調意曲與早期琴調的音樂性質

孫俊彥。〈調意曲與早期琴調的音樂性質〉。《民俗曲藝》223 (2024.03): 1-50。

Sun Chun-yen. “Diaoyi and the Musical Features of Early Qindiao.” Journal of Chinese Ritual, Theatre and Folklore 223 (2024.03): 1-50.

清代嘉慶年間以來廣東「粵謳」的流變軌跡：詩文日記、唱詞曲譜與聲音材料的綜合性研究

程美寶。〈清代嘉慶年間以來廣東「粵謳」的流變軌跡：詩文日記、唱詞曲譜與聲音材料的綜合性研究〉。《民俗曲藝》223 (2024.3): 51-104。

Ching May Bo. “The Transformation of Yueou (Cantonese Songs) since the Early Nineteenth Century: An Integrated Approach to Studies of Sung Oral Narratives by Examining Written, Printed, and Audio Materials”.” Journal of Chinese Ritual, Theatre and Folklore 223 (2024.3): 51-104.

民歌採集運動之餘韻：從1967年中國民歌比賽與全省客家民謠比賽談起

鍾繼儀。〈民歌採集運動之餘韻：從1967年中國民歌比賽與全省客家民謠比賽談起〉。《民俗曲藝》215(2022.3): 129-79。

Chung Chi-yi. “A Study on the Lingering Impact of Folk Song Documentation Movement in 1967.” Journal of Chinese Ritual, Theatre and Folklore 215(2022.3): 129-79.

聲響技術的跨域交纏：臺灣國語流行音樂錄音室研究初探

程明。〈聲響技術的跨域交纏：臺灣國語流行音樂錄音室研究初探〉。《民俗曲藝》213 (2021.9): 49-95。

Cheng Ming. “The Trans-Regional Entanglement of Sound and Technology: A Preliminary Study on the Recording Studios of Mandarin Popular Music in Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 213 (2021.9): 49-95.

無形文化遺產的永續發展：臺灣客家八音的生態變遷與樂人、制度調節者、機構主事者的遺產化適應

許馨文。〈無形文化遺產的永續發展：臺灣客家八音的生態變遷與樂人、制度調節者、機構主事者的遺產化適應〉。《民俗曲藝》211 (2021.3): 59-116。

Hsu Hsin-wen. "The Sustainability of Intangible Cultural Heritage: The Changing Ecology of Taiwan Hakka Bayin, and the Adaptation of Musicians, Scholars, and Government Officials to Heritagization." Journal of Chinese Ritual, Theatre and Folklore 211 (2021.3): 59-116.

【玉連環】五箏譜之演奏及其文本間性探析

張儷瓊。〈【玉連環】五箏譜之演奏及其文本間性探析〉。《民俗曲藝》210 (2020.12): 197-263。

Chang Li-chiung. "Yulianhuan, Performance and Intertextuality among the Five Zheng Score Versions." Journal of Chinese Ritual, Theatre and Folklore 210 (2020.12): 197-263.

福建佛教音樂「禪和曲」、「福州調」、「本地調」之意涵及其關係研究

周景春。〈福建佛教音樂「禪和曲」、「福州調」、「本地調」之意涵及其關係研究〉。《民俗曲藝》208 (2020.6): 275-304。

Zhou Jingchun. “The Chanhe Tune, Fuzhou Tune, and Local Tune in the Buddhist Music in Fujian, and Their Connotations and Relationships.” Journal of Chinese Ritual, Theatre and Folklore 208 (2020.6): 275-304.

Traditional and World Music in School Education

Special Issue on "Traditional and World Music in School Education"

學校教育中的傳統音樂和世界音樂專輯

A Drum, a Gong, and a Lion: Three Decades of Culturally Diverse Music Education in International and Canadian Schools

Jennifer M. Walden. “A Drum, a Gong, and a Lion: Three Decades of Culturally Diverse Music Education in International and Canadian Schools.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 35-72.

珍妮佛．M．瓦爾登。〈鼓、鑼及獅子：三十年來在國際學校及加拿大學校的多元文化音樂教育〉。《民俗曲藝》203 (2019.3): 35-72。

Traditional Music and World Music in Japanese School Education

Oshio Satomi. “Traditional Music and World Music in Japanese School Education.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 73-110.

