Journal of Chinese Ritual, Theatre
and Folklore (Min-su
ch’ü-i 民俗曲藝)
No. 202, December 2018
金堂家鄉、玄關自性與歸鄉之道：齋教金堂派的教名、教旨及修持方法考探 (Golden
Hometown, Xuanguan Essence and the Way of Returning to the Original Source: An
Exploration of the Name, Teachings and Practice Methods of the Jintang Sect of
Zhaijiao)
庶民美學的傳遞、轉化與創造：新加坡職業歌仔戲講戲人陳美英的「臺數」編劇 (The
Transmission, Transformation and Innovation of Commoners’ Aesthetics: On the
Scripts of a Professional Play Narrator in Singapore
「南麒北馬」商業競爭之表演藝術策略：以京劇鼎盛期（1917-1938）為例 (Southern
Qi and Northern Ma, a Case Study of Commercial Competition as a Strategy of
Theatrical Performance in the Golden Period of Peking Opera, 1917-1938)
海外覓鄉音：檳城福建歌謠調查及其在地記憶 (In
Search of Hometown Accent Abroad: Investigation of Hokkien Ballads and Their
Local Memory in Penang )
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Research Papers
蕭進銘。〈金堂家鄉、玄關自性與歸鄉之道：齋教金堂派的教名、教旨及修持方法考探〉。《民俗曲藝》202 (2018.12): 1-58。
Hsiao Chin-ming. "Golden Hometown, Xuanguan Essence and the
Way of Returning to the Original Source: An Exploration of the Name, Teachings
and Practice Methods of the Jintang Sect of Zhaijiao." Journal of Chinese Ritual, Theatre and
Folklore 202 (2018.12): 1-58.
林鶴宜。〈庶民美學的傳遞、轉化與創造：新加坡職業歌仔戲講戲人陳美英的「臺數」編劇〉。《民俗曲藝》202 (2018.12): 59-131。
Lin Ho-yi. "The Transmission, Transformation and Innovation
of Commoners’ Aesthetics: On the Scripts of a Professional Play Narrator in Singapore
李湉茵。〈「南麒北馬」商業競爭之表演藝術策略：以京劇鼎盛期（1917-1938）為例〉。《民俗曲藝》202 (2018.12): 133-79。
Lee Tien-yin.
"Southern Qi and Northern Ma, a Case Study of Commercial Competition as a
Strategy of Theatrical Performance in the Golden Period of Peking Opera,
1917-1938." Journal of Chinese
Ritual, Theatre and Folklore 202 (2018.12): 133-79.
Field Report
黃文車。〈海外覓鄉音：檳城福建歌謠調查及其在地記憶〉。《民俗曲藝》202 (2018.12): 181-219。
Huang Wen-chu. "In Search of Hometown Accent Abroad:
Investigation of Hokkien Ballads and Their Local Memory in Penang." Journal of Chinese Ritual, Theatre and
Folklore 202 (2018.12): 181-219.