明代選本、曲譜中所見《五倫全備記》考

吳秀卿、何鑫。〈明代選本、曲譜中所見《五倫全備記》考〉。《民俗曲藝》228 (2025.6): 1–43。

Oh Sookyung and He Xin. “A Study on the Wulunquanbei Ji in Ming Anthologies and Compendia of Scores.” Journal of Chinese Ritual, Theatre and Folklore 228 (2025.6): 1–43.

晚明曲類選本「三欄併讀」初探：以《琵琶記》、《三國記》選齣為例

汪詩珮。〈晚明曲類選本「三欄併讀」初探：以《琵琶記》、《三國記》選齣為例〉。《民俗曲藝》225 (2024.9): 59-124。

Wang Shih-pe. “Exploring the ‘Triple-Register-Reading Strategy’ in Late Ming Qu Anthologies: Selections from Pipa Ji and Sanguo Ji.” Journal of Chinese Ritual, Theatre and Folklore 225 (2024.9): 59-124.

晚明曲選《詞珍雅調》的編刻策略與書籍特色

 陳志勇。〈晚明曲選《詞珍雅調》的編刻策略與書籍特色〉。《民俗曲藝》225 (2024.9): 125-52。

Chen Zhiyong. “Editorial Strategies and Book Features of the Late Ming Qu Anthology Cizhen Yadiao.” Journal of Chinese Ritual, Theatre and Folklore 225 (2024.9): 125-52.

The Interplay between Popular Songs and Dramas in Late Ming Qu Anthologies

Chen Jiani. “Linking the World of Performative Texts: The Interplay between Popular Songs and Dramas in Late Ming Qu Anthologies.” Journal of Chinese Ritual, Theatre and Folklore 225 (2024.9): 153-90.

陳佳妮。〈鏈接表演文本的世界：晚明曲選中時曲小調與戲曲的互動〉。《民俗曲藝》225 (2024.9): 153-90。

論晚明曲選《怡春錦》之編選理念與時代特色

林芷瑩。〈論晚明曲選《怡春錦》之編選理念與時代特色〉。《民俗曲藝》225 (2024.9): 191-231。

Lin Chih-ying. “Exploring the Editorial Philosophy and Contemporaneity of the Late Ming Qu Anthology Yichun Jin.” Journal of Chinese Ritual, Theatre and Folklore 225 (2024.9): 191-231.

《快雪時晴》戲曲服裝設計之符號隱喻及詮釋

王怡美、宋同正。〈《快雪時晴》戲曲服裝設計之符號隱喻及詮釋〉。《民俗曲藝》216 (2022.6): 89-108。

Wang Yi-meei and Sung Tung-jung. “Symbolic Metaphor and Interpretation of Costume Design in Sunlight after Snowfall.” Journal of Chinese Ritual, Theatre and Folklore 216 (2022.6): 89-108.

晚清戲曲團花圖案的使用與特殊性

郭昭吟。〈晚清戲曲團花圖案的使用與特殊性〉。《民俗曲藝》216 (2022.6): 109-39。

Kuo Chao-yin. “Application and Uniqueness: Embroidered Roundels with Theatrical Figures in Late Qing Garments.” Journal of Chinese Ritual, Theatre and Folklore 216 (2022.6): 109-39.

上海報刊中的寧波崑班演出紀錄查考 (1898－1915)

蔣瑜娟。〈上海報刊中的寧波崑班演出紀錄查考 (1898－1915)〉。《民俗曲藝》216(2022.6): 201-54。

Chiang Yu-chuan. “An Inquiry into the Records of Ningbo Kunqu Troupes’ Performances in Shanghai Newspapers (1898–1915).” Journal of Chinese Ritual, Theatre and Folklore 216(2022.6): 201-54.

香港戲曲史上的商業戲園 (1865-1910)

容世誠。〈香港戲曲史上的商業戲園 (1865-1910)〉。《民俗曲藝》199 (2018.3): 177-211。

Yung Sai-shing. “Commercial Opera Theatres of Hong Kong (1865-1910): Preliminary Observations from Social History.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 177-211.

香港摩登：五十年代都巿發展與香港粵劇發展脈絡

鄭寧恩。〈香港摩登：五十年代都巿發展與香港粵劇發展脈絡〉。《民俗曲藝》199 (2018.3): 213-62。

Cheng Ling Yan. “A Modern City: The Urban Development of Hong Kong and the Local Cantonese Opera Productions in the 1950s.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 213-62.

