”Different” Versions of Kunqu Singing Rules: Comparing Textual Variants in Nanci Yinzheng and Wei Liangfu’s Qulü in Late Ming Qu Anthologies

Yang Dan. “‘Different’ Versions of Kunqu Singing Rules: Comparing Textual Variants in Nanci Yinzheng and Wei Liangfu’s Qulü in Late Ming Qu Anthologies.” Journal of Chinese Ritual, Theatre and Folklore 226 (2024.12): 7-28.

楊丹。〈「另一種」崑曲曲律：《南詞引正》與晚明曲類選本中的魏良輔《曲律》比較〉。《民俗曲藝》226 (2024.12): 7-28。

Late Ming Wanderings through Space and Time: On the “Travel” Volume of the Yuefu Hongshan

Hsu Yung-fang. “Late Ming Wanderings through Space and Time: On the ‘Travel’ Volume of the Yuefu Hongshan.” Journal of Chinese Ritual, Theatre and Folklore 226 (2024.12): 29-78.

許詠芳。〈晚明的時空漫遊：論《樂府紅珊》中的〈遊賞〉卷〉。《民俗曲藝》226 (2024.12): 29-78。

明代「虞初」系列選集對唐代小說的編選和評議

康韻梅。〈明代「虞初」系列選集對唐代小說的編選和評議〉。《民俗曲藝》226 (2024.12): 79-134。

Kang Yun-mei. “Editorial Strategies and the Commentaries on Tang Tales in the Ming Yuchu Anthologies.” Journal of Chinese Ritual, Theatre and Folklore 226 (2024.12): 79-134.

論晚明清初江右文士賀貽孫的泛戲曲評述及其意義

陳志信。〈論晚明清初江右文士賀貽孫的泛戲曲評述及其意義〉。《民俗曲藝》226 (2024.12): 135-67。

Chen Chih-hsin. “The Significance of Pan-Xiqu Commentaries in the Work of the Late Ming and Early Qing Jiangxi Literatus.” Journal of Chinese Ritual, Theatre and Folklore 226 (2024.12): 135-67.

界域的文化動能：冷戰前期仰光唐人街的電影跨國網絡及其影響

呂心純。〈界域的文化動能：冷戰前期仰光唐人街的電影跨國網絡及其影響〉。《民俗曲藝》213 (2021.9): 1-47。

Lu Tasaw Hsin-chun. “Cultural Agency of the Borderlands: Transnational Cinematic Networks and Their Impacts on Rangoon Chinatown’s Early Cold War.” Journal of Chinese Ritual, Theatre and Folklore 213 (2021.9):1-47.

霹靂日系布袋戲：《Thunderbolt Fantasy東離劍遊紀》的演藝特質

吳明德。〈霹靂日系布袋戲：《Thunderbolt Fantasy東離劍遊紀》的演藝特質〉。《民俗曲藝》205 (2019.9): 265-312。

Wu Ming-te. “The Japanese Style Puppetry of Pili: The Characteristics of the Performing Arts of Thunderbolt Fantasy: Dongli Jianyou Ji.” Journal of Chinese Ritual, Theatre and Folklore 205 (2019.9): 265-312.

陶瓷史上的金屬襯片修補術：從一件以鐵片修補的排灣族古陶壺談起

謝明良。〈陶瓷史上的金屬襯片修補術：從一件以鐵片修補的排灣族古陶壺談起〉。《民俗曲藝》196 (2017.6): 219-35。

Hsieh Ming-liang. “Metal Plate-Based Repairs in the History of Ceramics: Remark on an Ancient Paiwan Pottery Vessel Repaired with an Iron Plate.” Journal of Chinese Ritual, Theatre and Folklore 196 (2017.6): 219-35.

1920-30年代臺灣民宅彩繪中的當代圖像

蔡雅蕙、徐明福。〈1920-30年代臺灣民宅彩繪中的當代圖像〉。《民俗曲藝》196 (2017.6): 237-98。

Tsai Ya-hui and Hsu Min-fu. “Modern Images of Paintings in Residential Buildings from 1920 to1930 in Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 196 (2017.6): 237-98.

藝術範型的形成、傳播與轉化

「藝術範型的形成、傳播與轉化」專輯

Special Issue on "The Formation, Transmission, and Transformation of the Paradigms in the Field of Arts and Cultural Studies"

作出臺灣味：日本蓄音器商會臺灣唱片產製策略初探

王櫻芬。〈作出臺灣味：日本蓄音器商會臺灣唱片產製策略初探〉。《民俗曲藝》182 (2013.12): 7-58。

Wang Ying-fen. “Sounding Taiwanese: A Preliminary Study on the Production Strategy of Taiwanese Records by Nippon Phonograph Company.” Journal of Chinese Ritual, Theatre and Folklore 182 (2013.12): 7-58.

