Journal of Chinese Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)
尋回金屬盤中的聲音：以未發行錄音重建臺灣古倫美亞流行歌產製過程 (Recovering Sound from
Metal Discs: Reconstructing the Production Process of Taiwan Columbias’s
Popular Songs Using Unreleased Recordings)
敵偽、附匪與邪教？：從檔案觀察三十年代國民政府在中國取締一貫道之歷程 (‘Enemy Agents,’ ‘Communist Sympathizers,’ and ‘Heterodox Cults’?
The Nationalist Government’s Suppression of the Yiguandao (I-Kuan Tao) in 1940s
China Viewed from the Perspective of National Archives)
在文化中學習：鄒族傳統歌謠的世代傳承機制及教育意涵 (Learning Within Culture: Intergenerational
Transmission Mechanisms and Educational Implications of Tsou Traditional
Ballads)
五股開臺尊王過爐十座駐駕公廟碑文調查與探賾 (An Investigation of Inscriptions from Ten Temples Hosting the Wugu Kaitai Zunwang Handing Over the Censer Ceremony)
Research Articles
王櫻芬。〈尋回金屬盤中的聲音：以未發行錄音重建臺灣古倫美亞流行歌產製過程〉。《民俗曲藝》231 (2026.3): 1–59。
Wang Ying-fen.
“Recovering Sound from Metal Discs: Reconstructing the Production Process of
Taiwan Columbias’s Popular Songs Using Unreleased Recordings.” Journal of
Chinese Ritual, Theatre and Folklore 231 (2026.3): 1–59.
https://ritualtheatreandfolkloreat.blogspot.com/2026/04/blog-post_7.html
鍾雲鶯。〈敵偽、附匪與邪教？：從檔案觀察三十年代國民政府在中國取締一貫道之歷程〉。《民俗曲藝》231 (2026.3): 61–107。
Chung
Yun-ying. “‘Enemy Agents,’ ‘Communist Sympathizers,’
and ‘Heterodox Cults’? The Nationalist Government’s Suppression of the
Yiguandao (I-Kuan Tao) in 1940s China Viewed from the Perspective of National
Archives.” Journal of Chinese Ritual, Theatre and Folklore
231 (2026.3): 61–107.
https://ritualtheatreandfolkloreat.blogspot.com/2026/04/blog-post_2.html
童信智Pukiringan·Palivuljung、洋愷威Mo’o Yasakie。〈在文化中學習：鄒族傳統歌謠的世代傳承機制及教育意涵〉。《民俗曲藝》231 (2026.3): 109–58。
Tung Hsin-chih (Pukiringan·Palivuljung) and Yang
Kai-wei (Mo’o Yasakie). “Learning Within Culture: Intergenerational Transmission
Mechanisms and Educational Implications of Tsou Traditional Ballads.” Journal of
Chinese Ritual, Theatre and Folklore 231 (2026.3): 109–58.
https://ritualtheatreandfolkloreat.blogspot.com/2026/04/blog-post.html
Field Report
柯榮三。〈五股開臺尊王過爐十座駐駕公廟碑文調查與探賾〉。《民俗曲藝》231 (2026.3): 159–212。
Ko Jung-san. “An Investigation of Inscriptions from Ten Temples Hosting the
Wugu Kaitai Zunwang Handing Over the Censer Ceremony.” Journal of Chinese
Ritual, Theatre and Folklore 231 (2026.3):
159–212.
https://ritualtheatreandfolkloreat.blogspot.com/2026/03/blog-post.html
Research Articles
王櫻芬。〈尋回金屬盤中的聲音：以未發行錄音重建臺灣古倫美亞流行歌產製過程〉。《民俗曲藝》231 (2026.3): 1–59。
Wang Ying-fen.
“Recovering Sound from Metal Discs: Reconstructing the Production Process of
Taiwan Columbias’s Popular Songs Using Unreleased Recordings.” Journal of
Chinese Ritual, Theatre and Folklore 231 (2026.3): 1–59.
https://ritualtheatreandfolkloreat.blogspot.com/2026/04/blog-post_7.html
鍾雲鶯。〈敵偽、附匪與邪教？：從檔案觀察三十年代國民政府在中國取締一貫道之歷程〉。《民俗曲藝》231 (2026.3): 61–107。
Chung
Yun-ying. “‘Enemy Agents,’ ‘Communist Sympathizers,’
and ‘Heterodox Cults’? The Nationalist Government’s Suppression of the
Yiguandao (I-Kuan Tao) in 1940s China Viewed from the Perspective of National
Archives.” Journal of Chinese Ritual, Theatre and Folklore
231 (2026.3): 61–107.
https://ritualtheatreandfolkloreat.blogspot.com/2026/04/blog-post_2.html
童信智Pukiringan·Palivuljung、洋愷威Mo’o Yasakie。〈在文化中學習：鄒族傳統歌謠的世代傳承機制及教育意涵〉。《民俗曲藝》231 (2026.3): 109–58。
Tung Hsin-chih (Pukiringan·Palivuljung) and Yang
Kai-wei (Mo’o Yasakie). “Learning Within Culture: Intergenerational Transmission
Mechanisms and Educational Implications of Tsou Traditional Ballads.” Journal of
Chinese Ritual, Theatre and Folklore 231 (2026.3): 109–58.
https://ritualtheatreandfolkloreat.blogspot.com/2026/04/blog-post.html
Field Report
柯榮三。〈五股開臺尊王過爐十座駐駕公廟碑文調查與探賾〉。《民俗曲藝》231 (2026.3): 159–212。
Ko Jung-san. “An Investigation of Inscriptions from Ten Temples Hosting the
Wugu Kaitai Zunwang Handing Over the Censer Ceremony.” Journal of Chinese
Ritual, Theatre and Folklore 231 (2026.3):
159–212.
https://ritualtheatreandfolkloreat.blogspot.com/2026/03/blog-post.html