, a Brief History</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 222 (2023.12): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">19-61</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ansi-language: FR; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">勞格文。</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〈許村簡史〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">222 (2023.12): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">19-61</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。<span></span></span></p><a name='more'></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">Xucun is a village in northern She County, Anhui
(ancient Huizhou), that has been dominated by the Xu lineage since the Northern
Song. This paper presents a succinct account of its history and customs focused
on its chief temples, ancestor halls, and festivals. The earliest local god was
the earth god; the earliest temple Buddhist. In 1292, a temple to Wang Hua was
built, and in 1343 a temple to Xu Yuan and Zhang Xun. Ancestor halls were built
throughout the Ming and Qing, and territorial festivals became increasingly
lineage dominated. Throughout these changes, there is one constant: <i>fengshui</i>,
particularly as expressed in the gradual construction of three successive <i>shuikou</i>.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p><span face=""華康中圓體(P)", sans-serif" style="color: #003366;">北宋以來,許氏便係安徽歙縣(古徽州)北部許村的大族。透過聚焦於村中重要廟宇、祠堂與節慶,本文旨在簡扼勾勒許村的歷史與風俗。在許村,社神是最早存在的神祇,而佛教寺廟則為現在所知最早建造的廟宇。祭祀汪華的廟宇建於</span><span face="Arial, sans-serif" lang="EN-US" style="color: #003366;">1292</span><span face=""華康中圓體(P)", sans-serif" style="color: #003366;">年,而祭祀許遠與張巡的廟宇則建於</span><span face="Arial, sans-serif" lang="EN-US" style="color: #003366;">1343</span><span face=""華康中圓體(P)", sans-serif" style="color: #003366;">年。明清時期陸續修建許氏先祖祠堂,祭祀地方神祇的地域性祭祀活動亦逐漸改由宗族主導。但許村對風水的看法未曾改變,此一現象尤其體現於其漸次修築三個連續水口一事。</span> </p><p></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Also in <i style="mso-bidi-font-style: normal;">Journal
of Chinese Ritual, Theatre and Folklore:<o:p></o:p></i></span></p>
<p></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">John Lagerwey. “The Emergence of a Temple-Centric
Society.” <i>Journal of Chinese Ritual,
Theatre and Folklore </i>205 (2019.9): 29-102.<o:p></o:p></span></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">勞格文</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">以廟宇為中心之社會的形成</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">205 (2019.9): 29-102</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="font-family: "Arial",sans-serif;"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2019/09/the-emergence-of-temple-centric-society.html">https://ritualtheatreandfolkloreat.blogspot.com/2019/09/the-emergence-of-temple-centric-society.html</a></span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">John Lagerwey. “Village Religion in Huizhou: A
Preliminary Assessment.” <i>Journal of
Chinese Ritual, Theatre and Folklore </i>174 (2011.12): 305-57.<o:p></o:p></span></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">勞格文。〈徽州府的村落宗教:初步的探討〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">174 (2011.12): 305-57</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="font-family: "Arial",sans-serif;"><a href="http://ritualtheatreandfolkloreat.blogspot.tw/2011/12/village-religion-in-huizhou-preliminary.html">http://ritualtheatreandfolkloreat.blogspot.tw/2011/12/village-religion-in-huizhou-preliminary.html</a>
<o:p></o:p></span></p><p>
</p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p> </o:p></span></p><p></p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-23288978770762051992023-12-29T03:39:00.000+00:002024-03-20T08:15:30.272+00:00現存安龍謝土儀式中所見的普庵信仰探索:以「化九良」為考察線索<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ansi-language: FR; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">伍小劼、劉芸</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。〈現存安龍謝土儀式中所見的普庵信仰探索:以「化九良」為考察線索〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">222 (2023.12): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">63-95</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Wu Xiaojie and Liu Yun.</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> “</span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">An Exploration of Pu’an Beliefs in the
Extant <i>Anlong Xietu</i> (Retaining the Dragons and Thanking Earth) Rituals: A
Clue Seen in “Converting Jiuliang”</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and Folklore</i> 222 (2023.12): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">63-95</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<span></span></span></p><a name='more'></a><o:p></o:p><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">中國社會的安龍謝土儀式中,不少有普庵信仰的內容。我們收集的數十冊安龍謝土儀式科儀文本中,有多處包括了誦《釋談章》、貼「普庵符」、念《普庵經》等普庵信仰的內容,如此可以退煞降福。尤其是科儀本中提及了普庵進入安龍謝土儀式的原因「化九良」,這一內容與《普庵祖師靈驗記》「降九良星異」記載相符,說明普庵「降九良」是「化九良」的原型,此點少為學者注意。發掘這一內容不僅可以明確普庵信仰的內容,同時也使我們更嚴肅地思考《普庵祖師靈驗記》與普庵信仰內容的關係。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p><span style="color: #003366; font-family: Arial, sans-serif;">Many </span><u style="color: #003366; font-family: Arial, sans-serif;">anlong xietu</u><span style="color: #003366; font-family: Arial, sans-serif;"> (retaining the dragons and
thanking earth) rituals in Chinese society contain elements of Pu’an beliefs.
In the dozens of </span><i style="color: #003366; font-family: Arial, sans-serif;">anlong xietu</i><span style="color: #003366; font-family: Arial, sans-serif;"> ritual scriptures that we have collected,
there are many references to Pu’an beliefs, such as chanting the </span><i style="color: #003366; font-family: Arial, sans-serif;">Shitan
zhang</i><span style="color: #003366; font-family: Arial, sans-serif;"> (Pu’an Mantra), posting the “Pu’an talisman,” and chanting the </span><i style="color: #003366; font-family: Arial, sans-serif;">Pu’an
Scripture</i><span style="color: #003366; font-family: Arial, sans-serif;">, which can be used to subdue evil spirits and acquire blessings.
In particular, these ritual texts mention that the reason for Pu’an beliefs’
inclusion in </span><i style="color: #003366; font-family: Arial, sans-serif;">anlong xietu</i><span style="color: #003366; font-family: Arial, sans-serif;"> rituals is to “convert Jiuliang”, which is
consistent with the record of “Subduing Jiuliang Star Deities” in the</span><i style="color: #003366; font-family: Arial, sans-serif;"> Legend
of Ancestral Master Pu’an</i><span style="color: #003366; font-family: Arial, sans-serif;">. The story of subduing Jiuliang is the prototype
of “converting Jiuliang,” a fact that scholars have largely overlooked. This
discovery not only clarifies Pu’an beliefs but can also prompt us to think
about the relationship between the </span><i style="color: #003366; font-family: Arial, sans-serif;">Legend of Ancestral Master Pu’an</i><span style="color: #003366; font-family: Arial, sans-serif;"> and
the content of Pu’an beliefs.</span> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-67193875830065373842023-12-28T02:36:00.000+00:002024-03-20T08:16:02.887+00:00「聖地」的塑造:近代青幫組織中的羅教記憶及其空間化<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ansi-language: FR; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">陳明華</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">「聖地」的塑造:近代青幫組織中的羅教記憶及其空間化</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">222 (2023.12): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">97-134</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Chen
Minghua. “</span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Shaping
the “Holy Land”: Memories of the Luo Sect and its Spatialization in the
Development of the Modern Green Gang (<i>Qingbang</i>)</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 222 (2023.12): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">97-134</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<span></span></span></p><a name='more'></a><o:p></o:p><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">杭州北新關、拱宸橋一帶地處京杭大運河的末段區域,明末清初大量信奉羅教的糧船水手麋集於此,他們藉助羅教的儀式框架結成群體。雖然此後羅教迭遭查禁,但這套框架卻一直為水手們沿用,鑲嵌其中的羅教記憶因此得以流傳。隨著晚清社會經濟的變遷,漕運水手大量上岸,其中不乏繼續以羅教元素結成群體,其中即包括青幫的前身「安清道友會」。隨着青幫勢力在清末民初大肆發展,關於羅教的零星記憶逐漸被幫內人士加工成一套本幫起源故事。起源故事的流傳抬升了杭州在青幫敘事中的神聖地位,安清家廟、祖師墓等意象成為道統的重要象徵。抗戰時期,日本勢力出於建立統治秩序之需,試圖通過賦予合法身分整合各種「潛勢力」群體。「中國安清同盟會」等青幫團體即藉此機會公開活動並擴張組織,青幫的起源歷史和各種儀式因有助於塑造群體認同而得到當局重視,杭州也因其特殊地位而被營造成青幫的起源「聖地」。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p><span lang="EN-US" style="color: #003366; font-family: Arial, sans-serif;">During the late Ming and early Qing dynasties, many
boatmen employed by grain tribute fleets were members of the Luo Sect who often
congregated around the Beixin Pass and areas around the Gongchen Bridge at the
end of the Beijing-Hangzhou Grand Canal. Using the ritual framework of the Luo
Sect, they formed mutual aid and brotherhood organizations. The Qing
authorities outlawed the Luo Sect on several occasions, but the boatmen who
followed it continued to use its structure and kept its memory alive. During
the late Qing, social and economic changes prompted many boatmen to start going
ashore to earn a living, but some continued to form groups based on the
elements of the Luo Sect. One of these groups, the Anqing Daoist Friends
Society, was the predecessor of the Green Gang (<i>Qingbang</i>). Over time,
memories of the Luo Sect were processed into stories about its origin, which
raised the status of Hangzhou in the Green Gang’s historical narrative, with
the Ancestral Hall of the Green Gang and the patriarch’s tomb becoming symbols
of the Luo Sect</span><span lang="EN-GB" style="color: #003366; font-family: Arial, sans-serif;">’</span><span lang="EN-US" style="color: #003366; font-family: Arial, sans-serif;">s orthodoxy. During the Second Sino-Japanese War, Japanese
occupying forces attempted to create a sense of order in areas under their
control by granting legal status to different groups, including the Chinese
Anqing Alliance, and, as part of their efforts to integrate various groups,
recognized the history and traditions of the Green Gang. With the help of the
government, areas around the Gongchen Bridge in Hangzhou were designated as the
original “Holy Land” of the Green Gang.</span> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-62353936155523289112023-12-27T07:13:00.000+00:002024-03-20T08:16:22.954+00:00Consuming Rice Cakes, Sailing to Salvation<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Nikolas
Broy. “</span><a name="_Hlk153195702"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">Consuming Rice Cakes, Sailing to Salvation: The Taiwanese
Longhuapai Initiation Festival and the Question of Buddhist Orientations among <i>Zhaijiao</i>
(Vegetarian Sects)</span></a><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">.</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 222 (2023.12): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">135-85</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">百可思。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">吞噬糍粑,駛往救世:關於臺灣龍華派過光場儀式以及齋教之佛教導向問題</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">222 (2023.12): </span><span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">135-85</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。<span></span></span></p><a name='more'></a><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">This paper explores the seven-day initiation
festival known as <i>guoguangchang </i></span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">過光場</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> (“passing the place of
light”) performed by the Taiwanese Longhuapai </span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">龍華派</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> (“Dragon Flower Sect”) as an intersection of not only sectarian
but also Buddhist, Daoist, Confucian, and popular religious teachings, rituals,
cosmological notions, moral values, cultural idioms, and material religion.
