製作文化（Part II）

製作文化專輯（II）

Special Issue on "Making Culture" — Part II

無形文化遺產的永續發展：臺灣客家八音的生態變遷與樂人、制度調節者、機構主事者的遺產化適應

許馨文。〈無形文化遺產的永續發展：臺灣客家八音的生態變遷與樂人、制度調節者、機構主事者的遺產化適應〉。《民俗曲藝》211 (2021.3): 59-116。

Hsu Hsin-wen. "The Sustainability of Intangible Cultural Heritage: The Changing Ecology of Taiwan Hakka Bayin, and the Adaptation of Musicians, Scholars, and Government Officials to Heritagization." Journal of Chinese Ritual, Theatre and Folklore 211 (2021.3): 59-116.

走上回家的山徑，讓石板家屋升起煙來：由一趟臺東布農社群「尋根之旅」思考「文化資產」的認同與實踐

謝博剛。〈走上回家的山徑，讓石板家屋升起煙來：由一趟臺東布農社群「尋根之旅」思考「文化資產」的認同與實踐〉。《民俗曲藝》210 (2020.12): 65-104。

Hsieh Po-kang. "Bunun’s Homecoming: Rethinking Ethnic Identity and the Practice of Cultural Heritage in the 'Return to Hahaul Action.'" Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 65-104.

祭儀地景的多重記憶與環境偏移：南勢阿美族里漏部落船祭活動變遷與文化製作

李宜澤。〈祭儀地景的多重記憶與環境偏移：南勢阿美族里漏部落船祭活動變遷與文化製作〉。《民俗曲藝》210 (2020.12): 9-63。

Lee Yi-tze. "Environmental Shift and Multi-Memories of Ritual Landscape: Making Culture through the Transformation of the Lidaw Tribe’s Boat Ritual." Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 9-63.

都蘭阿美人的文化再生產：以護衛舞的傘與矛為例

林芳誠。〈都蘭阿美人的文化再生產：以護衛舞的傘與矛為例〉。《民俗曲藝》210 (2020.12): 145-96。

Lin Fang-chen. "Umbrella or Spear? A Case Study on the Cultural Reproduction in Kulakul (Warrior Dance) of ‘Atolan Amis." Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 145-96.

CONTENTS OF NO. 208 (June 2020)

Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)

No. 208, June 2020

臺閩地區王爺信仰儀式中的王府行儀初探 (A Preliminary Study of the Ritual Practice of the Lord’s Mansion in the Cult of Epidemic Lords in Taiwan and Fujian)

廟會、文本與傳說：近代江南的蠶花神信仰 (Temple Fairs, Texts and Legends: The Cult of the Silk Flower God in Modern Jiangnan)

藏族古樂 Shon 的歷史圖景與當代傳存：基於西藏阿裡地區「古格宣」的人類學考察 (History and Modern Transition of the Classical Tibetan Ritual Shon: An Anthropological Investigation of Guge Shon in mNga’ ris Highland, Tibet)

福建佛教音樂「禪和曲」、「福州調」、「本地調」之意涵及其關係研究 (The Chanhe Tune, Fuzhou Tune, and Local Tune in the Buddhist Music in Fujian, and Their Connotations and Relationships)

臺閩地區王爺信仰儀式中的王府行儀初探

謝國興。〈臺閩地區王爺信仰儀式中的王府行儀初探〉。《民俗曲藝》208 (2020.6): 1-89。

Hsieh Kuo-hsing. “A Preliminary Study of the Ritual Practice of the Lord’s Mansion in the Cult of Epidemic Lords in Taiwan and Fujian.” Journal of Chinese Ritual, Theatre and Folklore 208 (2020.6): 1-89.

廟會、文本與傳說：近代江南的蠶花神信仰

劉文星。〈廟會、文本與傳說：近代江南的蠶花神信仰〉。《民俗曲藝》208 (2020.6): 91-185。

Liu Wenxing. “Temple Fairs, Texts and Legends: The Cult of the Silk Flower God in Modern Jiangnan.” Journal of Chinese Ritual, Theatre and Folklore 208 (2020.6): 91-185.