小塩さとみ。〈日本學校教育中的傳統音樂及世界音樂〉。《民俗曲藝》203 (2019.3): 73-110。

高等教育體制下的北管傳習：以國立臺北藝術大學傳統音樂學系北管教學實踐為例

潘汝端。〈高等教育體制下的北管傳習：以國立臺北藝術大學傳統音樂學系北管教學實踐為例〉。《民俗曲藝》203 (2019.3): 111-62。

Pan Ju-tuan. “The Transmission of Beiguan in Higher Education in Taiwan: A Case Study of the Teaching of Beiguan in the Department of Traditional Music of Taipei National University of the Arts.” Journal of Chinese Ritual, Theatre and Folklore 203 (2019.3): 111-62.

從《台灣鄉土交響曲》論許石民歌採集與音樂記錄脈絡

徐玫玲。〈從《台灣鄉土交響曲》論許石民歌採集與音樂記錄脈絡〉。《民俗曲藝》201 (2018.9): 169-225。

Shyu Mei-ling. “A Study of the Folk Song Collection and the Context of the Musical Records of Hsu Shih, Being Based upon His Work Symphonic Folk Songs of Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 201 (2018.9): 169-225.

南北交加・東西交響：日治時期北港音樂子弟團的分類與發展

李孟勳。〈南北交加・東西交響：日治時期北港音樂子弟團的分類與發展〉。《民俗曲藝》198 (2017.12): 127-64。

Li Meng-hsun. "Polyphonic Melodies: The Classification and Development of Beigang Amateur Musical Troupes during the Japanese Colonial Era." Journal of Chinese Ritual, Theatre and Folklore 198 (2017.12): 127-64.

Musical Instruments, Material Culture, and Meaning: Toward an Ethno-Organology

No. 144, June 2004

Special Issue on “Musical Instruments, Material Culture, and Meaning: Toward an Ethno-Organology” (亞洲樂器、物質文化與意義：民族樂器學芻議)

閩客潮箏曲《出水蓮》的地緣背景及演奏流變：以張學海、饒寧新、林毛根三個演奏版本為例

張儷瓊。〈閩客潮箏曲《出水蓮》的地緣背景及演奏流變：以張學海、饒寧新、林毛根三個演奏版本為例〉。《民俗曲藝》194 (2016.12): 53-112。

Chang Li-chiung. "The Geo-relational Background and Performance Variations of the Piece “Lotus” in Minnan, Hakka, and Chaozhou Zheng Music: On the Three Versions of Zhang Xuehai, Rao Ningxin, and Lin Maogen." Journal of Chinese Ritual, Theatre and Folklore 194 (2016.12): 53-112.

跨文化表演的研究途徑：臺灣一場緬甸音樂表演的互為主體與多點民族誌研究

呂心純。〈跨文化表演的研究途徑：臺灣一場緬甸音樂表演的互為主體與多點民族誌研究〉。《民俗曲藝》193 (2016.9): 11-62。

Lu Tasaw Hsin-chun. “Approaches to Understanding Intercultural Performances: Intersubjectivity and Multi-sited Ethnographic Research on a Taiwan’s Burmese Music Performance.” Journal of Chinese Ritual, Theatre and Folklore 193 (2016.9): 11-62.

客潮二派箏樂小曲之形質流變

張儷瓊。〈客潮二派箏樂小曲之形質流變〉。《民俗曲藝》184 (2014.6): 155-227。

Chang Li-chiung. “A Research on the Form and Character of Zheng Folk Tunes in Hakka and Chaozhou Music.” Journal of Chinese Ritual, Theatre and Folklore 184 (2014.6): 155-227.

音樂時間與文化異質性：以1930年代前後《雪梅思君》的不同錄音為例

王育雯。〈音樂時間與文化異質性：以1930年代前後《雪梅思君》的不同錄音為例〉。《民俗曲藝》180 (2013.6): 1-43。
Yuh-wen Wang. "Musical Time and Cultural Heterogeneity: Recordings of Xuemei Si Jun during and around the 1930s." Journal of Chinese Ritual, Theatre and Folklore 180 (2013.6): 1-43.

客家串調箏曲之研究

張儷瓊。〈客家「串調」箏曲之研究〉。《民俗曲藝》175 (2012.3): 43-88。
Chang Li-chiung. "A Study of Hakka Zheng Music Chuandiao." Journal of Chinese Ritual, Theatre and Folklore 175 (2012.3): 43-88.

從「以箏托腔」到「器寫人聲」：論河南箏樂對曲劇音樂之吸收與借鑑

張儷瓊。〈從「以箏托腔」到「器寫人聲」：論河南箏樂對曲劇音樂之吸收與借鑑〉。《民俗曲藝》170 (2010.12): 177-231。

Chang Li-chiung. “From Accompaniment to Vocal Imitation: The Adaptation and Application of Quju Music in Henan Zheng Music.” Journal of Chinese Ritual, Theatre and Folklore 170 (2010.12): 177-231.