Drawing on a 2010 case study of the Audience at Heaven Hall (Chaotiantang </span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">朝天堂</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">) in Changhua City (</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">彰化市</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">), as well as Qing-period
source material, this paper supplements existing research in situating the
festival in both the sectarian repertoire and the larger religious landscape of
Chinese societies. By picking three rituals as case studies, I demonstrate the
synthetic fusion of various elements that cut across established scholarly
categories, such as Buddhist, Daoist, or sectarian. I look at (1) Altar arrangements
that theatrically reenact cosmogenesis according to native Chinese and Daoist
cosmologies; (2) The Collective salvation of neophytes in the “dharma boat” (<i>fachuan</i>
</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">法船</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">) ritual; and, (3) The ritual preparation of a rice offering,
which, in its most recent variant, explicates a fusion of native and Buddhist
cosmological concepts.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">This paper thus seeks to contribute to the
long-standing scholarly discussion of conceptualizing some religious group as
“Vegetarian Sects,” <i>zhaijiao</i> </span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">齋教</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">, an umbrella term used in
Taiwan to denote the Longhuapai and two other sectarian traditions. While
earlier studies priorities their purportedly Buddhist orientation, including
the late Danial Overmyer’s pioneering characterization of Chinese sects as
“folk Buddhist religion,” I draw attention to other diverse religious elements
in the Longhuapai’s initiation festival, and thereby seek to highlight the
highly “synthetic” nature of its teaching and practices.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">本文擬探討臺灣龍華派「過光場」的七天入教儀式,認為它作為齋教以及佛教、道教、儒家與民間宗教教義、儀式、宇宙觀、道德價值觀、文化成語和物質宗教的交集。通過於</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">2010</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">年在彰化市的朝天堂的田野調查以及清朝時期的資料,本文以齋教及中國宗教史為背景,分析該儀式來補充現有的研究。本文以七天道場的三個儀式作為個案研究,顯示各種宗教元素的合成融合,如此跨越了既定的學術類別,如佛教、道教,甚至是民間教派。這三個案包括:⑴祭壇安排,反映出傳統中國和道教的宇宙觀;⑵「法船」儀式中對新齋友的集體救世;以及⑶準備供飯的小儀式,尤其最近闡述了傳統中國與佛教宇宙觀的融合。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p><span style="color: #003366; font-family: "華康中圓體(P)", sans-serif;">因此,本文試圖對龍華派以及類似民間教派構想的悠久學術問題做出貢獻。早先研究者平常以佛教導向的假設來分析這些民間教派,這種觀點原歸功於已故的歐大年教授在其對中國民間教派的開創性研究中對他所謂的「民間佛教」的探索。相比之下,本文提請注意龍華派入教儀式中的各種宗教元素,從而試圖強調該教派的教義和實踐的高度「合成」性質。</span> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-35241165752021544672023-12-26T06:00:00.000+00:002024-03-20T08:16:42.597+00:00當代冀東南民間教派的儀式專家:以經卷為中心的研究<p><span style="color: #003366; font-family: "華康中圓體(P)", sans-serif;">徐天基、羅丹。〈當代冀東南民間教派的儀式專家:以經卷為中心的研究〉。</span><span style="color: #003366; font-family: "華康中圓體(P)", sans-serif;">《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: Arial, sans-serif;">222 (2023.12): 187-229</span><span style="color: #003366; font-family: "華康中圓體(P)", sans-serif;">。</span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><a name="_Hlk145585024"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Xu Tianji and Luo Dan. “The Ritual Experts of
Contemporary Popular Religious Sects in Southeast Hebei: A Study Centered on
Scriptures.”</span></a><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> Journal of Chinese Ritual,
Theatre and Folklore</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> 222 (2023.12): 187-229.<span></span></span></p><a name='more'></a><o:p></o:p><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p> </o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p> </o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">明清以來,冀東南地區的民間教派林立,教門文化是鄉村社會宗教生活的底色。無生老母創世與救劫為教門文化提供了宇宙觀基礎,懷抱無字真經登法船赴金城是這種神話和信仰的終極關懷。功果圓滿是能否認祖歸鄉的根本,功和功果形成了一套道德經濟系統。功分內外,內功相當於道德貨幣。外功類似於通貨,需要通過利他行為獲取,從外功到功果的轉換,原理類似於通貨與資產間的轉換。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">冀東南現存大量民間經卷,它們是明清以降各教派經卷的雜糅,廣泛流布在表功師傅群體中。表功師傅有文武之分,作為明清以來當地教派傳統的繼承人與實踐者,通過「表功」儀式從事著功</span><span style="color: #003366; font-family: "新細明體",serif; mso-bidi-font-family: 新細明體;">╱</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">功果的轉換。他們同時是功果的修行者,打坐、誦經、跑功、朝山用於修持內功,看事行好、做會、送亡用以累積外功。功</span><span style="color: #003366; font-family: "新細明體",serif; mso-bidi-font-family: 新細明體;">╱</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">功果轉化的禮物經濟系統為這些儀式實踐提供了基礎框架,而教派文化的劫變觀是該系統的神聖來源。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">本文通過對冀東南地區表功師傅的經卷、信仰及儀式實踐的研究,拓展地方宗教研究中對民間儀式專家的認知,試圖回應一個根本性的問題:地方宗教生活的內在邏輯和理性如何在教派宗教脈絡中體現?</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p> </o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Since the Ming and Qing dynasties, many popular
religious sects have flourished in southeast Hebei, with sectarian culture
constituting a core feature of the sociocultural life this area’s rural
society. The belief in the Eternal Venerable Mother </span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">無生老母</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> as the creator and savior of the world provides a cosmological
foundation to sectarian culture. Ultimately, it is believed, sectarian members
would hold the <i>wuzi zhenjing</i> </span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">無字真經</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> (wordless true scripture)
in their arms, board the <i>jinchuan</i> </span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">金船</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> (golden boat), and sail to
the Jincheng </span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">金城</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> (golden fortress). Merit and the perfection of achievements
determined according to a moral economic system is the key to reaching
Jincheng, with merit classified as <i>neigong </i></span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">內功</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> and<i> waigong </i></span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">外功</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">: the former is equal to
moral money, while the latter resembles moral currency that needs to be acquired
through altruistic behavior. The conversion mechanism from <i>gong</i> </span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">功</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">to<i> gongguo</i> </span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">功果</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> is similar to the
conversion between currency and assets.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">There are a large number of folk scriptures in
southeast Hebei, which are a mixture of works produced by various sects during
the Ming and Qing dynasties. These texts have spread widely among groups of
merit-delivering masters <i>(biaogong shifu</i> </span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">表功師傅</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">). As inheritors of these late imperial sectarian traditions,
merit-delivering masters can be divided into civil (<i>wen</i> </span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">文</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">) and martial (<i>wu</i> </span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">武</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">) types, with both
practicing the ritual of merit conversion. Merit-delivering masters also act as
practitioners of <i>gongguo</i>: accumulating <i>neigong</i> via meditation,
chanting, pilgrimage, and <i>paogong</i> </span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">跑功</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">; and acquiring <i>waigong</i>
by doing good deeds, making offerings, and performing the <i>songwang</i> </span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">送亡</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> ritual under the framework of the “gift-economy” system of the <i>gong</i>/<i>gongguo</i>
transformation.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">This article, through a study of the scriptures,
beliefs, and rituals of southeast Hebei’s merit-delivering masters, enhances
our knowledge of popular ritual experts in studies of local religion. It asks
and answers a fundamental question: How does the inner logic and reasoning of
local religious life thrive within the context of sectarian religion?<o:p></o:p></span></p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-82215551473035056512023-12-25T03:09:00.000+00:002024-03-20T08:17:02.183+00:00流動的神譜:以山西洪洞五道將軍為個案<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">王堯。〈流動的神譜:以山西洪洞五道將軍為個案〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">222 (2023.12): 231-85</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><a name="_Hlk145585074"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Wang Yao</span></a><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">The Fluid Pantheon in Local Religion: A Case Study of the
General of the Five Paths in Hongdong, Shanxi Province</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” </span><i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Journal of Chinese
Ritual, Theatre and Folklore</span></i><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> 222 (2023.12): 231-85.<span></span></span></p><a name='more'></a> <span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">五道將軍起源甚早,自唐以來見諸傳世和出土文獻,信仰樣貌頗顯雜糅。宋元以後五道將軍在民間漸趨普遍,職能多為向陰司報送消息、溝通陰陽兩界,護佑、禳災、驅邪,是村落的守護之神。目前所見文獻和田野調查的五道將軍(大神)多指向一位神靈,且均顯示出與冥府的關聯。與此不同的是,筆者在山西洪洞發現,五道將軍通常被認為是五位來歷不同的神靈,在儀式中最活躍的是火龍將軍。山西洪洞的五道將軍分化為多位不同身分的神靈,並且通過口頭傳統和儀式與本土的神靈體系建構了深厚的關聯,其原先轄理五道輪迴或冥司之職已淡出信眾記憶。本文將全力剖析民眾發明這一信仰傳統的外在因素和心理機制。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p><span style="color: #003366; font-family: Arial, sans-serif;">The cult of the General of the Five Paths (Wudao
jiangjun) in China can be dated back to the early medieval period, with its
complicated and varied iconography recorded in documents since the Tang
dynasty. This deity became highly popular, and was worshiped both as an
underworld bureaucratic deity as well as a tutelary god in villages. In
documents and ethnography, the General (or the Great God) of the Five Paths
almost always refers to one single deity connected with the underworld bureaucracy.
