程明。〈聲響技術的跨域交纏：臺灣國語流行音樂錄音室研究初探〉。《民俗曲藝》213 (2021.9): 49-95。
Cheng Ming. “The
Trans-Regional Entanglement of Sound and Technology: A Pre
2021-09-28
聲響技術的跨域交纏：臺灣國語流行音樂錄音室研究初探
2013-12-30
作出臺灣味：日本蓄音器商會臺灣唱片產製策略初探
王櫻芬。〈作出臺灣味：日本蓄音器商會臺灣唱片產製策略初探〉。《民俗曲藝》182 (2013.12): 7-58。
Wang
Ying-fen. “Sounding Taiwanese: A
Preliminary Study on the Production Strategy of Taiwanese Records by Nippon
Phonograph Company.” Journal of Chinese Ritual, Theatre and Folklore 182 (2013.12): 7-58.
2013-12-29
從選曲通知書看臺灣古倫美亞唱片公司與日本蓄音器商會之間的訊息傳遞
劉麟玉。〈從選曲通知書看臺灣古倫美亞唱片公司與日本蓄音器商會之間的訊息傳遞──兼談戰爭期的唱片發行(1930s－1940s)〉。《民俗曲藝》182
(2013.12): 59-98。
Liou Lin-yu. “The Role of the
“Notifications of Music Selection” in the Course of Music Album Release between
the Taiwan Columbia Record Company and the Nippon Phonograph Co. (1930s-1940s).” Journal of
Chinese Ritual, Theatre and Folklore 182 (2013.12): 59-98.
2012-12-31
2012-12-30
一九三○年代臺灣南管樂人潘榮枝的跨界與創新
王櫻芬。〈一九三○年代臺灣南管樂人潘榮枝的跨界與創新〉。《民俗曲藝》178 (2012.12): 25-73。
Wang Ying-fen. “Pan Rongzhi’s Nanguan Crossovers in the 1930s in Colonial Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 178 (2012.12): 25-73.
Wang Ying-fen. “Pan Rongzhi’s Nanguan Crossovers in the 1930s in Colonial Taiwan.” Journal of Chinese Ritual, Theatre and Folklore 178 (2012.12): 25-73.
2012-12-29
「寶島低音歌王之路」：洪一峰歌唱風格發展
邱婉婷。〈「寶島低音歌王之路」：洪一峰歌唱風格發展〉。《民俗曲藝》178 (2012.12): 75-162。
Chiu Wan-ting. “'The Road to Formosan Primo Bass Singer': Stages of Hong Yi-feng’s Singing Style.” Journal of Chinese Ritual, Theatre and Folklore 178 (2012.12): 75-162.
Chiu Wan-ting. “'The Road to Formosan Primo Bass Singer': Stages of Hong Yi-feng’s Singing Style.” Journal of Chinese Ritual, Theatre and Folklore 178 (2012.12): 75-162.
2012-12-28
臺灣「山地音樂工業」與「山地歌曲」發展的軌跡：1960至70年代鈴鈴唱片及群星唱片、心心唱片的產製與競爭
黃國超。〈臺灣「山地音樂工業」與「山地歌曲」發展的軌跡：1960至70年代鈴鈴唱片及群星唱片、心心唱片的產製與競爭〉。《民俗曲藝》178 (2012.12): 163-205。
Huang Kuo-chao. “The Development of Record Industry and Aboriginal 'Mountain Songs' in Taiwan from the 1960s to the 1970s: The Production and Competition among Record Labels 'Ling-ling,' 'Chun-hsing' and 'Hsin-hsin.'” Journal of Chinese Ritual, Theatre and Folklore 178 (2012.12): 163-205.
Huang Kuo-chao. “The Development of Record Industry and Aboriginal 'Mountain Songs' in Taiwan from the 1960s to the 1970s: The Production and Competition among Record Labels 'Ling-ling,' 'Chun-hsing' and 'Hsin-hsin.'” Journal of Chinese Ritual, Theatre and Folklore 178 (2012.12): 163-205.
2012-12-27
「民歌」再思考：從《重返部落》談起
陳俊斌。〈「民歌」再思考：從《重返部落》談起〉。《民俗曲藝》178 (2012.12): 207-71。
Chen Chun-bin. “Rethinking Folksong: Based on a Restudy of Return to Tribal Villages.” Journal of Chinese Ritual, Theatre and Folklore 178 (2012.12): 207-71.
Chen Chun-bin. “Rethinking Folksong: Based on a Restudy of Return to Tribal Villages.” Journal of Chinese Ritual, Theatre and Folklore 178 (2012.12): 207-71.
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