元宵祈願的弱化與隱喻

楊玉君。〈元宵祈願的弱化與隱喻〉。《民俗曲藝》227 (2025.3): 47–87。

Yang Yujun. “The Reduction and Metaphor of Lantern Festival Wishes.” Journal of Chinese Ritual, Theatre and Folklore 227 (2025.3): 47–87.

島嶼生態、生計經濟與歲時祭儀：蘭嶼Minganangana（慰勞祭）與Mapasamorang So Piyavean（收穫祭）的民俗變遷

楊政賢。〈島嶼生態、生計經濟與歲時祭儀：蘭嶼Minganangana（慰勞祭）與Mapasamorang So Piyavean（收穫祭）的民俗變遷〉。《民俗曲藝》227 (2025.3): 89–135。

Yang Cheng-hsien. “Folklore Changes Associated with Island Ecology, Subsistence Economy, and Annual Rituals: A Case Study of Minganangana and Mapasamorang So Piyavean on Orchid Island.” Journal of Chinese Ritual, Theatre and Folklore 227 (2025.3): 89–135.

「我們穿得和山神（Yullha）一樣！」：安多熱貢六月會（Lurol）祭祀中的人神關係與服飾意涵

陳乃華。〈「我們穿得和山神（Yullha）一樣！」：安多熱貢六月會（Lurol）祭祀中的人神關係與服飾意涵〉。《民俗曲藝》226 (2024.12): 169-216。

Chen Nai-hua. “‘Dressing Up as a Mountain God (Yullha)!’: Exploring Human-Deity Relationships and the Symbolic Significance of Clothing at the Lurol Festival in Amdo Rebgong.” Journal of Chinese Ritual, Theatre and Folklore 226 (2024.12): 169-216.

CONTENTS OF NO. 212 (June 2021)

Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)

No. 212, June 2021

甲必丹制度的現代變奏：以柔佛古廟遊神為個案 (The Modern Variation of the Kapitan System: A Case Study of the Johor Bahru Old Chinese Temple’s Annual Chingay Parade)

Affiliating to a Communal Temple via the Statue of a Deity: Firecracker Societies in Macau, 1900-1966 (以一個神像依附社區寺廟：澳門炮會，1900-1966)

瓊州火雷聖娘信仰探源 (A Study on the Goddess of Fire and Thunder in Kheng-chew)

文化資產與國族想像：臺南府城日治時期古蹟詮釋中的時空再現 (Cultural Heritage and National Imaginings: Time and Space in the Interpretation of Monuments from Japanese Era in Tainan)

製作文化（Part II）

製作文化專輯（II）

Special Issue on "Making Culture" — Part II

無形文化資產的再生產：以嘉義城隍廟九大柱中元普度為例

江志宏。〈無形文化資產的再生產：以嘉義城隍廟九大柱中元普度為例〉。《民俗曲藝》211 (2021.3): 9-57。

Chiang Chih-hung. "The Reproduction of Intangible Cultural Heritage: A Case Study of the Nine Pillars’ Chungyuan Festival Rituals at City God Temple in Chiayi." Journal of Chinese Ritual, Theatre and Folklore 211 (2021.3): 9-57.

廟會、文本與傳說：近代江南的蠶花神信仰

劉文星。〈廟會、文本與傳說：近代江南的蠶花神信仰〉。《民俗曲藝》208 (2020.6): 91-185。

Liu Wenxing. “Temple Fairs, Texts and Legends: The Cult of the Silk Flower God in Modern Jiangnan.” Journal of Chinese Ritual, Theatre and Folklore 208 (2020.6): 91-185.

亞太儀式、節慶與社會文化實踐專輯（II）

亞太儀式、節慶與社會文化實踐專輯（II）

Special Issue on "Ritual, Festival and Socio-Cultural Practices of Asia-Pacific Society" — Part II

民俗、藝能與文化資產：沖繩竹富島的當代儀式實踐

趙綺芳。〈民俗、藝能與文化資產：沖繩竹富島的當代儀式實踐〉。《民俗曲藝》201 (2018.9): 25-63。

Chao Chi-fang. “Folklore, Performing Arts and Cultural Heritage: Contemporary Ritual Practices of Taketomi Island in Okinawa.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 25-63.

香港潮僑盂蘭勝會的「申遺」與潮屬社群的重建

呂永昇。〈香港潮僑盂蘭勝會的「申遺」與潮屬社群的重建〉。《民俗曲藝》201 (2018.9): 65-100。

Lui Wing Sing. “The Designation of Intangible Cultural Heritage of Yulan Ghost Festival and the Re-construction of Ethnic Chaozhou Communities in Hong Kong.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 65-100.

