都蘭阿美族傳統樂舞傳承的糾纏：永續性、聲音形象與策略性關係

施永德。〈都蘭阿美族傳統樂舞傳承的糾纏：永續性、聲音形象與策略性關係〉。《民俗曲藝》233 (2026.9): 229–72。

DJ W. Hatfield. “Entangled in Transmission: Sustainability, Figure of Sound, and Strategic Relations in ’Etolan ’Amis Music and Dance Traditions.” Journal of Chinese Ritual, Theatre and Folklore 233 (2026.9): 229–72.

排灣族平織技藝民族誌：以平和 (Piyuma) 部落及古樓 (Kuljaljau) 部落為中心

余明旂、張至善。〈排灣族平織技藝民族誌：以平和 (Piyuma) 部落及古樓 (Kuljaljau) 部落為中心〉。《民俗曲藝》217 (2022.9): 105-59。

Semuenuq Paljaljuman and Chang Chi-shan. “Ethnography of Paiwan Plain Weaving with a Special Emphasis on That of the Piyuma and the Kuljaljau Tribes.” Journal of Chinese Ritual, Theatre and Folklore 217 (2022.9): 105-59.

走上回家的山徑，讓石板家屋升起煙來：由一趟臺東布農社群「尋根之旅」思考「文化資產」的認同與實踐

謝博剛。〈走上回家的山徑，讓石板家屋升起煙來：由一趟臺東布農社群「尋根之旅」思考「文化資產」的認同與實踐〉。《民俗曲藝》210 (2020.12): 65-104。

Hsieh Po-kang. "Bunun’s Homecoming: Rethinking Ethnic Identity and the Practice of Cultural Heritage in the 'Return to Hahaul Action.'" Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 65-104.

祭儀地景的多重記憶與環境偏移：南勢阿美族里漏部落船祭活動變遷與文化製作

李宜澤。〈祭儀地景的多重記憶與環境偏移：南勢阿美族里漏部落船祭活動變遷與文化製作〉。《民俗曲藝》210 (2020.12): 9-63。

Lee Yi-tze. "Environmental Shift and Multi-Memories of Ritual Landscape: Making Culture through the Transformation of the Lidaw Tribe’s Boat Ritual." Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 9-63.

都蘭阿美人的文化再生產：以護衛舞的傘與矛為例

林芳誠。〈都蘭阿美人的文化再生產：以護衛舞的傘與矛為例〉。《民俗曲藝》210 (2020.12): 145-96。

Lin Fang-chen. "Umbrella or Spear? A Case Study on the Cultural Reproduction in Kulakul (Warrior Dance) of ‘Atolan Amis." Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 145-96.

是傳統還是創新？儀式、性別階序與規範實踐之間的阿美族都蘭婦女組militepuray

羅素玫。〈是傳統還是創新？儀式、性別階序與規範實踐之間的阿美族都蘭婦女組militepuray〉。《民俗曲藝》200 (2018.6): 25-101。

Lo Su-mei. “'Tradition' or 'Creation'? Women’s Organization Militepuray in Between the Practices of ‘Atolan Amis Rituals and Norms of Gender Hierarchy.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 25-101. 

聖母意象與無形文化遺產：以都會阿美族「愛的饗宴」和「慶祝聖母升天節」祭典活動為例的分析

葉淑綾。〈聖母意象與無形文化遺產：以都會阿美族「愛的饗宴」和「慶祝聖母升天節」祭典活動為例的分析〉。《民俗曲藝》200 (2018.6): 103-36。

Yeh Shu-ling. “The Image of Mother Mary and Intangible Heritage: An Analysis Based on Studies of Such Ritual Activities as 'Love Feast' and 'Assumption of the Blessed Mother Mary' Celebrated by the Urban Amis.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 103-36.

文化遺產的束縛或護衛？以阿米斯音樂節的文化實踐與創造能動性為例

林芳誠。〈文化遺產的束縛或護衛？以阿米斯音樂節的文化實踐與創造能動性為例〉。《民俗曲藝》200 (2018.6): 137-200。

Lin Fang-chen. “Safeguarding or Restraining Cultural Heritage? Cultural Practice and Agency of Creativity in the Amis Music Festival.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 137-200.

法制化體系的保障或切割？以都蘭阿美人的歌舞實踐為例談無形文化遺產法制化體系與原住民族文化主體性的展現

林芳誠。〈法制化體系的保障或切割？以都蘭阿美人的歌舞實踐為例談無形文化遺產法制化體系與原住民族文化主體性的展現〉。《民俗曲藝》196 (2017.6): 15-83。

Lin Fang-chen. “Protection or Excision? Legal System of Intangible Cultural Heritage and the Representation of Indigenous Cultural Identity, a Case Study on the Songs and Dances of ‘Atolan Amis.” Journal of Chinese Ritual, Theatre and Folklore 196 (2017.6): 15-83.