However, in Hongdong, Shanxi province, the General of the Five Paths has
transformed into five different deities, the most prominent of which is the
General of the Fire Dragon (Huolong jiangjun). These five deities have also
established a close relationship with the Hongdong pantheon through oral
traditions and rituals, and as a result their links to the five paths of
reincarnation and underworld authority have largely been forgotten by local
believers. This paper seeks to re-appraise the external factors and
psychological mechanisms of the local commoners who invented this popular
belief.</span> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-56636164456785771662023-12-24T02:40:00.000+00:002024-03-20T08:17:19.556+00:00性別與親密:泰山娘娘相關寶卷中的人神關係<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">馬竹君。〈性別與親密:泰山娘娘相關寶卷中的人神關係〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">222 (2023.12): 287-331</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Ma Zhujun</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Gender and Intimacy: Deity-Human Relationships in Precious
Scrolls about the Lady of Mount Tai</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and Folklore</i> 222 (2023.12): 287-331.<span></span></span></p><a name='more'></a>
<span lang="EN-SG" style="color: #003366; font-family: "Arial",sans-serif; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><a href="https:"></a> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">寶卷受眾的性別身分的問題一直以來是中國民間宗教研究的關注點之一,女性在泰山女神信仰中的角色也值得更多討論。作為明清以來華北地區最受崇拜的神祇之一,泰山娘娘以保佑生育著稱,學界多突出泰山娘娘作為生育女神的母性一面,並認為其信徒多為祈求生育的婦女。本文通過對泰山娘娘信仰中的朝山進香實踐中的香客的性別身分、泰山娘娘相關寶卷的實際和目標受眾的性別身分的梳理,釐清了進香實踐中更為豐富的性別內涵。其後,本文轉而討論中國宗教研究中衡量人神關係的理論視角,將泰山娘娘信仰和相關寶卷中的實踐納入強調培養一對一的親密關係的維度討論,並具體說明泰山娘娘相關寶卷是如何為香客展示一系列與泰山娘娘互動和模仿泰山娘娘的身體實踐。其中,寶卷中所倡導的模仿性實踐以泰山娘娘的成神之旅和香客的進香過程為比喻,將在身體內部景觀的存思遨遊、朝山進香、遊山觀景的實際旅程和繡製、繪畫泰山娘娘形象的身體實踐平行起來。在說明不同性別群體在泰山娘娘信仰實踐中都有所參與的前提下,本文將寶卷關於「天下男女來進香」的呼籲解讀為超越性別的包容性、普世性的追求。這種包容性給予了面對諸多限制的明清女性開拓更大的社會和個人空間和追求宗教超脫的機會。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p><span style="color: #003366; font-family: Arial, sans-serif;">The gender identity of precious scrolls audiences
has long been a leading question in studies of Chinese popular religions, while
women’s roles in the cult of the Goddess of Mount Tai (the Lady of Mount Tai)
deserve further discussion. As one of the most popular deities in the North
China Plain since late imperial times, the Lady of Mount Tai has gained renown
for her efficacy in reproduction and childrearing. Scholars therefore highlight
her maternal aspects, and assume that her devotees are primarily women who pray
for childbirth. I explore a more nuanced reading of this cult’s gender aspects
as seen in pilgrimages to the Lady by discussing pilgrims’ gender identities as
well as the distinction between the intended and actual audiences of precious
scrolls about the Lady. In addition, I review theories about deity-human
relationships in studies of Chinese religions, and propose to discuss practices
in the Lady of Mount Tai cult through a theory that highlights intimacy in such
relationships. This paper also showcases how precious scrolls about the Lady
demonstrate bodily practices that interact with and emulate her. In the case of
emulative practices in precious scrolls, I demonstrate a metaphoric parallel
between the journey of the Lady becoming a goddess and the pilgrimage of a
worshipper, where the alchemic visualization in the inner body, the actual
travel experience of pilgrimage, and the bodily practices of embroidering and
painting the image of the Lady are woven together. Taking account of both male
and female participation in the cult of the Lady of Mount Tai, I interpret the
exhortation about “Men and women in the world, go on pilgrimage” in precious
scrolls as an inclusive, universal appeal that transcends gender. This
inclusivity gave women who faced more constraints in late imperial society
possibilities to carve out a broader social and personal space, and to pursue
religious transcendence.</span> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-44933263845613462852023-11-01T01:10:00.003+00:002023-11-01T01:14:27.444+00:00Call for Papers / 徵稿啟事<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><a name="_Hlk149642667"><b><span style="color: #a50021; font-family: "華康中圓體(P)",sans-serif; font-size: 14.0pt; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">瑤族宗教與文化研究的新典範</span></b></a><span lang="EN-US" style="color: #0066cc; font-family: "華康粗黑體(P)",sans-serif; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold;"><o:p></o:p></span></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none; mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;"><b><span lang="EN-US" style="color: #a50021; font-family: "Arial",sans-serif; font-size: 14.0pt; mso-fareast-font-family: "華康中圓體\(P\)";">New
Paradigms for the Study of Yao Religion and Culture<span></span></span></b></p><a name='more'></a><span lang="EN-US" style="color: #0066cc; font-family: "華康粗黑體(P)",sans-serif; mso-bidi-font-family: Arial;"><o:p></o:p></span><p></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #0066cc; font-family: "華康粗黑體(P)",sans-serif; font-size: 14.0pt; layout-grid-mode: line; mso-bidi-font-family: Arial;"> </span></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><b><span style="color: #a50021; font-family: "華康粗黑體(P)",sans-serif; font-size: 14.0pt; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">專題徵稿啟事</span></b><b><span lang="EN-US" style="color: #a50021; font-family: "Arial",sans-serif; font-size: 14.0pt; layout-grid-mode: line; mso-fareast-font-family: "華康粗黑體\(P\)";"><o:p></o:p></span></b></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><b><span lang="EN-US" style="color: #a50021; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></b></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><a name="_Hlk149642708"><b><span style="color: #a50021; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">專題摘要投稿截止日期</span></b></a><b><span lang="EN-US" style="color: #a50021; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">2023</span></b><b><span style="color: #a50021; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">年</span></b><b><span lang="EN-US" style="color: #a50021; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">11</span></b><b><span style="color: #a50021; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">月</span></b><b><span lang="EN-US" style="color: #a50021; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">30</span></b><b><span style="color: #a50021; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">日</span></b><b><span lang="EN-US" style="color: #a50021; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;">
</p><p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><b><span style="color: #a50021; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">專題論文截稿日期</span></b><b><span lang="EN-US" style="color: #a50021; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">2024</span></b><b><span style="color: #a50021; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">年</span></b><b><span lang="EN-US" style="color: #a50021; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">6</span></b><b><span style="color: #a50021; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">月</span></b><b><span lang="EN-US" style="color: #a50021; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">30</span></b><b><span style="color: #a50021; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">日</span></b><b><span lang="EN-US" style="color: #a50021; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; mso-pagination: widow-orphan;"><span lang="EN-US" style="color: #a50021; font-size: 14pt;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; mso-pagination: widow-orphan;"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;">The Mienic-speaking peoples, commonly referred to as “Pan
Yao” (</span><span face="細明體" style="mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial; mso-ligatures: standardcontextual;">盤瑤</span><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;">) and “Lan Dian Yao” (</span><span face="細明體" style="mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial; mso-ligatures: standardcontextual;">藍靛瑤</span><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;">) in Chinese, belong to the Hmong-Mien
linguistic family, residing in southern China, the highlands of Southeast Asia,
and some Western countries. Their religion is characterized by communal
ordination (for males), ritual manuscripts written in Chinese characters, and
various ritual elements arguably adopted from southern Daoist schools such as
Tianxin Zhengfa, Lingbao, and Qingwei. The term “Yao Daoism” is thus designed
to describe Yao religious culture. Since the 1970s, “Yao Daoism” has generated
significant interest among scholars in sinology, Daoist studies, and manuscript
cultures worldwide. In the past decade, international collaborations on
digitalization and research of Yao manuscripts have further propelled the study
of Yao religion and culture onto the global stage. The “Yao Studies” have
emerged as a prominent field that intersects various important disciplines.
Michel Strickmann (1982: 23-30) once suggested that the Yao religion underwent
“Daoization” because of the implementation of imperial civilizing projects.
Subsequent research, investigating different themes of ritual manuscripts and
conducting ethnographic studies in many Yao communities of distinct regions and
locations, discovered elements of shamanistic beliefs, esoteric Buddhism,
Confucianism, regional culture, and local worship within the Yao religion.
Furthermore, the Yao, who migrated to the highlands of present-day Southeast
Asian countries since the Ming and Qing dynasties, often adjusted their
religious practices in response to political, economic, and inter-ethnic
contexts. In other words, the applicability of the term “Yao Daoism” needs to
be re-examined, and the variations in “Yao Daoism” created and adjusted by the
Yao in different cultural contexts also require more in-depth investigation.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; mso-pagination: widow-orphan;"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; mso-pagination: widow-orphan;"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;">The primary focus of this special issue is on the religion
and culture of the Mienic-speaking peoples, Mien and Mun (autonyms). However,
research on other Yao subgroups, such as those referred to as “Chashan Yao” (</span><span face="細明體" style="mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial; mso-ligatures: standardcontextual;">茶山瑤</span><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;">) from the Kam-Sui speaking groups or “Baiku
Yao” (</span><span face="細明體" style="mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial; mso-ligatures: standardcontextual;">白褲瑤</span><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;">) from the Hmongic-speaking groups (in China,
the ethnic label of “Yao” also includes speakers of Hmongic-speaking groups,
Kam-Sui speaking groups, and Chinese dialect-speaking groups) is also welcomed.
