樂動、身體經驗與意義建構專輯

樂動、身體經驗與意義建構專輯
Special Issue on Musicking, Bodily Experiences, and Meaning Construction

作為制度的身體：習樂與作樂的經驗感知——基於對瑤族度戒儀式音樂的多點觀察

岳子威。〈作為制度的身體：習樂與作樂的經驗感知——基於對瑤族度戒儀式音樂的多點觀察〉。《民俗曲藝》233 (2026.9): 17–63。

Yue Ziwei. “Body as Institution: The Experiential Perception of Music-Learning and Music-Doing–Based on Multi-Sited Observations of the Music of the Yao Ethnic Group’s Dujie Initiation Ritual.” Journal of Chinese Ritual, Theatre and Folklore 233 (2026.9): 17–63.

儀式樂舞做為溯源技術：日本雅樂《蘭陵王入陣曲》身體行動方法研究

李昱伶。〈儀式樂舞做為溯源技術：日本雅樂《蘭陵王入陣曲》身體行動方法研究〉。《民俗曲藝》233 (2026.9): 65–119。

Li Yu-ling. “Ritual Music and Dance as Techniques for Source Tracing: A Study of Method of Physical Actions in Japan’s Gagaku Piece King Lanling.” Journal of Chinese Ritual, Theatre and Folklore 233 (2026.9): 65–119.

悲傷的身體樞軸：巴基斯坦信德省蘇非伊斯蘭獻唱社群的情感實踐與倫理關係轉動

黃佩玲。〈悲傷的身體樞軸：巴基斯坦信德省蘇非伊斯蘭獻唱社群的情感實踐與倫理關係轉動〉。《民俗曲藝》233 (2026.9): 121–79。

Huang Pei-ling. “Embodied Hub of Sorrows: Affective Practice and Pivoting Ethical Relations in a Sufi Devotional Singing Community in Sindh, Pakistan.” Journal of Chinese Ritual, Theatre and Folklore 233 (2026.9): 121–79.

高唱復興：模仿美聲、詩班樂音、與滇北教會的禮儀重建

黃淑莉。〈高唱復興：模仿美聲、詩班樂音、與滇北教會的禮儀重建〉。《民俗曲藝》233 (2026.9): 181–227。

Huang Shu-li. “Singing Revival: Bel Canto, Choral Music, and Liturgical Reconstructions Among Ahmao (Miao) Christians in Northern Yunnan.” Journal of Chinese Ritual, Theatre and Folklore 233 (2026.9): 181–227.

都蘭阿美族傳統樂舞傳承的糾纏：永續性、聲音形象與策略性關係

施永德。〈都蘭阿美族傳統樂舞傳承的糾纏：永續性、聲音形象與策略性關係〉。《民俗曲藝》233 (2026.9): 229–72。

DJ W. Hatfield. “Entangled in Transmission: Sustainability, Figure of Sound, and Strategic Relations in ’Etolan ’Amis Music and Dance Traditions.” Journal of Chinese Ritual, Theatre and Folklore 233 (2026.9): 229–72.

北港媽祖轎前「馬陣吹」的歷史傳承與藝師蘇仁義的宗教實踐

吳佩熏。〈北港媽祖轎前「馬陣吹」的歷史傳承與藝師蘇仁義的宗教實踐〉。《民俗曲藝》232 (2026.6): 51–106。

Wu Pei-hsun. “The Historical Lineage of Beigang Mazu’s Mazhenchui Temple Procession Troupe and Master Artist Su Ren-yi’s Religious Practice.” Journal of Chinese Ritual, Theatre and Folklore 232 (2026.6): 51–106.

調意曲與早期琴調的音樂性質

孫俊彥。〈調意曲與早期琴調的音樂性質〉。《民俗曲藝》223 (2024.03): 1-50。

Sun Chun-yen. “Diaoyi and the Musical Features of Early Qindiao.” Journal of Chinese Ritual, Theatre and Folklore 223 (2024.03): 1-50.

清代嘉慶年間以來廣東「粵謳」的流變軌跡：詩文日記、唱詞曲譜與聲音材料的綜合性研究

程美寶。〈清代嘉慶年間以來廣東「粵謳」的流變軌跡：詩文日記、唱詞曲譜與聲音材料的綜合性研究〉。《民俗曲藝》223 (2024.3): 51-104。

Ching May Bo. “The Transformation of Yueou (Cantonese Songs) since the Early Nineteenth Century: An Integrated Approach to Studies of Sung Oral Narratives by Examining Written, Printed, and Audio Materials”.” Journal of Chinese Ritual, Theatre and Folklore 223 (2024.3): 51-104.

