明代選本、曲譜中所見《五倫全備記》考

吳秀卿、何鑫。〈明代選本、曲譜中所見《五倫全備記》考〉。《民俗曲藝》228 (2025.6): 1–43。

Oh Sookyung and He Xin. “A Study on the Wulunquanbei Ji in Ming Anthologies and Compendia of Scores.” Journal of Chinese Ritual, Theatre and Folklore 228 (2025.6): 1–43.

晚明曲類選本「三欄併讀」初探：以《琵琶記》、《三國記》選齣為例

汪詩珮。〈晚明曲類選本「三欄併讀」初探：以《琵琶記》、《三國記》選齣為例〉。《民俗曲藝》225 (2024.9): 59-124。

Wang Shih-pe. “Exploring the ‘Triple-Register-Reading Strategy’ in Late Ming Qu Anthologies: Selections from Pipa Ji and Sanguo Ji.” Journal of Chinese Ritual, Theatre and Folklore 225 (2024.9): 59-124.

晚明曲選《詞珍雅調》的編刻策略與書籍特色

 陳志勇。〈晚明曲選《詞珍雅調》的編刻策略與書籍特色〉。《民俗曲藝》225 (2024.9): 125-52。

Chen Zhiyong. “Editorial Strategies and Book Features of the Late Ming Qu Anthology Cizhen Yadiao.” Journal of Chinese Ritual, Theatre and Folklore 225 (2024.9): 125-52.

The Interplay between Popular Songs and Dramas in Late Ming Qu Anthologies

Chen Jiani. “Linking the World of Performative Texts: The Interplay between Popular Songs and Dramas in Late Ming Qu Anthologies.” Journal of Chinese Ritual, Theatre and Folklore 225 (2024.9): 153-90.

陳佳妮。〈鏈接表演文本的世界：晚明曲選中時曲小調與戲曲的互動〉。《民俗曲藝》225 (2024.9): 153-90。

論晚明曲選《怡春錦》之編選理念與時代特色

林芷瑩。〈論晚明曲選《怡春錦》之編選理念與時代特色〉。《民俗曲藝》225 (2024.9): 191-231。

Lin Chih-ying. “Exploring the Editorial Philosophy and Contemporaneity of the Late Ming Qu Anthology Yichun Jin.” Journal of Chinese Ritual, Theatre and Folklore 225 (2024.9): 191-231.

明清妙善觀音戲的市場需求與敘事變異

林智莉。〈明清妙善觀音戲的市場需求與敘事變異〉。《民俗曲藝》224 (2024.6): 1-47。

Lin Zhi-li. “Market Demand and Narrative Variations of Miaoshan Guanyin Dramas during the Ming and Qing Dynasties.” Journal of Chinese Ritual, Theatre and Folklore 224 (2024.6): 1-47.

被搬演的真實：1920年代上海時事戲《槍斃閻瑞生》

程筱媛。〈被搬演的真實：1920年代上海時事戲《槍斃閻瑞生》〉。《民俗曲藝》224 (2024.6): 49-89。

Cheng Hsiao-yuan. “Reality on Stage: Executing Yen Ruisheng, a 1920’s Topical Drama in Shanghai.” Journal of Chinese Ritual, Theatre and Folklore 224 (2024.6): 49-89.

閻王、三姑、白蛇傳：戰後地下黨的「工人政治戲劇」（1949–1950s）

林傳凱。〈閻王、三姑、白蛇傳：戰後地下黨的「工人政治戲劇」（1949–1950s）〉。《民俗曲藝》223 (2024.3): 105-51。

Lin Chuan-kai. “Yan Wang, Sangu, and the White Snake: A History of the “Workers’ Political New Drama” of the Post-War Underground Party (1949-1950s).” Journal of Chinese Ritual, Theatre and Folklore 223 (2024.3): 105-51.

藝術節在民間：以「亞洲廣場」藝術節與趙川「草台班」為討論核心

許仁豪。〈藝術節在民間：以「亞洲廣場」藝術節與趙川「草台班」為討論核心〉。《民俗曲藝》218 (2022.12): 7-57。

Hsu Jen-hao Walter. “Art Festivals in Folk Worlds: A Discussion Centering on the Asia Madang Arts Festival and Zhao Chuan’s Grass Stage.” Journal of Chinese Ritual, Theatre and Folklore 218 (2022.12): 7-57.

《層中隙》滲透臺南藝術節城市舞臺的文化治理與空間政治

厲復平。〈《層中隙》滲透臺南藝術節城市舞臺的文化治理與空間政治〉。《民俗曲藝》218 (2022.12): 59-112。

Lee Fu-ping. “The Infiltration of Mellemrum Tainan into Cultural Governance and Politics of Space in the City Stage Tainan Arts Festival.” Journal of Chinese Ritual, Theatre and Folklore 218 (2022.12): 59-112.

