No. 141, September
2003
Special Issue on
"Cultural Policy and Traditional Performing Arts in Asia" (亞洲各國之文化政策與傳統表演藝術)
Wang Ying-fen. “Introduction” (前言).
Journal of Chinese Ritual, Theatre and
Folklore 141 (2003.9): 1-11.
Terauchi Naoko. “Western Impact on Traditional Music: 'Reform'
and 'Universalization' in the Modern Period of Japan” (傳統音樂所受的西方衝擊：近代日本的「改革」和「普遍化」).
Journal of Chinese Ritual, Theatre and
Folklore 141 (2003.9): 13-53.
Yang Mu. “Government Policy and Traditional Performing Arts in
the People's Republic of China” (中華人民共和國國家政策與傳統表演藝術). Journal of Chinese
Ritual, Theatre and Folklore 141 (2003.9): 55-94.
Wang Ying-fen. “Amateur Music Clubs and State Intervention: The
Case of Nanguan Music in Postwar
Taiwan” (業餘音樂社團與政府介入：以戰後臺灣南管樂界為例). Journal of Chinese
Ritual, Theatre and Folklore 141 (2003.9): 95-167.
Phong T. Nguyen. “Vietnamese Music after the Revolution:
Reevaluation and Modernization” (革命之後的越南音樂：重新評估與現代化). Journal of Chinese
Ritual, Theatre and Folklore 141 (2003.9): 169-85.
Christi-Anne Castro. “Strains of a Nation: Music, Politics, and
the Elite of the Philippines” (國家之聲：菲律賓的音樂、政治與社會精英). Journal of Chinese
Ritual, Theatre and Folklore 141 (2003.9): 187-212.
Sam-Ang Sam. “Cultural Policies of Cambodia” (柬埔寨的文化政策). Journal of Chinese Ritual, Theatre and Folklore 141 (2003.9):
213-35.
Tan Sooi Beng. “Multi-Culturalism or One National Culture:
Cultural Centralization and the Recreation of the Traditional Performing Arts
in Malaysia” (「多元文化主義」或「單一國家文化」：馬來西亞的文化集權政策與傳統表演藝術的再創造). Journal of Chinese
Ritual, Theatre and Folklore 141 (2003.9): 237-59.
Gavin Douglas. “The Myanmar University of Culture: For
Patriotism and National Unity” (緬甸文化大學：為愛國主義和國家統一而生). Journal of Chinese
Ritual, Theatre and Folklore 141 (2003.9): 261-82.