Under this overarching theme, the special issue will cover at least the
following sub-topics:<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; mso-pagination: widow-orphan;"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; margin-left: 12pt; mso-char-indent-count: -1.0; mso-layout-grid-align: none; mso-pagination: widow-orphan; text-indent: -12pt;"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;">1. Study of Yao
religion and rituals.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; margin-left: 12pt; mso-char-indent-count: -1.0; mso-layout-grid-align: none; mso-pagination: widow-orphan; text-indent: -12pt;"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;">2. Research on
the content and materiality of Yao manuscripts.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; margin-left: 12pt; mso-char-indent-count: -1.0; mso-layout-grid-align: none; mso-pagination: widow-orphan; text-indent: -12pt;"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;">3. Study of Yao
history, migration, and inter-ethnic interaction.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; margin-left: 12pt; mso-char-indent-count: -1.0; mso-layout-grid-align: none; mso-pagination: widow-orphan; text-indent: -12pt;"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;">4. Research on
the digitalization of Yao manuscripts and its outcomes.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; margin-left: 12pt; mso-char-indent-count: -1.0; mso-layout-grid-align: none; mso-pagination: widow-orphan; text-indent: -12pt;"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;">5. Study of Yao
literature and folksong.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; margin-left: 12pt; mso-char-indent-count: -1.0; mso-layout-grid-align: none; mso-pagination: widow-orphan; text-indent: -12pt;"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;">6. Research on
the historical interactions between the Yao religion and various southern
Daoist schools.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; margin-left: 12pt; mso-char-indent-count: -1.0; mso-layout-grid-align: none; mso-pagination: widow-orphan; text-indent: -12pt;"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;">7. Other research
topics related to Yao religion and culture.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; mso-pagination: widow-orphan;"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: 細明體; mso-ligatures: standardcontextual;">This special issue on “New Paradigms for
the Study of Yao Religion and Culture” will be co-edited by Assistant Professor
Chen Meiwen and Associate Professor Chang Chaojan from the Department of
Religious Studies, Fu Jen Catholic University, Taiwan. We cordially invite
submissions on the topics mentioned above. </span><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-fareast-font-family: "Times New Roman";">Please first submit the title and abstract of
your proposed paper, approximately 500 words, to the <i>Journal of Ritual,
Theat</i></span></b><b><i><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021;">r</span></i></b><b><i><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-fareast-font-family: "Times New Roman";">e
and Folklore </span></i></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-fareast-font-family: "Times New Roman";">(</span></b><span lang="EN-US"><a href="mailto:shihhoch@ms6.hinet.net"><b><span face=""Arial",sans-serif" style="color: #a50021; mso-fareast-font-family: "Times New Roman";">shihhoch@ms6.hinet.net</span></b></a></span><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-fareast-font-family: "Times New Roman";">) by Nov. 30, 2023</span></b><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">. </span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">Please include your name, email address, mailing address and phone
number. Once the abstract is accepted, </span><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-fareast-font-family: "Times New Roman";">the complete paper will be due on June 30, 2024</span></b><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">,</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> for a double-blind review process. </span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-bidi-font-weight: bold; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast;">For
the <i>Journal</i>’s </span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "Microsoft YaHei";">“</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "Times New Roman";">Submission Guidelines,” please </span><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "Times New Roman";">consult
</span><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/p/submissions.html"><span face=""Arial",sans-serif">https://ritualtheatreandfolkloreat.blogspot.com/p/submissions.html</span></a></span><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "Times New Roman";">.</span><span face=""Arial",sans-serif" lang="EN-US" style="layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">現居住於中國南方、高地東南亞與部分歐美國家屬於苗瑤語系瑤語支的人群(普遍他稱為「盤瑤」、「藍靛瑤」等),因其宗教具有「全民度戒」的特色、大量以漢字傳抄的儀式文書,以及各種南方道派(天心正法、靈寶、清微等)的儀式要素,而被稱為「瑤傳道教」(</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">Yao Daoism</span><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">),自上世紀七〇年代起便備受國際漢學界、道教學界,以及手抄本文化研究學者的關注。近十幾年來,國際間針對瑤族儀式文書所進行的各種跨國合作的數位化與調查計畫,更進一步促使瑤族宗教與文化的研究登上國際舞臺。「瑤學」儼然成為一門國際間新興的顯學。針對「瑤傳道教」的內涵及其複雜性,早期有司馬虛(</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">Michel Strickmann</span><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)從王朝教化的角度提出瑤族宗教之所以「道教化」的假說,後續研究則根據不同類型的儀式文書以及不同區域與地點的田野考察,提出瑤族宗教中所包含的巫信仰、密教、儒學、區域文化與在地崇拜的要素。此外,瑤族作為一個自明清後便陸續往現今的東南亞國家高地遷徙的人群,在歷史過程中,其宗教實踐也常因應著所處之政治、經濟與族群互動情境做出調整與改變。換言之,「瑤傳道教」作為一個理論概念的適用性需要重新檢視,各地瑤族在不同文化處境中所創發和調適的宗教差異也需要得到更多關注。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">本次專題的徵稿對象主要以針對瑤語支瑤族的宗教與文化研究為主,但也歡迎對於其他瑤族支系(如侗水語支中他稱為「茶山瑤」、苗語支中他稱為「白褲瑤」等人群)的研究(在中國政府的分類下,中國境內的瑤族還包括苗語支、侗水語支和說漢語方言的人群)。在這個大主題下,本專號將至少包括以下幾個次主題:</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1.</span><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">瑤族宗教與儀式的研究;</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">2.</span><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">瑤族手抄本內容與手抄本物質性的研究;</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">3.</span><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">瑤族歷史、遷徙與文化接觸的研究;</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">4.</span><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">瑤族手抄本數位化及其成果的研究;</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">5.</span><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">瑤族文學、文化與民間文獻的研究;</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">6.</span><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">瑤族宗教與不同南方道派的歷史互動與接觸研究;</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">7.</span><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">其他與瑤族宗教與文化相關的議題研究。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; mso-pagination: widow-orphan;"><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">「瑤族宗教與文化研究的新典範」專題由天主教輔仁大學宗教學系張超然副教授與陳玫妏助理教授共同策畫、主編,竭誠歡迎探討上述主題的論文。</span><span face=""華康中圓體(P)",sans-serif" style="color: #a50021; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">有意投稿者請於</span><u><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">2023</span></u><u><span face=""華康中圓體(P)",sans-serif" style="color: #a50021; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">年</span></u><u><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">11</span></u><u><span face=""華康中圓體(P)",sans-serif" style="color: #a50021; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">月</span></u><u><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">30</span></u><u><span face=""華康中圓體(P)",sans-serif" style="color: #a50021; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">日</span></u><span face=""華康中圓體(P)",sans-serif" style="color: #a50021; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">前將論文題目及摘要</span><span face=""Arial",sans-serif" style="color: #a50021; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span><span face=""華康中圓體(P)",sans-serif" style="color: #a50021; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">(</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">300-500 </span><span face=""華康中圓體(P)",sans-serif" style="color: #a50021; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">字,中文或英文撰寫均可),</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">email </span><span face=""華康中圓體(P)",sans-serif" style="color: #a50021; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">至《民俗曲藝》編輯委員會收(</span><span lang="EN-US"><a href="mailto:shihhoch@ms6.hinet.net"><span face=""Arial",sans-serif" style="color: #a50021; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">shihhoch@ms6.hinet.net</span></a></span><span face=""華康中圓體(P)",sans-serif" style="color: #a50021; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)</span><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">,編委會將回覆是否合乎專題徵求。投稿信請註明姓名、電子郵件信箱、通訊地址、手機</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">/</span><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">電話等資訊,以便連絡。「瑤族宗教與文化研究的新典範」專題論文</span><span face=""華康中圓體(P)",sans-serif" style="color: #a50021; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">截稿日期為</span><u><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">2024</span></u><u><span face=""華康中圓體(P)",sans-serif" style="color: #a50021; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">年</span></u><u><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">6</span></u><u><span face=""華康中圓體(P)",sans-serif" style="color: #a50021; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">月</span></u><u><span face=""Arial",sans-serif" lang="EN-US" style="color: #a50021; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">30</span></u><u><span face=""華康中圓體(P)",sans-serif" style="color: #a50021; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">日</span></u><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。論文撰述格式請參見《民俗曲藝》「稿約」、「撰稿體例」</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">,</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)";">“Submission Guidelines”</span><span face=""華康中圓體(P)",sans-serif" style="color: #333333; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #333333; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p><span face="Arial, sans-serif" style="color: #333333;"> </span> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-62887106067593733032023-09-30T06:38:00.000+00:002023-10-31T01:57:39.222+00:00民間信仰、宗教經典與地方社會:紀念歐大年教授專輯 I<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a name="_Hlk146716616"></a><a name="_Hlk146717204"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ansi-language: EN-SG; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">民間信仰、宗教經典與地方社會:紀念歐大年教授</span></a><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ansi-language: EN-SG; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">專輯</span><span style="color: #003366; font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span lang="EN-SG" style="color: #003366; font-family: "Times New Roman", serif; font-size: 12pt;">I</span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a name="_Hlk145583619"></a><a name="_Hlk146717162"><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Special Issue on Popular Beliefs,
Religious Texts, and Local Communities in the Sinophone World: In Memory of
Professor Daniel L. Overmyer—PART</span></a><span style="color: #003366; font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span lang="EN-SG" style="color: #003366; font-family: "Times New Roman", serif; font-size: 12pt;">I</span></p><a name='more'></a><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a name="_Hlk145580263"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">趙昕毅、王見川。〈</span></a><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">前言</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〉。</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">221 (2023.9): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">1-29</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a name="_Hlk145583640"><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Chao
Shin-yi and Wang Chien-chuan</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “Introduction.” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 221 (2023.9): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">1-29</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span lang="EN-US" style="color: #003366;"> </span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; margin-bottom: 0cm; margin-left: 24.0pt; margin-right: 24.0pt; margin-top: 0cm; margin: 0cm 24pt; mso-layout-grid-align: none; mso-para-margin-bottom: 0cm; mso-para-margin-left: 2.0gd; mso-para-margin-right: 2.0gd; mso-para-margin-top: 0cm; text-autospace: none;"><a name="OLE_LINK2"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-font-kerning: 0pt;">Professor Overmyer was a pioneer in the study of Chinese popular religion.
He was one of the founding members of the Society for the Study of Chinese
Religions (SSCR) and launched <i>Bulletin of Society for the Study of Chinese
Religions</i>, the predecessor of the <i>Journal of Chinese Religions</i>. He
introduced to the Western academic world the religious life of common Chinese
people. As a University of Chicago PhD, he was well trained in theory but also
aware of its limitations. He thus emphasized close readings of the texts that
people actually used. The method of textual studies within historical and
ethnographic contexts, or HTF (“history, texts, and fieldwork), has been
rigorously followed throughout his research.<o:p></o:p></span></a></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">Articles in this Special Issue<o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">胡劼辰</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">「筆籙」鉤沉:明清扶乩的一個子類型</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">221
(2023.9): </span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">31-80</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Hu Jiechen. “Rediscovering the ‘Brush Register’: A
Sub-Type of Spirit-Writing during the Ming and Qing Dynasties.” <i>Journal of Chinese Ritual, Theatre and
Folklore </i>221 (2023.9): 31</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-80. <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/09/blog-post_25.html"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/09/blog-post_25.html</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">張玉清</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">近代江南鄉紳的扶乩結社與地方社會:以川沙道善壇為中心的考察(</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">1895-1945</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">)</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">221
(2023.9): </span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">81-136</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Zhang Yuqing. “Gentry, Spirit-Writing Groups and Local
Society in Modern Jiangnan: A Case Study of Daoshan Tan (“Altar of Doing Good”)
in Chuansha, Jiangsu (1895–1945).” <i>Journal
of Chinese Ritual, Theatre and Folklore </i>221 (2023.9): 81</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-136.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/09/1895-1945.html"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/09/1895-1945.html</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">楊春宇。〈維新時代的「脫魂術」:近代雲南遊冥類鸞書中的文體、技術和劫運觀〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">221 (2023.9): 137-86</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">Yang Chunyu. </span><span face=""華康中圓體(P)",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">“</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">Ecstatic
Journeys for an Era of Renewal: Genres, Techniques and Views of the <i>Kalpa</i>
in the Phoenix Books on Touring the Underworld from Modern Yunnan.</span><span face=""華康中圓體(P)",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">”</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> <i>Journal of Chinese Ritual, Theatre and
Folklore </i>221 (2023.9): 137-86.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/09/blog-post_21.html"><span face=""Arial",sans-serif" lang="EN-US" style="layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/09/blog-post_21.html</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">李志鴻。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">《大乘開香作用科文》與《五部六冊》寶卷的流傳</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">221 (2023.9): 187</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-220</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Li Zhihong. “<i>Dasheng Kaixiang Zuoyong Kewen</i> and the
Spread of the Precious Scrolls of the <i>Wubu Liuce</i>.” <i>Journal of Chinese Ritual, Theatre and Folklore </i>220 (2023.9): 187</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-220.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/09/blog-post_20.html"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/09/blog-post_20.html</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">宋軍。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-width: 90%; mso-hansi-font-family: Arial;">《通天混海圖》析論</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">221
(2023.9): 221</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-72</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Song Jun. “An Analysis of the <i>Tongtian Hunhai Tu</i>.”