民歌採集運動之餘韻：從1967年中國民歌比賽與全省客家民謠比賽談起

鍾繼儀。〈民歌採集運動之餘韻：從1967年中國民歌比賽與全省客家民謠比賽談起〉。《民俗曲藝》215(2022.3): 129-79。

Chung Chi-yi. “A Study on the Lingering Impact of Folk Song Documentation Movement in 1967.” Journal of Chinese Ritual, Theatre and Folklore 215(2022.3): 129-79.

聲響技術的跨域交纏：臺灣國語流行音樂錄音室研究初探

程明。〈聲響技術的跨域交纏：臺灣國語流行音樂錄音室研究初探〉。《民俗曲藝》213 (2021.9): 49-95。

Cheng Ming. “The Trans-Regional Entanglement of Sound and Technology: A Preliminary Study on the Recording Studios of Mandarin Popular Music in Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 213 (2021.9): 49-95.

無形文化遺產的永續發展：臺灣客家八音的生態變遷與樂人、制度調節者、機構主事者的遺產化適應

許馨文。〈無形文化遺產的永續發展：臺灣客家八音的生態變遷與樂人、制度調節者、機構主事者的遺產化適應〉。《民俗曲藝》211 (2021.3): 59-116。

Hsu Hsin-wen. "The Sustainability of Intangible Cultural Heritage: The Changing Ecology of Taiwan Hakka Bayin, and the Adaptation of Musicians, Scholars, and Government Officials to Heritagization." Journal of Chinese Ritual, Theatre and Folklore 211 (2021.3): 59-116.

【玉連環】五箏譜之演奏及其文本間性探析

張儷瓊。〈【玉連環】五箏譜之演奏及其文本間性探析〉。《民俗曲藝》210 (2020.12): 197-263。

Chang Li-chiung. "Yulianhuan, Performance and Intertextuality among the Five Zheng Score Versions." Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 197-263.

福建佛教音樂「禪和曲」、「福州調」、「本地調」之意涵及其關係研究

周景春。〈福建佛教音樂「禪和曲」、「福州調」、「本地調」之意涵及其關係研究〉。《民俗曲藝》208 (2020.6): 275-304。

Zhou Jingchun. “The Chanhe Tune, Fuzhou Tune, and Local Tune in the Buddhist Music in Fujian, and Their Connotations and Relationships.” Journal of Chinese Ritual, Theatre and Folklore 208 (2020.6): 275-304.

Traditional and World Music in School Education

Special Issue on "Traditional and World Music in School Education"

學校教育中的傳統音樂和世界音樂專輯

A Drum, a Gong, and a Lion: Three Decades of Culturally Diverse Music Education in International and Canadian Schools

Jennifer M. Walden. “A Drum, a Gong, and a Lion: Three Decades of Culturally Diverse Music Education in International and Canadian Schools.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 35-72.

珍妮佛．M．瓦爾登。〈鼓、鑼及獅子：三十年來在國際學校及加拿大學校的多元文化音樂教育〉。《民俗曲藝》203 (2019.3): 35-72。

Traditional Music and World Music in Japanese School Education

Oshio Satomi. “Traditional Music and World Music in Japanese School Education.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 73-110.

小塩さとみ。〈日本學校教育中的傳統音樂及世界音樂〉。《民俗曲藝》203 (2019.3): 73-110。

高等教育體制下的北管傳習：以國立臺北藝術大學傳統音樂學系北管教學實踐為例

潘汝端。〈高等教育體制下的北管傳習：以國立臺北藝術大學傳統音樂學系北管教學實踐為例〉。《民俗曲藝》203 (2019.3): 111-62。

Pan Ju-tuan. “The Transmission of Beiguan in Higher Education in Taiwan: A Case Study of the Teaching of Beiguan in the Department of Traditional Music of Taipei National University of the Arts.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 111-62.

從《台灣鄉土交響曲》論許石民歌採集與音樂記錄脈絡

徐玫玲。〈從《台灣鄉土交響曲》論許石民歌採集與音樂記錄脈絡〉。《民俗曲藝》201 (2018.9): 169-225。

Shyu Mei-ling. “A Study of the Folk Song Collection and the Context of the Musical Records of Hsu Shih, Being Based upon His Work Symphonic Folk Songs of Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 169-225.

南北交加・東西交響：日治時期北港音樂子弟團的分類與發展

李孟勳。〈南北交加・東西交響：日治時期北港音樂子弟團的分類與發展〉。《民俗曲藝》198 (2017.12): 127-64。

Li Meng-hsun. "Polyphonic Melodies: The Classification and Development of Beigang Amateur Musical Troupes during the Japanese Colonial Era." Journal of Chinese Ritual, Theatre and Folklore 198 (2017.12): 127-64.