藏族古樂 Shon 的歷史圖景與當代傳存：基於西藏阿裡地區「古格宣」的人類學考察

任贇娟。〈藏族古樂 Shon 的歷史圖景與當代傳存：基於西藏阿裡地區「古格宣」的人類學考察〉。《民俗曲藝》208 (2020.6): 187-274。

Ren Yunjuan. “History and Modern Transition of the Classical Tibetan Ritual Shon: An Anthropological Investigation of Guge Shon in mNga’ ris Highland, Tibet.” Journal of Chinese Ritual, Theatre and Folklore 208 (2020.6): 187-274.

紙馬製作技藝及使用習俗的傳承分析

王坤。〈紙馬製作技藝及使用習俗的傳承分析〉。《民俗曲藝》207 (2020.3): 215-53。

Wang Kun. “An Analysis of the Inheritance of Zhima Craftsmanship and Conventions.” Journal of Chinese Ritual, Theatre and Folklore 207 (2020.3): 215-53.

「製作文化」(Making Culture) 專題

Call for Papers / 徵稿啟事

專題摘要投稿截止日期2019年7月8日

專題論文截稿日期2019年12月31日

Traditional and World Music in School Education

Special Issue on "Traditional and World Music in School Education"

學校教育中的傳統音樂和世界音樂專輯

A Drum, a Gong, and a Lion: Three Decades of Culturally Diverse Music Education in International and Canadian Schools

Jennifer M. Walden. “A Drum, a Gong, and a Lion: Three Decades of Culturally Diverse Music Education in International and Canadian Schools.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 35-72.

珍妮佛．M．瓦爾登。〈鼓、鑼及獅子：三十年來在國際學校及加拿大學校的多元文化音樂教育〉。《民俗曲藝》203 (2019.3): 35-72。

Traditional Music and World Music in Japanese School Education

Oshio Satomi. “Traditional Music and World Music in Japanese School Education.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 73-110.

小塩さとみ。〈日本學校教育中的傳統音樂及世界音樂〉。《民俗曲藝》203 (2019.3): 73-110。

高等教育體制下的北管傳習：以國立臺北藝術大學傳統音樂學系北管教學實踐為例

潘汝端。〈高等教育體制下的北管傳習：以國立臺北藝術大學傳統音樂學系北管教學實踐為例〉。《民俗曲藝》203 (2019.3): 111-62。

Pan Ju-tuan. “The Transmission of Beiguan in Higher Education in Taiwan: A Case Study of the Teaching of Beiguan in the Department of Traditional Music of Taipei National University of the Arts.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 111-62.

亞太儀式、節慶與社會文化實踐專輯（II）

亞太儀式、節慶與社會文化實踐專輯（II）

Special Issue on "Ritual, Festival and Socio-Cultural Practices of Asia-Pacific Society" — Part II

民俗、藝能與文化資產：沖繩竹富島的當代儀式實踐

趙綺芳。〈民俗、藝能與文化資產：沖繩竹富島的當代儀式實踐〉。《民俗曲藝》201 (2018.9): 25-63。

Chao Chi-fang. “Folklore, Performing Arts and Cultural Heritage: Contemporary Ritual Practices of Taketomi Island in Okinawa.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 25-63.

香港潮僑盂蘭勝會的「申遺」與潮屬社群的重建

呂永昇。〈香港潮僑盂蘭勝會的「申遺」與潮屬社群的重建〉。《民俗曲藝》201 (2018.9): 65-100。

Lui Wing Sing. “The Designation of Intangible Cultural Heritage of Yulan Ghost Festival and the Re-construction of Ethnic Chaozhou Communities in Hong Kong.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 65-100.

神在此間：浙江鄉村醮儀召請科儀本中的空間觀念折衝

屈嘯宇、彭連生。〈神在此間：浙江鄉村醮儀召請科儀本中的空間觀念折衝〉。《民俗曲藝》201 (2018.9): 101-67。

Qu Xiaoyu and Peng Liansheng. “Deities Reside Within: Negotiation of the Spatial Concept in the Summon Ritual Script of the Rural Jiao in South Zhejiang.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 101-67.

亞太儀式、節慶與社會文化實踐 (I)

亞太儀式、節慶與社會文化實踐專輯（I）

Special Issue on "Ritual, Festival and Socio-Cultural Practices of Asia-Pacific Society" — Part Ⅰ