Journal of Chinese Ritual, Theatre
and Folklore (Min-su
ch’ü-i 民俗曲藝)
No. 194, December 2016
1960年代「牡丹桂閩劇團」新加坡演出印記 (Mu
Dan Gui Min Theater Troupe’s Performances in Singapore in the 1960s)
閩客潮箏曲《出水蓮》的地緣背景及演奏流變：以張學海、饒寧新、林毛根三個演奏版本為例 (The Geo-relational Background and
Performance Variations of the Piece “Lotus”
in Minnan, Hakka, and Chaozhou Zheng
Music: On the Three Versions of Zhang Xuehai, Rao Ningxin, and Lin Maogen)
道教的「受生填還」儀式：以四川《廣成儀制》為中心的考察 (Pay-back (Shousheng
Tianhuan): A Taoist Ritual and a Case Study of the Guangcheng Yizhi Tradition)
臺灣客家研究中的東南亞視野 (A General Review of the Development of Southeast Asian Hakka
Studies in Taiwan)
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Research Papers
蔡欣欣。〈1960年代「牡丹桂閩劇團」新加坡演出印記〉。《民俗曲藝》194
(2016.12): 1-51。
Tsai
Hsin-hsin. "Mu Dan Gui Min
Theater Troupe’s Performances in Singapore
張儷瓊。〈閩客潮箏曲《出水蓮》的地緣背景及演奏流變：以張學海、饒寧新、林毛根三個演奏版本為例〉。《民俗曲藝》194
(2016.12): 53-112。
Chang
Li-chiung. "The Geo-relational Background and Performance Variations of
the Piece “Lotus” in Minnan, Hakka,
and Chaozhou Zheng Music: On the
Three Versions of Zhang Xuehai, Rao Ningxin, and Lin Maogen." Journal of Chinese Ritual, Theatre and
Folklore 194 (2016.12): 53-112.
蔣馥蓁。〈道教的「受生填還」儀式：以四川《廣成儀制》為中心的考察〉。《民俗曲藝》194
(2016.12): 113-54。
Chiang
Fu-chen. "Pay-back (Shousheng Tianhuan):
A Taoist Ritual and a Case Study of the Guangcheng
Yizhi Tradition." Journal of
Chinese Ritual, Theatre and Folklore 194 (2016.12): 113-54.
Research Note
劉堉珊。〈臺灣客家研究中的東南亞視野〉。《民俗曲藝》194 (2016.12): 155-207。
Liu
Yu-shan. "A General Review of the Development of Southeast Asian Hakka
Studies in Taiwan