潛跡與明蹤：清中葉《雷峰塔》傳奇演變新論

汪詩珮。〈潛跡與明蹤：清中葉《雷峰塔》傳奇演變新論〉。《民俗曲藝》199 (2018.3): 263-327。

Wang Shih-pe. “The Underlain Footprints and Revealed Route: A Re-examination on the Development of Thunder Peak Pagoda in Mid-Qing.” Journal of Chinese Ritual, Theatre and Folklore 199 (2018.3): 263-327.

藝術•商業•政治•紀錄―論「戲曲電影」及其對黃梅調電影的影響

王安祈。〈藝術•商業•政治•紀錄―論「戲曲電影」及其對黃梅調電影的影響〉。《民俗曲藝》190 (2015.12): 1-66。

Wang An-chi. "Art, Commerce, Politics, and Documentation: On the Xiqu Opera Movies and Its Influences on the Huangmeidiao Opera Movies." Journal of Chinese Ritual, Theatre and Folklore 190 (2015.12): 1-66.

中國戲劇的傳譯與改編

中國戲劇的傳譯與改編專輯

Special Issue on "The Transmission, Translation, and Transformation of Chinese Drama"

文本詮釋與文化翻譯：元雜劇《老生兒》及其域外傳播

汪詩珮。〈文本詮釋與文化翻譯：元雜劇《老生兒》及其域外傳播〉。《民俗曲藝》189 (2015.9): 9-62。

Wang Shih-pe. “Textual Interpretation and Cultural Translation: Yuan Drama Lao Sheng Er and Its Transmission to England.” Journal of Chinese Ritual, Theatre and Folklore 189 (2015.9): 9-62.

中國「喜劇」《㑳梅香》在法國的傳譯與改編

羅仕龍。〈中國「喜劇」《㑳梅香》在法國的傳譯與改編〉。《民俗曲藝》189 (2015.9): 63-117。

Lo Shih-lung. “Tchao-meï-hiang: Translation, Adaptation, and Reception of a Chinese Comedy in France.” Journal of Chinese Ritual, Theatre and Folklore 189 (2015.9): 63-117.

李漁與江戶文藝：論笠亭仙果的《清談常磐色香》及《美目与利草紙》

蕭涵珍。〈李漁與江戶文藝：論笠亭仙果的《清談常磐色香》及《美目与利草紙》〉。《民俗曲藝》189 (2015.9): 119-55。

Shiau Han-chen. “Li Yu and Edo Literature: With a Focus on Ryutei Senka’s Seidan Tokiwa No Iroka and Mimeyori Zōshi.” Journal of Chinese Ritual, Theatre and Folklore 189 (2015.9): 119-55.

演員劇場的消解與重解：從魏海敏的表演藝術探究戲曲的「當代性」

吳岳霖。〈演員劇場的消解與重解：從魏海敏的表演藝術探究戲曲的「當代性」〉。《民俗曲藝》189 (2015.9): 157-215。

Wu Yue-lin. “The Decline and Re-interpretation of Performer-Oriented Theater: Remarks on the Contemporaneity of Theater from Wei Haimin’s Art of Performance.” Journal of Chinese Ritual, Theatre and Folklore 189 (2015.9): 157-215.

論京劇武戲之套曲應用及崑班承演

林佳儀。〈論京劇武戲之套曲應用及崑班承演〉。《民俗曲藝》184 (2014.6): 229-78。

Lin Chia-yi. “On the Song Cycles of Martial Arts Plays and the Succession of Kunqu Performance.” Journal of Chinese Ritual, Theatre and Folklore 184 (2014.6): 229-78.

明清俗曲曲牌名附加語探究

張繼光。〈明清俗曲（小曲）之曲牌名附加語探究〉。《民俗曲藝》177 (2012.9): 117-59。
Chang Chi-kuang. "Investigation of the Tag-on Phrases of Ming-Qing Folk Tune Titles." Journal of Chinese Ritual, Theatre and Folklore 177 (2012.9): 117-59.

文心百變與經典轉化：從《荊釵記》到《比目魚》

汪詩珮。〈文心百變與經典轉化：從《荊釵記》到《比目魚》〉。《民俗曲藝》167 (2010.3): 221-70。

Wang Shih-pe. “The Transformation of the Classics and the Invention of Playwriting: From Jingchaiji to Bimuyu.” Journal of Chinese Ritual, Theatre and Folklore 167 (2010.3): 221-70.