亞太儀式、節慶與社會文化實踐 (I)

亞太儀式、節慶與社會文化實踐專輯（I）

Special Issue on "Ritual, Festival and Socio-Cultural Practices of Asia-Pacific Society" — Part Ⅰ

是傳統還是創新？儀式、性別階序與規範實踐之間的阿美族都蘭婦女組militepuray

羅素玫。〈是傳統還是創新？儀式、性別階序與規範實踐之間的阿美族都蘭婦女組militepuray〉。《民俗曲藝》200 (2018.6): 25-101。

Lo Su-mei. “'Tradition' or 'Creation'? Women’s Organization Militepuray in Between the Practices of ‘Atolan Amis Rituals and Norms of Gender Hierarchy.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 25-101. 

聖母意象與無形文化遺產：以都會阿美族「愛的饗宴」和「慶祝聖母升天節」祭典活動為例的分析

葉淑綾。〈聖母意象與無形文化遺產：以都會阿美族「愛的饗宴」和「慶祝聖母升天節」祭典活動為例的分析〉。《民俗曲藝》200 (2018.6): 103-36。

Yeh Shu-ling. “The Image of Mother Mary and Intangible Heritage: An Analysis Based on Studies of Such Ritual Activities as 'Love Feast' and 'Assumption of the Blessed Mother Mary' Celebrated by the Urban Amis.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 103-36.

文化遺產的束縛或護衛？以阿米斯音樂節的文化實踐與創造能動性為例

林芳誠。〈文化遺產的束縛或護衛？以阿米斯音樂節的文化實踐與創造能動性為例〉。《民俗曲藝》200 (2018.6): 137-200。

Lin Fang-chen. “Safeguarding or Restraining Cultural Heritage? Cultural Practice and Agency of Creativity in the Amis Music Festival.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 137-200.

蘇州上方山太姥信仰及儀式文藝的調查報告

陳泳超。〈蘇州上方山太姥信仰及儀式文藝的調查報告〉。《民俗曲藝》200 (2018.6): 201-55。

Chen Yongchao. “A Survey of Taimu Cult and Ritual Art in Shangfang Mountain, Suzhou.” Journal of Chinese Ritual, Theatre and Folklore 200 (2018.6): 201-55.

常民節氣觀

楊玉君。〈常民節氣觀〉。《民俗曲藝》198 (2017.12): 219-62。

Yang Yujun. "Commoner’s Philosophy of Jieqi, the 24 Solar Terms." Journal of Chinese Ritual, Theatre and Folklore 198 (2017.12): 219-62.

政府支持與國家認證的民俗節慶新傳統：「金門迎城隍」的重要民俗之路

唐蕙韻。〈政府支持與國家認證的民俗節慶新傳統：「金門迎城隍」的重要民俗之路〉。《民俗曲藝》196 (2017.6): 85-145。

Tang Hui-yun. “Government Support and Authentication: The New Tradition of City God Folk Festival in Jinmen.” Journal of Chinese Ritual, Theatre and Folklore 196 (2017.6): 85-145.

日治時期大稻埕霞海城隍祭典的組織與審查制度研究

高振宏。〈日治時期大稻埕霞海城隍祭典的組織與審查制度研究〉。《民俗曲藝》186 (2014.12): 181-229。

Kao Chen-hung. “Study on the Organization and Review System of the Xiahai City God’s Temple Festival during the Japanese Colonial Era.” Journal of Chinese Ritual, Theatre and Folklore 186 (2014.12): 181-229.

消逝的將藝：稻江霞海八將會

鍾秀雋。〈消逝的將藝：稻江霞海八將會〉。《民俗曲藝》186 (2014.12): 231-302。

Chung Shiu-chun. “The Lost Art of Martial Troupe: Daojiang Xiahai Bajiang Troupe.” Journal of Chinese Ritual, Theatre and Folklore 186 (2014.12): 231-302.

京都祇園祭宵山的文化展演與空間

黃貞燕。〈京都祇園祭宵山的文化展演與空間〉。《民俗曲藝》176 (2012.6): 67-113。

Huang Jan-yen. “The Cultural Performance of Yoiyama in Gion Festival in Kyoto and the Space.” Journal of Chinese Ritual, Theatre and Folklore 176 (2012.6): 67-113.