<i>Journal of Chinese Ritual, Theatre and
Folklore </i>221 (2023.9): 221</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-72.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/09/blog-post_19.html"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/09/blog-post_19.html</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""Arial",sans-serif" lang="EN-US" style="color: navy; mso-fareast-font-family: "華康中圓體\(P\)";">Article <o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""Arial",sans-serif" lang="EN-US" style="color: navy; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">江趙展。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">「教派化」與「民間信仰化」之間:戰後淡水行忠堂之變遷與新形態</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">221 (2023.9): 273-333</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Chiang Chao-chan. “Between Sectarian
Religion and Local Cult:Transformation and New Forms of the Tamsui Xingzhong
Tang Phoenix Hall in Postwar Taiwan.” <i>Journal
of Chinese Ritual, Theatre and Folklore </i>221 (2023.9): 273-333.<o:p></o:p></span></p>
<p><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/09/blog-post.html"><span face=""Arial",sans-serif" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/09/blog-post.html</span></a> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-9213549329263004592023-09-29T01:10:00.000+00:002023-10-31T01:58:02.879+00:00「筆籙」鉤沉:明清扶乩的一個子類型<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">胡劼辰</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">「筆籙」鉤沉:明清扶乩的一個子類型</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">221 (2023.9): </span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">31-80</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Hu Jiechen. “Rediscovering
the ‘Brush Register’: A Sub-Type of Spirit-Writing during the Ming and Qing
Dynasties.” <i>Journal of Chinese Ritual,
Theatre and Folklore </i>221 (2023.9): 31</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">-80.<span></span></span></p><a name='more'></a> <o:p></o:p><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">「筆籙」一作「筆錄」,主要流行於帝制晚期中國,屬於廣義扶乩的一個子類,與文昌信仰及科舉文化關係密切。筆籙修煉者無需藉助乩筆與乩沙,直接執毛筆於紙上寫下通靈所獲的內容。筆籙最初常用於八股文的練習和科場應試,後被部分實踐者發展為文昌壇中的一種降經手段。近幾十年來鮮有學者注意到這一傳統,本文的目的就是通過搜集和梳理相關材料,以鉤沉這一被忽視許久的宗教實踐。本文第一部分主要分析散見於文人筆記小說等敘事材料中的相關記載,試圖還原出筆籙的核心元素。第二部分主要分析修煉筆籙的具體個案。第三部分主要分析幾種用於修習筆籙的科儀手冊。通過以上分析,本文希望鉤沉出筆籙的整體概況,並大致展現出它在扶乩光譜中的具體生態位。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p><span lang="EN-US" style="color: #003366; font-family: Arial, sans-serif;">The practice of “brush register” (<i>bilu</i></span><span style="color: #003366; font-family: "華康中圓體(P)", sans-serif;">筆籙</span><span lang="EN-US" style="color: #003366; font-family: Arial, sans-serif;">) or “brush recording” (<i>bilu</i></span><span style="color: #003366; font-family: "華康中圓體(P)", sans-serif;">筆錄</span><span lang="EN-US" style="color: #003366; font-family: Arial, sans-serif;">) writing was popular in late imperial China as a sub-type of
spirit-writing (<i>fuji</i>) in the broad sense of the term, with practitioners
not needing to rely on a stylus and sand but directly recording revelations on
paper instead. This practice was closely related to the Wenchang cult and civil
service examination culture. Initially used for practicing eight-legged essays
used in the exams, <i>bilu</i> was later developed by some practitioners as a
means of receiving scriptures at Wenchang altars. The purpose of this paper is
to collect and collate relevant materials in order to rediscover this
long-neglected religious practice. The paper’s opening section focuses on
narrative accounts found in anecdotal notes and novels in an attempt to recover
core elements of brush register writing. The second section focuses on specific
cases of brush register practitioners, while the third analyzes several types
of ritual manuals used as guidance for this practice. Based on the above
analysis, it is hoped that this paper will provide an overview of brush
register practices and an indication of their niche in the spectrum of
spirit-writing.</span> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-76470791307002001312023-09-28T06:14:00.000+00:002023-10-31T02:02:13.553+00:00近代江南鄉紳的扶乩結社與地方社會:以川沙道善壇為中心的考察(1895-1945)<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">張玉清</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">近代江南鄉紳的扶乩結社與地方社會:以川沙道善壇為中心的考察(</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">1895-1945</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">)</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">221
(2023.9): </span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">81-136</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Zhang Yuqing. “Gentry,
Spirit-Writing Groups and Local Society in Modern Jiangnan: A Case Study of
Daoshan Tan (“Altar of Doing Good”) in Chuansha, Jiangsu (1895–1945).” <i>Journal of Chinese Ritual, Theatre and
Folklore </i>221 (2023.9): 81</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">-136.<span></span></span></p><a name='more'></a><o:p></o:p><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">本文以川沙道善壇為個案,探討近代江南鄉紳的扶乩結社活動,及此類社團與地方社會間的互動關係。道善壇是川沙鄉紳朱源紹等人,在光緒二十一年(</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1895</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)於縣城至元善堂內部建立的呂祖乩壇。至元善堂是清末民初川沙地區最重要的地方慈善組織,在當地自治運動中居於核心地位。通過乩壇成員的交遊網絡與對外宣傳,道善壇在</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1920</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">年代成為一個頗具規模的扶乩團體,吸引了上百名信眾。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">本文利用道善壇刊印之善書及鸞諭資料,首先追溯道善壇成立與發展的過程,繼而呈現其扶乩活動與信仰內容。本文尤其關注道善壇信仰的地方特徵,如壇守神鄔景超的身分,及鸞諭對地方事務的關懷。其次,本文將考察乩壇成員的身分及其社會活動。道善壇與至元善堂的主事者多為川沙鄉紳,他們中的一部分在清末民初取得了地方自治的領導權,成為當地商會、農會及自治籌備公所的領頭人。因此,道善壇還是一個地方精英群體的集體行動,這個群體和川沙其他精英(如黃炎培等新派人士)之間的界線與對照值得探討。最後,道善壇並非一個孤立的扶乩團體,它與南匯輔化壇、上海覽德軒等鸞壇關係密切。本文將利用相關鸞諭史料,揭示當時存在於上海周邊地區的這一鸞壇網絡。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">This case study of the Daoshan tan (“Altar of Doing
Good”) in Chuansha, Jiangsu, aims to discover the links between local gentry
and spirit-writing associations in modern Jiangnan, as well as the relationship
between these groups and the local society. The Daoshan tan was a
spirit-writing group centering on Lüzu (or Patriarch Lü, Lü Dongbin), which was
established inside the Zhiyuan Charity Hall in 1895 by Zhu Yuanshao, a member
of the Chuansha gentry, and his peers. The Zhiyuan Charity Hall, located in the
county seat, was the biggest charitable organization in Chuansha during the
late Qing and early Republican periods, and also played a vital role in the
Local Self-government Campaign. Thanks to its members’ social networks and
efforts at spreading its teachings, the Daoshan tan grew into a large group
with over two hundred followers by the end of the 1920s. <o:p></o:p></span></p>
<p><span style="color: #003366; font-family: Arial, sans-serif;">This paper employs Daoshan tan’s published
revelations and morality books to achieve the following goals. First, it
describes the group’s establishment and its spirit-writing rituals based on a
discussion that focuses on the local characteristics of Daoshan tan, including
the identity of its patron deity Wu Jingchao and divine attention to local
society. Second, it investigates this group’s members and their public
activities. Leaders of the Daoshan tan and Zhiyuan Charity Hall were mainly
Chuansha gentry, some of whom served as leaders in local government during the
early twentieth century and also as chairmen of new groups, including the
chamber of commerce, the peasant association, and the self-government
preparatory office. Therefore, Daoshan tan was not only a spirit-writing
association but also an organization of certain Chuansha elites. The comparison
between this group and other elites in Chuansha (especially the New-School
elites led by Huang Yanpei) sheds new light on features of Chuansha’s local
society. Lastly, the Daoshan tan was closely related to a series of
spirit-writing groups such as the Fuhua tan in Nanhui and Lande xuan in
Shanghai, which reveals that this altar was a key part of a phoenix hall
network in Shanghai and its environs.</span> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-65232726321865039802023-09-27T06:05:00.000+00:002023-10-31T02:02:33.849+00:00維新時代的「脫魂術」:近代雲南遊冥類鸞書中的文體、技術和劫運觀<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">楊春宇</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">維新時代的「脫魂術」:近代雲南遊冥類鸞書中的文體、技術和劫運觀</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">221 (2023.9): 137</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">-86</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Yang Chunyu. “Ecstatic
Journeys for an Era of Renewal: Genres, Techniques and Views of the <i>Kalpa</i>
in the Phoenix Books on Touring the Underworld from Modern Yunnan.” <i>Journal of Chinese Ritual, Theatre and
Folklore </i>221 (2023.9): 137</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">-86.<span></span></span></p><a name='more'></a><o:p></o:p><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1840</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">年興起於川東的「飛鸞救劫」運動在</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1850</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">年代傳入雲南之後,各地善壇興起了著作鸞書的熱潮。在乩鸞和降像等附體類通神技巧之外,遊冥術作為一種脫魂術,推動了遊冥故事與善惡案證兩類文體進一步融合,促成了長篇遊冥類鸞書的出現。這類鸞書以《洞冥寶記》為代表,將冒險故事與神仙訓諭、善惡案證結合在一起,獲得了前所未有的文字表現力。本文通過梳理在當地搜集的宗教文獻,追溯這類鸞書在雲南的發展,從中可以看到善壇在各個不同時期的社會關注和危機感。從清末的紅白旗戰爭到民國的抗日戰爭再到</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">1949</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">年後的現代化,善壇在一個不斷更新的世界中持續發出自己的聲音,以「上、中、下三元」的劫運觀集中表達對時代的判斷。他們一面堅守宗教使命,一面也在不斷自我調適,顯示出民間宗教的強韌生命力。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">After the “Salvation by the flying phoenix”
spirit-writing movement, which emerged in eastern Sichuan during the 1840s,
spread to Yunnan during the 1850s, there was a boom in the production of
“phoenix books” (spirit-writing books) at local “benevolence altars”
(spirit-writing halls). In addition to possession-type trance techniques such
as spirit-writing and descending via a medium, the ecstatic type (i.e.,
visiting another world) promoted the further convergence of two traditional
genres known as “stories of touring the other world” and “stories testifying
about retribution”, which in turn led to the emergence of full-length phoenix
books about touring the other world. This type of phoenix book is represented
by <i>Dongming baoji</i> (1925), which combined adventure tales with divine
edicts and stories testifying about retribution to form an ecstatic type of
spirit-writing that featured unprecedented capabilities of literary
expressiveness. This paper traces the development of this kind of phoenix book
in Yunnan by sorting through religious literature collected in local areas,
from which we can learn about social concerns and a sense of crisis at
benevolence altars during different time periods. From the late Qing War of Red
and White Flags, to the War of Resistance against Japan (1937–1945), to
modernization after 1949, benevolence altars have continued to struggle to make
their voices heard in an ever-renewing world, expressing their judgment of the
times based on the “upper, middle, and lower primordial” view of the<i> kalpa</i>.