歌仔戲現代劇場化的全面演練：試探幾種藝術節機制與場域對新編歌仔戲的影響

傅裕惠。〈歌仔戲現代劇場化的全面演練：試探幾種藝術節機制與場域對新編歌仔戲的影響〉。《民俗曲藝》218 (2022.12): 113-59。

Fu Yu-hui. “A Comprehensive Drill of Traditional Taiwanese Opera in Modern Theatre: Probing into the Effects on Its Original Creations from the Field and Mechanism of Several Theatre Festivals.” Journal of Chinese Ritual, Theatre and Folklore 218 (2022.12): 113-59.

馬來西亞職業歌仔戲戲班在困境中的經營策略與劇種形塑

林鶴宜。〈馬來西亞職業歌仔戲戲班在困境中的經營策略與劇種形塑：從「新麒麟」到「筱麒麟」〉。《民俗曲藝》216(2022.6): 141-200。

Lin Ho-yi. “Professional Malaysian Gezaixi Troupes’ Management Strategy and Genre Formulation in Times of Trouble: From Xin Kî-lîn to Sió Kî-lîn.” Journal of Chinese Ritual, Theatre and Folklore 216(2022.6): 141-200.

戲曲的傳統再造與當代性

戲曲的傳統再造與當代性專輯

Special Issue on "The Reconstruction of the Theatrical Tradition in the Contemporary Context"

《王魁負桂英》的當代映象：以京劇、豫劇、歌仔戲編演為例

張啟豐。〈《王魁負桂英》的當代映象：以京劇、豫劇、歌仔戲編演為例〉。《民俗曲藝》209 (2020.9): 7-65。

Chang Chi-feng. “Contemporary Images of Wang Kuei’s Betrayal of Kuiying: Case Studies of Peking Opera, Taiwan Bangzi Opera, and Kua-a Opera.” Journal of Chinese Ritual, Theatre and Folklore 209 (2020.9): 7-65.

九〇年代以來歌仔戲「正典化」的美學現象

傅裕惠。〈九〇年代以來歌仔戲「正典化」的美學現象〉。《民俗曲藝》209 (2020.9): 67-110。

Fu Yu-hui. “The Aesthetics of Canonization in Traditional Taiwanese Opera since 1990s.” Journal of Chinese Ritual, Theatre and Folklore 209 (2020.9): 67-110.

電視歌仔戲「新調創作」的傳統、承襲與轉化：以劉文亮作品《天龍傳奇》為例

陳歆翰。〈電視歌仔戲「新調創作」的傳統、承襲與轉化：以劉文亮作品《天龍傳奇》為例〉。《民俗曲藝》209 (2020.9): 111-29。

Chen Hsin-han. “Tradition, Convention and Transformation of TV Gezixi: A Case Study of Dragon Legend by Liu Wenliang.” Journal of Chinese Ritual, Theatre and Folklore 209 (2020.9): 111-29.

崑劇與日本傳統戲曲的當代跨劇種展演：以1998年至2018年的日本演出為例

林和君。〈崑劇與日本傳統戲曲的當代跨劇種展演：以1998年至2018年的日本演出為例〉。《民俗曲藝》209 (2020.9): 131-68。

Lin Ho-chun. “Contemporary Cross-Genre Performance of Kun Opera and Traditional Japanese Opera in 1998–2018.” Journal of Chinese Ritual, Theatre and Folklore 209 (2020.9): 131-68.

論新編佛教崑劇《未生怨》的阿闍世題材和寺院演出意義

司徒秀英。〈論新編佛教崑劇《未生怨》的阿闍世題材和寺院演出意義〉。《民俗曲藝》209 (2020.9): 169-209。

SI TOU Sau Ieng. “On the Buddhist Kunqu Opera Innate Resentment: Its Subject of Ajase and the Significance of Temple Performances.” Journal of Chinese Ritual, Theatre and Folklore 209 (2020.9): 169-209.

Baojuan (Precious Scrolls) and Festivals in the Temples of Local Gods in Changshu, Jiangsu

Rostislav Berezkin. “Baojuan (Precious Scrolls) and Festivals in the Temples of Local Gods in Changshu, Jiangsu.” Journal of Chinese Ritual, Theatre and Folklore 206 (2019.12): 115-175.

白若思。〈江蘇省常熟市寶卷與地方神廟的廟會〉。《民俗曲藝》206 (2019.12): 115-175。

霹靂日系布袋戲：《Thunderbolt Fantasy東離劍遊紀》的演藝特質

吳明德。〈霹靂日系布袋戲：《Thunderbolt Fantasy東離劍遊紀》的演藝特質〉。《民俗曲藝》205 (2019.9): 265-312。

Wu Ming-te. “The Japanese Style Puppetry of Pili: The Characteristics of the Performing Arts of Thunderbolt Fantasy: Dongli Jianyou Ji.” Journal of Chinese Ritual, Theatre and Folklore 205 (2019.9): 265-312.