吳佩熏。〈北港媽祖轎前「馬陣吹」的歷史傳承與藝師蘇仁義的宗教實踐〉。《民俗曲藝》232 (2026.6): 51–106。
Wu Pei-hsun. “The Historical Lineage of Beigang Mazu’s Mazhenchui Temple Procession Troupe and Master Artist Su Ren-yi’s Religious Practice.” Journal of Chinese Ritual, Theatre and Folklore 232 (2026.6): 51–106.
何兆華。〈流動中的花樣：貴州革一苗族花樣本的圖像學、民族誌與知識傳承〉。《民俗曲藝》232 (2026.6): 199–251。
Ho Zhaohua. “Patterns in Motion: Iconography, Ethnography, and Knowledge Transmission in Miao Embroidery Samplers from Geyi (Guizhou).” Journal of Chinese Ritual, Theatre and Folklore 232 (2026.6): 199–251.
褚填正。〈文化資產審議新範例：文化部指定國定古蹟的嘉義城隍廟〉。《民俗曲藝》224 (2024.6): 283-319。
Chu Tien-cheng. “A New Paradigm for Reviewing Cultural Assets: The Chiayi City God Temple, a National Monument Designated by the Ministry of Culture.” Journal of Chinese Ritual, Theatre and Folklore 224 (2024.6): 283-319.
從城鎮、國家到世界：戲戲節的美學碰撞與文化政治專輯
Special Issue on "From Cities and Countries to the World: Aesthetic Collisions, Cultures, and Politics in Theatre Festivals"
許仁豪。〈藝術節在民間：以「亞洲廣場」藝術節與趙川「草台班」為討論核心〉。《民俗曲藝》218 (2022.12): 7-57。
Hsu Jen-hao Walter. “Art Festivals in Folk Worlds: A Discussion Centering on the Asia Madang Arts Festival and Zhao Chuan’s Grass Stage.” Journal of Chinese Ritual, Theatre and Folklore 218 (2022.12): 7-57.
厲復平。〈《層中隙》滲透臺南藝術節城市舞臺的文化治理與空間政治〉。《民俗曲藝》218 (2022.12): 59-112。
Lee Fu-ping. “The Infiltration of Mellemrum Tainan into Cultural Governance and Politics of Space in the City Stage Tainan Arts Festival.” Journal of Chinese Ritual, Theatre and Folklore 218 (2022.12): 59-112.
傅裕惠。〈歌仔戲現代劇場化的全面演練：試探幾種藝術節機制與場域對新編歌仔戲的影響〉。《民俗曲藝》218 (2022.12): 113-59。
Fu Yu-hui. “A Comprehensive Drill of Traditional Taiwanese Opera in Modern Theatre: Probing into the Effects on Its Original Creations from the Field and Mechanism of Several Theatre Festivals.” Journal of Chinese Ritual, Theatre and Folklore 218 (2022.12): 113-59.
劉智豪。〈消逝、轉化與再生產：以日本鹿兒島南薩摩林家媽祖信仰文化為例〉。《民俗曲藝》218 (2022.12): 161-87。
Liu Chih-hao. “Fadeaway, Transformation, and Reproduction: A Case Study of Mazu Belief Culture in South Satsuma, Kagoshima, Japan.” Journal of Chinese Ritual, Theatre and Folklore 218 (2022.12): 161-87.
劉祐誠。〈「家將坐炮」魅力的轉向：以八家將團嘉義振祐堂為例〉。《民俗曲藝》218 (2022.12): 189-231。
Liou You-cheng. “Shifts in the Attractiveness of Jiajiang Confronting Firecrackers: A Case Study of the Chiayi Zhenyou Troupe.” Journal of Chinese Ritual, Theatre and Folklore 218 (2022.12): 189-231.
江桂珍。〈織織不倦：烏來泰雅族服的經緯之間〉。《民俗曲藝》217
(2022.9): 27-65。
Chiang Kuei-chen. “Between Warp and Woof: The Invention of Ethnic Costume of Ulay Atayal.” Journal of Chinese Ritual, Theatre and Folklore 217 (2022.9): 27-65.
王瀞苡。〈臺灣刺繡神明衣之流變與人觀〉。《民俗曲藝》217 (2022.9): 67-104。
Wang Ching-yi. “The Evolution and Personhood of Embroidered Deity’s Clothing in Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 217 (2022.9): 67-104.
余明旂、張至善。〈排灣族平織技藝民族誌：以平和 (Piyuma) 部落及古樓 (Kuljaljau) 部落為中心〉。《民俗曲藝》217 (2022.9): 105-59。
Semuenuq Paljaljuman and Chang Chi-shan. “Ethnography of Paiwan Plain Weaving with a Special Emphasis on That of the Piyuma and the Kuljaljau Tribes.” Journal of Chinese Ritual, Theatre and Folklore 217 (2022.9): 105-59.
王廷宇。〈從二十世紀初舊照片中的服飾來談三個四川西北嘉絨貴族家庭的服飾〉。《民俗曲藝》216
(2022.6): 27-88。
Wang Tingyu. “A Study
of Three rGyalrong Noble Families’ Clothing in
Call for Papers / 徵稿啟事
專題摘要投稿截止日期
專題論文截稿日期
Journal of Chinese
Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)
No. 212, June 2021
甲必丹制度的現代變奏：以柔佛古廟遊神為個案 (The
Modern Variation of the Kapitan System: A Case Study of the
Affiliating to a Communal Temple via the Statue of a Deity:
Firecracker Societies in Macau, 1900-1966 (以一個神像依附社區寺廟：澳門炮會，1900-1966)
瓊州火雷聖娘信仰探源 (A Study on the Goddess of
Fire and Thunder in Kheng-chew)
文化資產與國族想像：臺南府城日治時期古蹟詮釋中的時空再現 (Cultural
Heritage and National Imaginings: Time and Space in the Interpretation of
Monuments from Japanese Era in
姚明俐。〈文化資產與國族想像：臺南府城日治時期古蹟詮釋中的時空再現〉。《民俗曲藝》212 (2021.6): 161-214。
Yao Ming-li. “Cultural Heritage and National Imaginings: Time and Space in the Interpretation of Monuments from Japanese Era in Tainan.” Journal of Chinese Ritual, Theatre and Folklore 212 (2021.6): 161-214.
江志宏。〈無形文化資產的再生產：以嘉義城隍廟九大柱中元普度為例〉。《民俗曲藝》211 (2021.3): 9-57。
Chiang Chih-hung. "The Reproduction of Intangible Cultural Heritage: A Case Study of the Nine Pillars’ Chungyuan Festival Rituals at City God Temple in Chiayi." Journal of Chinese Ritual, Theatre and Folklore 211 (2021.3): 9-57.
江明親。〈誰的「常民」？臺灣竹工藝文化資產的成形及其課題〉。《民俗曲藝》211
(2021.3): 117-65。
Chiang Min-chin Kay. "Whose “Folk”? On the Formation and Related Issues of Taiwan’s Bamboo Cultural Heritage." Journal of Chinese Ritual, Theatre and Folklore 211 (2021.3): 117-65.