These groups were committed to their religious mission on the one hand, while
adapting themselves constantly to a changing world on the other. Therefore,
benevolence altars in Yunnan demonstrate the strong vitality of popular
religion.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p><p> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-44313841081569313632023-09-26T06:57:00.000+00:002023-10-31T02:02:58.408+00:00《大乘開香作用科文》與《五部六冊》寶卷的流傳<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">李志鴻。〈</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">《大乘開香作用科文》與《五部六冊》寶卷的流傳</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">221 (2023.9): 187</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">-220</span><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Li Zhihong. “<i>Dasheng
Kaixiang Zuoyong Kewen</i> and the Spread of the Precious Scrolls of the <i>Wubu
Liuce</i>.” <i>Journal of Chinese Ritual,
Theatre and Folklore </i>220 (2023.9): 187</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">-220.<span></span></span></p><a name='more'></a><o:p></o:p><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">歷史上,閩浙贛邊界地區盛行羅祖教,至遲在明萬曆年間《五部六冊》寶卷已在該地區傳承不絕,其版本函括明萬曆元年、萬曆十二年、萬曆十九年,以及清雍正七年、道光二十七年、光緒十年、光緒十九年等多種。《大乘開香作用科文》俗稱《開香本》、《起香本》、《舉香本》,所謂《開香本》實為詳載念誦《五部六冊》寶卷的方法以及儀式程式的科儀藍本,有清同治四年、民國二十三年刊本等,晚清民國以來的手抄本則不計其數。《大乘開香作用科文》不僅詳載羅祖教傳承的字派、歷代祖師名諱,亦涉及多種儀式類型,諸如:開香、報恩、還受生等儀式。對《大乘開香作用科文》進行研究,既可探究明清以來羅祖教在閩浙贛地區傳行、衍化的歷史,亦可知《五部六冊》寶卷通過儀式活動在廣大民間社會傳衍的實際情形。《大乘開香作用科文》亦提醒我們,從儀式實踐的角度入手,將對民間宗教與民間社會的關係有更深入的認識。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p><span style="color: #003366; font-family: Arial, sans-serif;">Historically, the Luozu sect was prevalent in the
border regions of Fujian, Zhejiang, and Jiangxi, where the </span><i style="color: #003366; font-family: Arial, sans-serif;">Wubu liuce</i><span style="color: #003366; font-family: Arial, sans-serif;">
(Five Books in Six Volumes) had been passed down continuously since the Ming
dynasty’s Wanli era (1572–1620). The </span><i style="color: #003366; font-family: Arial, sans-serif;">Dasheng kaixiang zuoyong kewen</i><span style="color: #003366; font-family: Arial, sans-serif;"> is
commonly known as </span><i style="color: #003366; font-family: Arial, sans-serif;">Kaixiang ben</i><span style="color: #003366; font-family: Arial, sans-serif;">, </span><i style="color: #003366; font-family: Arial, sans-serif;">Qixiang ben</i><span style="color: #003366; font-family: Arial, sans-serif;">, and </span><i style="color: #003366; font-family: Arial, sans-serif;">Juxiang ben</i><span style="color: #003366; font-family: Arial, sans-serif;">,
with the so-called</span><i style="color: #003366; font-family: Arial, sans-serif;"> Kaixiang ben</i><span style="color: #003366; font-family: Arial, sans-serif;"> actually consisting of a blueprint of
detailed recitation methods and ritual procedures from the </span><i style="color: #003366; font-family: Arial, sans-serif;">Wubu liuce</i><span style="color: #003366; font-family: Arial, sans-serif;">,
with copies published in 1865, 1934, etc. The </span><i style="color: #003366; font-family: Arial, sans-serif;">Dasheng kaixiang zuoyong kewen</i><span style="color: #003366; font-family: Arial, sans-serif;">
not only details the generation name-characters of the Luozu sect and the names
of past patriarchs, but also a variety of ritual types. Through the study of </span><i style="color: #003366; font-family: Arial, sans-serif;">Dasheng
kaixiang zuoyong kewen</i><span style="color: #003366; font-family: Arial, sans-serif;">, we can explore the history and evolution of the
Luozu sect in Fujian, Zhejiang, and Jiangxi since the Ming and Qing dynasties,
and learn more about the actual processes by which the precious scrolls of the </span><i style="color: #003366; font-family: Arial, sans-serif;">Wubu
liuce</i><span style="color: #003366; font-family: Arial, sans-serif;"> spread in local society during rituals.</span> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-5889571518520655612023-09-25T06:17:00.000+00:002023-10-31T02:03:16.700+00:00《通天混海圖》析論<p><span style="color: #003366; font-family: "華康中圓體(P)", sans-serif;">宋軍。〈</span><span style="color: #003366; font-family: "華康中圓體(P)", sans-serif;">《通天混海圖》析論</span><span style="color: #003366; font-family: "華康中圓體(P)", sans-serif;">〉。《民俗曲藝》</span><span lang="EN-US" style="color: #003366; font-family: Arial, sans-serif;">221
(2023.9): 221</span><span lang="EN-US" style="color: #003366; font-family: Arial, sans-serif;">-72</span><span style="color: #003366; font-family: "華康中圓體(P)", sans-serif;">。</span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Song Jun. “An Analysis of the
<i>Tongtian Hunhai Tu</i>.” <i style="mso-bidi-font-style: normal;">Journal of
Chinese Ritual, Theatre and Folklore </i>221 (2023.9): 221</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">-72<span style="layout-grid-mode: line;">.<span></span></span></span></p><a name='more'></a><o:p></o:p><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p> </o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p> </o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span style="color: #003366; font-family: "華康中圓體(P)",sans-serif; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">關於「成化禁書」經目及其中的若干同名存世經卷,正引起中國民間教派研究者的興趣,因為它有助於我們認識十五世紀甚至更早的民間教派信仰的狀況,上世紀末發現的《通天混海圖》抄本為我們提供了又一個有價值的文本。本文重新校勘了「成化禁書」經目,並基於《通天混海圖》的經文內證,同時輔之以外證,論證該經是成書於明初、以末劫為主題的預言書,包含有明清教派經卷所共有的若干應劫救世母題,可以被定位作早期經卷。關於《通天混海圖》與「成化禁書」關聯性的問題,本文從李賓題本中歸納出可能來自「成化禁書」的若干標記,再展現它們程度不等地出現在包括《通天混海圖》在內的七部疑似「成化禁書」的存世經卷之中,從而推斷這些經卷至少屬於「成化禁書」的後世衍生本。此外,本文通過文本互涉的方法,說明《通天混海圖》與《照仙爐經》、《三煞截鬼經》之間,存在着相當程度的關聯性,從而證實曹新宇提出的「成化禁書」應被視為一個整體的假說。</span><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";">Scholars of Chinese sectarian religion have become
increasingly interested in the contents of “The 1475 Forbidden Book List” and
its surviving texts, as they can enhance our understanding of the reality of
popular religious sects in the fifteenth century and earlier. One of the most
valuable texts in the “List” is the <i>Tongtian hunhai tu</i>, which was
discovered during the late twentieth century. After analyzing the “List”
through both internal and external evidence, this article argues that the <i>Tongtian
hunhai tu </i>was written during the early Ming dynasty, and is a book of
prophecies about the <i>kalpa</i>-catastrophe, including some motifs of
salvation shared by different sects in Ming and Qing China. Therefore, the
author argues that this work represents an early sectarian text. Regarding the
link between the <i>Tongtian hunhai tu</i> and the “List,” this article
summarizes “signs” that may be related to the “List” in Li Bin’s text.