從選曲通知書看臺灣古倫美亞唱片公司與日本蓄音器商會之間的訊息傳遞

劉麟玉。〈從選曲通知書看臺灣古倫美亞唱片公司與日本蓄音器商會之間的訊息傳遞──兼談戰爭期的唱片發行(1930s－1940s)〉。《民俗曲藝》182 (2013.12): 59-98。

Liou Lin-yu. “The Role of the “Notifications of Music Selection” in the Course of Music Album Release between the Taiwan Columbia Record Company and the Nippon Phonograph Co. (1930s-1940s).” Journal of Chinese Ritual, Theatre and Folklore 182 (2013.12): 59-98.

鬚髯的能與藝：北海道愛努族的兩性和儀式

謝世忠。〈鬚髯的能與藝：北海道愛努族的兩性和儀式〉。《民俗曲藝》182 (2013.12): 99-148。

Hsieh Shih-chung. “Beards and Whiskers: On the Gender and Ritual of Ainu People in Hokkaido.” Journal of Chinese Ritual, Theatre and Folklore 182 (2013.12): 99-148.

文化競技：超越前代、媲美西洋的康熙朝清宮畫琺瑯

施靜菲。〈文化競技：超越前代、媲美西洋的康熙朝清宮畫琺瑯〉。《民俗曲藝》182 (2013.12): 149-219。

Shih Ching-fei. “Cultural Contending: Kangxi Painted Enamelware as Global Competitor.” Journal of Chinese Ritual, Theatre and Folklore 182 (2013.12): 149-219.

戰前日本帝國大學之籌組與校園空間的「巴洛克」化：從東京帝國大學到臺北帝國大學

黃蘭翔。〈戰前日本帝國大學之籌組與校園空間的「巴洛克」化：從東京帝國大學到臺北帝國大學〉。《民俗曲藝》182 (2013.12): 221-301。

Huang Lan-shiang. “Japanese Imperial Universities with Baroque-Style Campus Landscape, from Tokyo to Taipei.” Journal of Chinese Ritual, Theatre and Folklore 182 (2013.12): 221-301.

"Tradition," Internal Debates, and Future Directions: The Concept of Tradition and Its Relation to Time in the Practices of the Chinese Seven-Stringed Zither (Qin)

Special Issue on “Folklore Practices, Objects, and Notions of Time” (民俗實踐、物與時間觀)

Tsai Tsan-huang. "'Tradition,' Internal Debates, and Future Directions: The Concept of Tradition and Its Relation to Time in the Practices of the Chinese Seven-Stringed Zither (Qin)." Journal of Chinese Ritual, Theatre and Folklore 166 (2009.12): 97-124.

蔡燦煌。〈七弦琴 (古琴) 實踐中的傳統與時間概念〉。《民俗曲藝》166 (2009.12): 97-124。

賽夏音樂中的時間疊置與延展

Special Issue on “Folklore Practices, Objects, and Notions of Time” (民俗實踐、物與時間觀)

呂鈺秀。〈賽夏音樂中的時間疊置與延展〉。《民俗曲藝》166 (2009.12): 125-40。

Lu Yu-hsiu. "Overlapping and Extending of the Time in Saysiyat Music." Journal of Chinese Ritual, Theatre and Folklore 166 (2009.12): 125-40.

臺南廖枝德司阜落篙程序之研究

Special Issue on “Folklore Practices, Objects, and Notions of Time” (民俗實踐、物與時間觀)

林宜君、吳宗江、徐明福。〈臺南廖枝德司阜落篙程序之研究〉。《民俗曲藝》166 (2009.12): 141-84。

Lin Yi-chun, Wu Tsung-chiang, and Hsu Ming-fu. "A Case Study of Liao Chih-te’s Lóh-ko Technique in Tainan." Journal of Chinese Ritual, Theatre and Folklore 166 (2009.12): 141-84.

形式‧變貌：大溪木器形式風格之探索

Special Issue on “Folklore Practices, Objects, and Notions of Time” (民俗實踐、物與時間觀)

賴明珠。〈形式‧變貌：大溪木器形式風格之探索〉。《民俗曲藝》166 (2009.12): 185-314。

Lai Ming-chu. "Form and Variation: An Investigation of the Woodwork Style in Ta-hsi." Journal of Chinese Ritual, Theatre and Folklore 166 (2009.12): 185-314.