清末噶瑪蘭基督徒與漢番社會網絡

王政文。〈清末噶瑪蘭基督徒與漢番社會網絡〉。《民俗曲藝》195 (2017.3): 141-206。

Wang Cheng-wen. “Social Networks between Han Chinese and Plains Aborigine Christians in Kavalan (Yilan) during the Late Qing.” Journal of Chinese Ritual, Theatre and Folklore 195 (2017.3): 141-206.

卡那卡那富祭儀與族群共同體之重構

林曜同。〈卡那卡那富祭儀與族群共同體之重構〉。《民俗曲藝》193 (2016.9): 63-128。

Lin Yao-tung. “Kanakanavu Rituals and the Reconstruction of Ethnic Community.” Journal of Chinese Ritual, Theatre and Folklore 193 (2016.9): 63-128.

傳承的挑戰：排灣古樓巫師傳統的衰微與復振

胡台麗。〈傳承的挑戰：排灣古樓巫師傳統的衰微與復振〉。《民俗曲藝》192 (2016.6): 11-46。

Hu Tai-li. “The Challenge of Succession: Decline and Revitalization of Shamanic Traditions in Paiwan Kulalao Village.” Journal of Chinese Ritual, Theatre and Folklore 192 (2016.6): 11-46.

達邦社戰祭歌謠作為口傳音樂文化遺產的研究

呂鈺秀。〈達邦社戰祭歌謠作為口傳音樂文化遺產的研究〉。《民俗曲藝》192 (2016.6): 167-97。

Lu Yu-hsiu. “The Study of Tapang Mayasvi Ritual Music as Oral Cultural Heritage.” Journal of Chinese Ritual, Theatre and Folklore 192 (2016.6): 167-97.

原漢共譜的「山地」戀曲──談〈馬蘭姑娘〉的可能源流與認同想像

孫俊彥。〈原漢共譜的「山地」戀曲──談〈馬蘭姑娘〉的可能源流與認同想像〉。《民俗曲藝》181 (2013.9): 265-319。

Sun Chun-yen. “A Mountain Love Song between Cross Cultural Couples: A Study of the Origin and Imagined Identity of 'The Maiden of Malan.'” Journal of Chinese Ritual, Theatre and Folklore 181 (2013.9): 265-319.

試探一項平埔族習俗的解讀

簡銘宏。〈試探一項平埔族習俗的解讀〉。《民俗曲藝》180 (2013.6): 217-74。

Chien Ming-hung. "A Tentative Interpretation of a Pingpu Custom." Journal of Chinese Ritual, Theatre and Folklore 180 (2013.6): 217-74. 

意象、藝像與商品：蘭嶼達悟族飛魚文化的當代顯像

楊政賢。〈意象、藝像與商品：蘭嶼達悟族飛魚文化的當代顯像〉。《民俗曲藝》179 (2013.3): 75-121。

Yang Cheng-hsien. "Image, Representation, and Commodity: Contemporary Manifestations of Flying Fish Culture among the Tao in Orchid Island." Journal of Chinese Ritual, Theatre and Folklore 179 (2013.3): 75-121.

臺灣「山地音樂工業」與「山地歌曲」發展的軌跡：1960至70年代鈴鈴唱片及群星唱片、心心唱片的產製與競爭

黃國超。〈臺灣「山地音樂工業」與「山地歌曲」發展的軌跡：1960至70年代鈴鈴唱片及群星唱片、心心唱片的產製與競爭〉。《民俗曲藝》178 (2012.12): 163-205。
Huang Kuo-chao. “The Development of Record Industry and Aboriginal 'Mountain Songs' in Taiwan from the 1960s to the 1970s: The Production and Competition among Record Labels 'Ling-ling,' 'Chun-hsing' and 'Hsin-hsin.'” Journal of Chinese Ritual, Theatre and Folklore 178 (2012.12): 163-205.

「民歌」再思考：從《重返部落》談起

陳俊斌。〈「民歌」再思考：從《重返部落》談起〉。《民俗曲藝》178 (2012.12): 207-71。
Chen Chun-bin. “Rethinking Folksong: Based on a Restudy of Return to Tribal Villages.” Journal of Chinese Ritual, Theatre and Folklore 178 (2012.12): 207-71.

儀式性質與歌舞系統：談馬蘭部落豐年祭歌舞的類型問題

孫俊彥。〈儀式性質與歌舞系統：談馬蘭部落豐年祭歌舞的類型問題〉。《民俗曲藝》177 (2012.9): 1-55。
Sun Chun-yen. "Ritual Character and Dance System: A Study on the Types of Falangaw New Year Ritual Dances." Journal of Chinese Ritual, Theatre and Folklore 177 (2012.9): 1-55.

物質性、符號與美感所在：陶壺世界的感知詮釋

萬煜瑤。〈物質性、符號與美感所在：陶壺世界的感知詮釋〉。《民俗曲藝》176 (2012.6): 15-65。

Wan Yuh-yao. “Materiality, Symbol, and Aesthetic Locus: Perceptual Interpretation of Paiwan Pottery.” Journal of Chinese Ritual, Theatre and Folklore 176 (2012.6): 15-65.