Furthermore, it demonstrates that these signs also appeared in the seven
existing books from the “List,” including the <i>Tongtian hunhai tu</i>, with
the author maintaining that these books are later derivational texts from the
“List.” Based on intertextual study, the author shows the links between the <i>Tongtian
hunhai tu</i>, <i>Zhaoxianlu jing</i>, and <i>Sansha jiegui jing</i>, thereby
proving Cao Xinyu’s hypothesis about the unifying features of “The 1475
Forbidden Book List.”<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15.0pt; mso-layout-grid-align: none;"><span lang="EN-US" style="color: #003366; font-family: "Arial",sans-serif; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p> </o:p></span></p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-56343595555261876882023-09-24T06:16:00.000+00:002023-10-31T02:03:56.231+00:00「教派化」與「民間信仰化」之間:戰後淡水行忠堂之變遷與新形態<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">江趙展。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">「教派化」與「民間信仰化」之間:戰後淡水行忠堂之變遷與新形態</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">221 (2023.9): 273-333</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Chiang Chao-chan. “Between Sectarian
Religion and Local Cult:Transformation and New Forms of the Tamsui Xingzhong
Tang Phoenix Hall in Postwar Taiwan.” <i>Journal
of Chinese Ritual, Theatre and Folklore </i>221 (2023.9): 273-333.<span></span></span></p><a name='more'></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">Abstract<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">「教派」(</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">sectarian religions</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)與「民間信仰」(</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">local cults</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)長期作為華人宗教研究的分類架構,然而應如何適當的區別二者?本文嘗試透過「宇宙觀」、「組織化程度」及「儀式種類╱類型(特別是文字傳統、口語傳統之差異)」作為判別標準;若上述程度越完善,則可視為往教派化發展;反之則向民間信仰化邁進。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">不過鸞堂並不容易在此二分法以及單向發展的框架下被歸類。因此筆者嘗試捨棄非</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">A</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">即</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">B</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">的架構,並以北臺灣著名的鸞堂—淡水行忠堂—作為個案,將其置於「教派—民間信仰」的光譜中做觀察。其中筆者發現,鸞堂是一種既可轉變為教派,又可朝向民間信仰發展的中介性(</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">liminal</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)宗教組織。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">在教派化的歷程中,戰後行忠堂曾透過再版過往鸞書及短暫成立「淡水孔學會」等方式發展,但此過程僅為曇花一現。大約與此同時,亦可發現行忠堂的扶鸞也隨着社會變遷,從原先的「不開言」轉向與乩童相近的「開言」形態,呈現一種「民間信仰化」的趨勢。之後,該堂也藉由納入「拜斗╱建醮」與「誦經團」所構成的「法會」作為其主要的儀式。而法會中所具有的綜攝性質(</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">syncretism</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)也再次將朝向民間信仰化發展的鸞堂,帶入了另一種中介性的新形態。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">The distinction between sectarian religions and local
cults has long been used as a classification framework in studies of Chinese
religions, but what is the best way to distinguish between the two? I propose
three types of criteria for achieving this goal, namely cosmology, degree of
organization, and ritual category/type (especially differences between literary
and oral traditions). If a religious group develops in the direction of these
criteria, it may be viewed as becoming sectarian; if development occurs in the
opposite direction, it could become a local cult. <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">However, it has proven extremely difficult to
classify phoenix halls using this dichotomous framework. Therefore, this paper
attempts to transcend such a framework by means of a case study of the Tamsui
Xingzhong tang, a famous phoenix hall in northern Taiwan. The data presented in
this paper reveal that the history of this hall has been marked by development
towards becoming both a sectarian religion and a local cult, which marks it as
a liminal religious organization.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">In terms of sectarian development, clear examples
include the Xingzhong tang republishing its early spirit-writing texts and
establishing the “Tamsui Confucian Organization”, but these trends proved
short-lived. Other developments took place around the same, including spirit-writing
rituals changing from “non-speaking” to “speaking” forms similar to
spirit-medium rites. Later on, the Xingzhong tang adopted the practice of
“dharma ceremonies” (<i>fahui</i>) consisting of “Dipper Bushel
Ceremonies/Daoist Offering Ceremonies” (<i>lidou fahui</i>/<i>jianjiao fahui</i>),
with scripture chanting troupes (<i>songjing tuan</i>) playing increasingly
important ritual roles. The resulting syncretic nature of these rites has moved
this phoenix hall into another liminal state of existence.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p><p><span></span></p> <p></p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.comtag:blogger.com,1999:blog-2554400753950144412.post-80919514006958868052023-06-30T01:43:00.000+00:002023-09-18T06:10:35.939+00:00飲食模式、物性與文化專輯 II<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ansi-language: EN-SG; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">飲食模式、物性與文化專輯</span></b><b><span face=""Arial",sans-serif" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></b><b><span lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: Arial;">II</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Special Issue on "Modes
of Diet, Materialities and Culture" </span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">— Part</span></b><b><span lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: Arial;"> II<span></span></span></b></p><a name='more'></a><b><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b><p></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王嵩山</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">飲食模式、物性與文化:導論</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">220 (2023.6): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">1-10</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Wang Sung-shan</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">. “Modes of Diet,
Materialities and Culture: </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">Introduction</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.” <i>Journal of Chinese Ritual, Theatre and
Folklore</i> 220 (2023.6): </span><span face=""Arial",sans-serif" lang="EN-SG" style="color: #003366; mso-ansi-language: EN-SG; mso-fareast-font-family: "華康中圓體\(P\)";">1-10</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span lang="EN-US" style="color: #003366;"> </span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a name="OLE_LINK2"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">作為文化形式的飲食模式,既涉及社會科學四個重要概念:社群、社會、文化與認知,也涉及當代文化資產保存所隱涵的差異性的社會組織與價值的問題。人類學對飲食模式的研究,或從文化論(象徵或理想的上層結構,</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">superstructure</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)的角度,探索文化界定飲食模式,飲食被視為思考方式的一部分,飲食模式因此涉及文化內在的分類、價值與意義之原則。另一方面,文化物質論者則通過科學的、物質的、行為的、外觀的過程研究策略解釋社會文化體系的演化現象。因此,飲食行為應該考量的是諸如人口的、經濟的、技術的、和環境的變數等下層結構</span><span face=""Arial",sans-serif" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">(</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">infrastructure</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)。而強調飲食模式涵蓋於內部與政治經濟等社會體系的組成元素等結構(</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";">structure</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">),對於飲食模式的研究因此就需處理生產、交換、消費等動態性的社會關係。事實上,飲食模式已是跨學科的議題,涉及生物、科技、人文、社會等領域。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span lang="EN-US" style="color: #003366; font-size: 14pt; mso-hansi-font-family: 新細明體;"> </span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">Articles in this
special issue<o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">王廷宇</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">家屋、火塘與共食:四川嘉絨藏人家屋中的飲食與空間分布模式</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">220 (2023.6): </span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">11-62</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Wang Tingyu. “House, Hearth and Communal Meals: The Food
and Space Arrangement in Sichuan rGyalrong Tibetan Houses.” <i>Journal of Chinese Ritual, Theatre and
Folklore </i>220 (2023.6): 11</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-62. <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/06/blog-post_20.html"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/06/blog-post_20.html</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">張正霖</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">打造「經典客家菜」:飲食敘事、族群政策與臺灣客家意象之建構(</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">2000</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">年迄今)</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">220
(2023.6): </span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">63-115</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Chang Cheng-lin. “Shaping “Classic Hakka Cuisine”: Food
Narratives, Ethnic Policy, and the Construction of Hakka Images in Taiwan since
2000.” <i>Journal of Chinese Ritual, Theatre
and Folklore </i>220 (2023.6): 63</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-115.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/06/2000.html"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/06/2000.html</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">莊梓忻</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">從身體實踐到社群認同:花蓮大陳女性的日常生活「食」作</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">220 (2023.6): 117</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-66</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Chuang Tzu-hsin. “From Bodily Practices to Community
Identity: Daily Food Preparation by Dachen Women in Hualien.” <i>Journal of Chinese Ritual, Theatre and
Folklore </i>220 (2023.6): 117</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-66.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/06/blog-post_17.html"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/06/blog-post_17.html</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">凃燕如、雷頴然、藤岡達磨、王向華、邱愷欣。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">試論「商品、生產及消費的循環」:以「拉麵」發展史為例</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">220 (2023.6): 167</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-202</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Tu Yen-ju, Lui Wing Yin, Fujioka Tatsuma, Wong Heung Wah,
and Yau Hoi-yan. “A Preliminary Study of the Mutual Determination of the
Cultural Meaning of Commodities, Their Production and Consumption: Ramen in
Japan as an Example.” <i>Journal of Chinese
Ritual, Theatre and Folklore </i>220 (2023.6): 167</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-202.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/06/blog-post_16.html"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/06/blog-post_16.html</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">Articles<o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">林振源、呂燁。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-width: 90%; mso-hansi-font-family: Arial;">敕水禁壇比較研究:以贛東北上饒地方道教為中心</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">220
(2023.6): 203</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-60</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Lin Chen-yuan and Lü Ye. “Comparative Research on <i>Chishui
Jintan</i>: A Focus on Local Taoism in Northeast Jiangxi.” <i>Journal of Chinese Ritual, Theatre and Folklore </i>220 (2023.6): 203</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-60.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/06/blog-post_15.html"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/06/blog-post_15.html</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">江柏煒。〈</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-width: 90%; mso-hansi-font-family: Arial;">「祠墓合一」的文化景觀:都市化歷程中的新加坡雙龍山五屬義祠之變遷</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〉。《民俗曲藝》</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">220 (2023.6): 261</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-305</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">。</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)";">Chiang Bo-wei. “The Cultural Landscape of ‘Integration
of Cemetery and Ancestral Hall’ of Hakka Immigrants in Singapore: A Case Study
of Ying Fo Fui Kun Ancestral Temple in Urbanization Processes.” <i>Journal of Chinese Ritual, Theatre and
Folklore </i>220 (2023.6): 261</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">-305.<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/06/blog-post.html"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2023/06/blog-post.html</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; font-size: 14pt; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">王嵩山教授主編專題系列</span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a name="OLE_LINK6" style="text-align: justify;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~</span></a></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">219</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">期(</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">2023.3</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">)目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">(摘要參見</span><span face=""Arial",sans-serif" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";"> </span><a href="https://ritualtheatreandfolkloreat.blogspot.com/2023/03/i.html"><span face=""Arial",sans-serif" lang="EN-US" style="layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">https://ritualtheatreandfolkloreat.blogspot.com/2023/03/i.html</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";"> </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">)</span><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">飲食模式、物性與文化專輯</span></b><b><span lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">I </span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">飲食模式、物性與文化:導論</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">可食與不可食的分類建構:以荖葉飲食與食安為例</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">張育銓</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">刺激與調和:初探日本飲食中的「辣」</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">陳建源</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">涼茶在民間:香港涼茶的傳承與發展</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">張展鴻、田穎儀</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">消失又重現於生活中的毛蟹:溪流、人與水生生物的互動關係</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">鄭肇祺</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">近代臺灣柴魚的生產與消費:以臺東為核心</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">曾齡儀</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">211</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">期(</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">2021.3</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">(摘要參見</span><a href="https://ritualtheatreandfolkloreat.blogspot.com/2021/03/ii.html"><span face=""Arial",sans-serif" lang="EN-US" style="layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2021/03/ii.html</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt; mso-hansi-font-family: "華康中圓體\(P\)";"> </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">)</span><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">製作文化</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">專輯</span></b><b><span lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">II</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">製作文化:導論</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">無形文化資產的再生產:以嘉義城隍廟九大柱中元普度為例</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><st1:personname w:st="on"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">江志宏</span></st1:personname><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">無形文化遺產的永續發展:臺灣客家八音的生態變遷與樂人、制度調節者、機構主事者的遺產化適應</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">許馨文</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">誰的「常民」?臺灣竹工藝文化資產的成形及其課題</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">江明親</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">210</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">期(</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">2020.12</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">(摘要參見</span><span face=""Arial",sans-serif" lang="EN-US" style="color: blue; mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2020/12/blog-post_30.html</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">)</span><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">製作文化</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt; mso-hansi-font-family: Arial;">專輯</span></b><b><span lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">I</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">製作文化:導論</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">祭儀地景的多重記憶與環境偏移:南勢阿美族里漏部落船祭活動變遷與文化製作</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">李宜澤</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">走上回家的山徑,讓石板家屋升起煙來:由一趟臺東布農社群「尋根之旅」</span><span face=""Arial",sans-serif" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">思考「文化資產」的認同與實踐</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">謝博剛</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">土氣、洋氣還是接地氣?重新「觀看」時尚伸展臺上的民族服裝與族群服飾</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">何兆華、王廷宇</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">都蘭阿美人的文化再生產:以護衛舞的傘與矛為例</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">林芳誠</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">201</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">期(</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">2018.9</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">(摘要參見</span><a href="https://ritualtheatreandfolkloreat.blogspot.com/2018/08/ii.html"><span face=""Arial",sans-serif" lang="EN-US" style="mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2018/08/ii.html</span></a><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">)</span><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">亞太儀式、節慶與社會文化實踐專輯</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">II<o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><a name="OLE_LINK3"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">亞太儀式、節慶與社會文化實踐</span></a><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">:導論</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">民俗、藝能與文化資產:沖繩竹富島的當代儀式實踐</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">趙綺芳</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">香港潮僑盂蘭勝會的「申遺」與潮屬社群的重建</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">呂永昇</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">神在此間:浙江鄉村醮儀召請科儀本中的空間觀念折衝</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">屈嘯宇、彭連生</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">200</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">期(</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">2018.6</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">(摘要參見</span><span lang="EN-US"><a href="https://ritualtheatreandfolkloreat.blogspot.com/2018/07/i.html"><span face=""Arial",sans-serif" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">https://ritualtheatreandfolkloreat.blogspot.com/2018/07/i.html</span></a></span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">)</span><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">亞太儀式、節慶與社會文化實踐專輯</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">I <o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">亞太儀式、節慶與社會文化實踐:導論</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">是傳統還是創新?