歌仔戲現代劇場化的全面演練：試探幾種藝術節機制與場域對新編歌仔戲的影響

傅裕惠。〈歌仔戲現代劇場化的全面演練：試探幾種藝術節機制與場域對新編歌仔戲的影響〉。《民俗曲藝》218 (2022.12): 113-59。

Fu Yu-hui. “A Comprehensive Drill of Traditional Taiwanese Opera in Modern Theatre: Probing into the Effects on Its Original Creations from the Field and Mechanism of Several Theatre Festivals.” Journal of Chinese Ritual, Theatre and Folklore 218 (2022.12): 113-59.

九〇年代以來歌仔戲「正典化」的美學現象

傅裕惠。〈九〇年代以來歌仔戲「正典化」的美學現象〉。《民俗曲藝》209 (2020.9): 67-110。

Fu Yu-hui. “The Aesthetics of Canonization in Traditional Taiwanese Opera since 1990s.” Journal of Chinese Ritual, Theatre and Folklore 209 (2020.9): 67-110.

電視歌仔戲「新調創作」的傳統、承襲與轉化：以劉文亮作品《天龍傳奇》為例

陳歆翰。〈電視歌仔戲「新調創作」的傳統、承襲與轉化：以劉文亮作品《天龍傳奇》為例〉。《民俗曲藝》209 (2020.9): 111-29。

Chen Hsin-han. “Tradition, Convention and Transformation of TV Gezixi: A Case Study of Dragon Legend by Liu Wenliang.” Journal of Chinese Ritual, Theatre and Folklore 209 (2020.9): 111-29.

混雜與交融的「傳統」想像：馬來西亞在地職業戲班「麒麟」閩劇團歌仔戲劇目及演出觀察

林鶴宜。〈混雜與交融的「傳統」想像：馬來西亞在地職業戲班「麒麟」閩劇團歌仔戲劇目及演出觀察〉。《民俗曲藝》198 (2017.12): 63-126。

Lin Ho-yi. "The Intertwined and Integrated Imaginations of 'Tradition': Some Observations on the Repertoire and Performance of Kî-lîn (麒麟) Professional Hoklo (Min) Opera Troupe in Malaysia." Journal of Chinese Ritual, Theatre and Folklore 198 (2017.12): 63-126.

「日光歌劇團」演藝現象述論

蔡欣欣。〈「日光歌劇團」演藝現象述論〉。《民俗曲藝》198 (2017.12): 263-304。

Tsai Hsin-hsin. "On the Performance Phenomena of Riguang Opera Troupe." Journal of Chinese Ritual, Theatre and Folklore 198 (2017.12): 263-304.