儀式、性別階序與規範實踐之間的阿美族都蘭婦女組</span><i><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">militepuray</span></i><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">羅素玫</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">聖母意象與無形文化遺產:以都會阿美族「愛的饗宴」和「慶祝聖母升天節」祭典活動為例的分析</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">葉淑綾</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">文化遺產的束縛或護衛?以阿米斯音樂節的文化實踐與創造能動性為例</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">林芳誠</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">193</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">期(</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">2016.9</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">(摘要參見</span><span face=""Arial",sans-serif" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span><span lang="EN-US"><a href="http://ritualtheatreandfolkloreat.blogspot.tw/2016/10/ii.html"><span face=""Arial",sans-serif" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">http://ritualtheatreandfolkloreat.blogspot.tw/2016/10/ii.html</span></a></span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">)</span><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">無形文化遺產與地方社會專輯</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">II<o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">無形文化遺產與地方社會:導言</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〔專題:研究論文〕</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">跨文化表演的研究途徑:臺灣一場緬甸音樂表演的互為主體與多點民族誌研究</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">呂心純</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">卡那卡那富祭儀與族群共同體之重構</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">林曜同</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">全球重要農業遺產系統的主體性與真實性建構:臺東池上水圳耕作區與花蓮壽豐河川地種植的案例分析</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">張育銓</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">〔專題:研究紀要〕</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">「民俗及有關文物」登錄指定與地方實踐:以「雲林六房媽過爐」為例</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">徐雨村</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">192</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">期(</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">2016.6</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">(摘要參見</span><span lang="EN-US"><a href="http://ritualtheatreandfolkloreat.blogspot.tw/2016/08/i.html"><span face=""Arial",sans-serif" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">http://ritualtheatreandfolkloreat.blogspot.tw/2016/08/i.html</span></a></span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">)</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 12pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">無形文化遺產與地方社會專輯</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">I<o:p></o:p></span></b></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">無形文化遺產與地方社會:導言</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">傳承的挑戰:排灣古樓巫師傳統的衰微與復振</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">胡台麗</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">遺產化過程中的媽祖進香:儀式變遷與地方賦權的考察</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">呂玫鍰</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">花樣本:貴州苗族刺繡技藝傳承與地方社會</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">何兆華</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">達邦社戰祭歌謠作為口傳音樂文化遺產的研究</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">呂鈺秀</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)"; mso-hansi-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">186</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">期(</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">2014.12</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">)目錄</span></b><b><span face=""Arial",sans-serif" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> <span lang="EN-US"><o:p></o:p></span></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">(摘要參見</span><span lang="EN-US"><a href="http://ritualtheatreandfolkloreat.blogspot.tw/2015/02/ii.html%23more"><span face=""Arial",sans-serif" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">http://ritualtheatreandfolkloreat.blogspot.tw/2015/02/ii.html#more</span></a></span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">)</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">文化遺產與記憶專輯</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">II<o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">文化遺產與記憶:導言</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">文化遺產的脈絡、記憶與詮釋:以萬山岩雕為例</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">王美青</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">信仰、記憶與建構:談六房媽過爐</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">黃漢偉</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">臺灣媽祖廟現存「御匾」研究:兼論其所反映的集體記憶與政治神話</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">李建緯</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">185</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">期(</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">2014.9</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">)目錄</span></b><b><span face=""Arial",sans-serif" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> <span lang="EN-US"><o:p></o:p></span></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">(摘要參見</span><span lang="EN-US"><a href="http://ritualtheatreandfolkloreat.blogspot.tw/2014/11/i.html"><span face=""Arial",sans-serif" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">http://ritualtheatreandfolkloreat.blogspot.tw/2014/11/i.html</span></a></span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">)</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">文化遺產與記憶專輯</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">I<o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">文化遺產與記憶:導言</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">朝鮮宗廟祭禮樂的當代保存與記憶</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">黃心蓉</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">當「做花」成「做人」:施洞苗族非物質文化遺產之傳承與變遷</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">何兆華</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">創世史詩梅葛的記憶:楚雄彝族歌謠的傳統與再現</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">黃季平</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">176</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">期(</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">2012.6</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">)目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">(摘要參見</span><span lang="EN-US"><a href="http://ritualtheatreandfolkloreat.blogspot.tw/2012/06/blog-post.html"><span face=""Arial",sans-serif" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">http://ritualtheatreandfolkloreat.blogspot.tw/2012/06/blog-post.html</span></a></span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">)</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none; text-align: justify; text-justify: inter-ideograph;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">物、地方知識與空間觀專輯</span></b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">導論:物、地方知識與空間觀</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">物質性、符號與美感所在:陶壺世界的感知詮釋</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">萬煜瑤</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><a name="OLE_LINK13"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">京都祇園祭宵山的文化展演與空間</span></a><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">黃貞燕</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">日治時期北港朝天宮建築空間之變遷</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">蔡侑樺、徐明福</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">遺產做為一種空間識別:花蓮豐田社區的遺產論述</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">張育銓</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">166</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">期</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> (2009.12) </span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">(摘要參見</span><span lang="EN-US"><a href="http://ritualtheatreandfolkloreat.blogspot.tw/2016/05/blog-post_61.html"><span face=""Arial",sans-serif" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">http://ritualtheatreandfolkloreat.blogspot.tw/2016/05/blog-post_61.html</span></a></span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">)</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">民俗實踐、物與時間觀專輯</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">導論:民俗實踐、物與時間觀</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">找吃找穿的時間:貴州施洞苗人曆法實踐中的我群建構</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">何兆華</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">食物符碼與儀式行動:從賽夏社會關係的建構到時間連結的體現</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">胡家瑜</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">"Tradition,? Internal Debates, and Future
Directions: The Concept of Tradition and Its Relation to Time in the Practices
of the Chinese Seven-Stringed Zither (<i>Qin</i>)
/ Tsai Tsan-huang<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">賽夏音樂中的時間疊置與延展</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">呂鈺秀</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">臺南廖枝德司阜落篙程序之研究</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">林宜君、吳宗江、徐明福</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">形式<span lang="EN-US">‧</span>變貌:大溪木器形式風格之探索</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">賴明珠</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">161</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">期</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> (2008.9) </span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">身體、藝術與社會專輯</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">導論:身體、藝術與社會</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">身體自主、理性主體與戲劇想像:尼采與亞理斯多德</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">吳承澤</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">身體.歷史.性別.權力:舞蹈劇場與臺灣社會,</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">1980s–1990s / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">陳雅萍</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">浪漫化的瘋癲:戲曲中的大腦疾病</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">蔡振家</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">排灣族藝術圖像中「人」的形體與意象分析:從神話與雕刻談起</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">萬煜瑤</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">歷史紀念館的展示敘述:身體、紀念與歷史關聯的初步探討</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">曹欽榮</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">157</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">期</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> (2007.9) </span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">展示文化專輯</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">II<o:p></o:p></span></b></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">導論:展示文化</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">異、色、毒:北東南亞山地族群的觀光圖像</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">謝世忠</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">形塑茶藝:臺茶博覽會之展示建構與想像</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">駱鴻捷</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">文化產業中文化如何展開?</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">劉大和</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">產業遺址製造與城市形象工程:以魯爾區(</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">Ruhr Area</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">)區域轉型為例</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">楊凱成</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">156</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">期</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> (2007.6) </span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">展示文化專輯</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">I<o:p></o:p></span></b></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">導論:展示文化</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">達悟落成慶禮中</span><i><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">anood</span></i><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">的音樂現象及其社會脈絡</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">呂鈺秀</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><i><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">Makapahay a calay</span></i><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">(美麗之網):當代都蘭阿美人歌舞的生活實踐</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">蔡政良</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">誰的戰爭歷史?:金門戰史館的國族歷史</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">vs.</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">民間社會的集體記憶</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">江柏煒</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">讓吃鼓藏及我們的村子走向世界:地方菁英的敘述與苗的現代性</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">簡美玲</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">重構臺南平埔「公廨」空間:形式溯源與轉化探討</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">郭美芳、徐明福</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">152</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">期</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> (2006.6) </span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">文化遺產與城市生活專輯</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">導言</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">—</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">文化遺產與城市生活</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">原型與變異</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">—</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">試論戰前大溪木器產業的源起與開展</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">賴明珠</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">神聖與凡俗的交錯</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">—</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">臺中市東、西區土地公廟的研究</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">舒奎翰</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">做月內與坐月子中心</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">—</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">舊民俗轉為新產業</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">黃季平</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">傳統的再生與變異</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">—</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">當代梅州佛教香花的職業化與未來趨向</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王馗</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">臺中新樂軒與何厝關係之研究</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">柯孟潔</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">148</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">期</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> (2005.6) </span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">全球化與地方文化展演專輯</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">導論</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> <span lang="EN-US"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">胡撇仔的分裂時空</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">———</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">從「本土文化」之外再看歌仔戲</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">司黛蕊</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">殖民化與全球化:從日治時期音樂學者的調查記錄看臺灣原住民音樂的變遷及其成因</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王櫻芬</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">日本地方產業振興設施之案例研究</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">———</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">地場產業振興中心與道之驛之探討</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">黃世輝</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">阿里山鄒族的「舊文化」與「新傳統」</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> </span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal" style="layout-grid-mode: char; line-height: 15pt; mso-layout-grid-align: none;"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">《民俗曲藝》第</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;">142</span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">期</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"> (2003.12) </span></b><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; layout-grid-mode: line; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-font-kerning: 0pt;">目錄</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; layout-grid-mode: line; mso-fareast-font-family: "華康中圓體\(P\)"; mso-font-kerning: 0pt;"><o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">臺灣的民俗研究方法論反思專輯</span></b><b><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></b></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">前言:臺灣的民俗研究方法論反思</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">王嵩山</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">廟記錄的方法論</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">─</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">臺灣三次廟普查案例的比較</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">黃季平</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">以社羣概念探討祭祀組織與文化</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">─</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">以大湖鄉北六村的臺灣客家聚落為例</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">林秀幸</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">民俗學、民族學與舞蹈研究</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">─</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">方法論的回顧</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">趙綺芳</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">民族音樂學研究概念與採譜方法論</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">─</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">以其於臺灣原住民音樂研究之應用為例</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">呂鈺秀</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">臺灣布袋戲研究的方法論</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">陳龍廷</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">民族誌作為一種民間工藝研究方法之初探</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";">─</span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">以研究者經驗為出發</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> / </span><span face=""華康中圓體(P)",sans-serif" style="color: #003366; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial;">陳怡方</span><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"><o:p></o:p></span></p>
<p class="MsoNormal"><span face=""Arial",sans-serif" lang="EN-US" style="color: #003366; mso-fareast-font-family: "華康中圓體\(P\)";"> </span></p>
<p><span face="Arial, sans-serif"> </span> </p>Ritual, Theatre and Folklorehttp://www.blogger.com/profile/12195164998050832134noreply@blogger.com