2026-04-02

敵偽、附匪與邪教?:從檔案觀察三十年代國民政府在中國取締一貫道之歷程

鍾雲鶯。〈敵偽、附匪與邪教?:從檔案觀察三十年代國民政府在中國取締一貫道之歷程〉。《民俗曲藝》231 (2026.3): 61107

Chung Yun-ying. “‘Enemy Agents,’ ‘Communist Sympathizers,’ and ‘Heterodox Cults’? The Nationalist Government’s Suppression of the Yiguandao (I-Kuan Tao) in 1940s China Viewed from the Perspective of National Archives.” Journal of Chinese Ritual, Theatre and Folklore 231 (2026.3): 61107.

 

Abstract

 

本文乃藉當今政府已解密的檔案,探討以民國卅三至卅六年之間,何以國民黨政府堅持查禁的一貫道的原因與過程。

根據本文的研究,眾多軍人加入一貫道,軍方擔心宗教力量凌駕政府權威,恐是主因之一。民國卅四年,法院判王天佑、韓文郁一案無罪,引起軍方的不滿。

民國卅五年,社會部以一貫道宣傳迷信而以「邪教」稱之;然就法律而言,社會部與司法部認為並無證據證實一貫道曾為敵人效力,且不涉及刑事,故將南京崇華堂發還給一貫道;社會部依法同意設立合法社團,接受政府管理,一貫道因而更名為「中華道德慈善會」,傳道行動更加活躍,傳播區域擴張,再次引發軍方反彈,彰顯軍方與司法部、社會部因一貫道而立場差異,軍方開始以附匪指控一貫道,這些污名標籤一直跟隨一貫道,直到民國七十六年2月,行政院解除一貫道傳道禁令才逐漸減褪。

 

This study draws on recently declassified government documents to examine how and why the Nationalist Kuomintang (KMT) government insisted on suppressing the Yiguandao (also spelled I-Kuan Tao) between 1944 and 1947. My research suggests that one major reason was the growing number of military personnel joining the Yiguandao, which raised concerns within the armed forces about religious influence surpassing governmental authority. In 1945, the military was dissatisfied when the court acquitted two of its members: Wang Tianyou and Han Wenyu. In 1946, the Ministry of Social Affairs labeled the Yiguandao a “heterodox cult” due to its alleged promotion of “superstition”. However, both that Ministry as well as the Ministry of Justice found no legal evidence linking the Yiguandao to enemy activities, thus returning the Nanjing Chonghua Hall to them. This group was also allowed to legally register as the “Chinese Moral Charity Association,” which led to more active proselytizing and territorial expansion—again prompting a backlash from the military which reflected a growing rift between military and civilian authorities. Accusations of Communist collaboration continued to stigmatize Yiguandao until the ban on its preaching activities was lifted in February 1987.

 

Also in Journal of Chinese Ritual, Theatre and Folklore:

 

鍾雲鶯。〈張東初與廿世紀越南明師道德濟宗的發展:以人物為中心的探討〉。《民俗曲藝》223 (2024.3): 215-75

Chung Yun-ying. “Chang Dongchu and the Development of Vietnam’s Tông Đức Tế of Minh Sư Đạo during the Twentieth Century: A Case Study of Proselytizers.” Journal of Chinese Ritual, Theatre and Folklore 223 (2024.3): 215-75.

https://ritualtheatreandfolkloreat.blogspot.com/2024/03/blog-post_21.html

 

鍾雲鶯。〈先天道在越南的傳承與發展:以明師道南雅堂的文獻為考察核心〉。《民俗曲藝》217 (2022.9): 201-49

Chung Yun-ying. “The Continuance and Development of Xiantiandao in Vietnam: Focusing on the Literatures of Minh Sư Đạo of Nam Nha Temple in Cần Thơ.” Journal of Chinese Ritual, Theatre and Folklore 217 (2022.9): 201-49.

https://ritualtheatreandfolkloreat.blogspot.com/2022/09/blog-post_21.html

 

鍾雲鶯。〈越南民間教派「四恩孝義」經典的產生〉。《民俗曲藝》211 (2021.3): 167-224

Chung Yun-ying. "The Production of Scriptures in Vietnamese Sect Tứ Ân Hiếu Nghĩa." Journal of Chinese Ritual, Theatre and Folklore 211 (2021.3): 167-224.

https://ritualtheatreandfolkloreat.blogspot.com/2021/03/blog-post.html 

 

鍾雲鶯。〈越南寶山奇香教派及其傳衍――以「四恩孝義」為探討核心〉。《民俗曲藝》190 (2015.12): 67-127

Chung Yun-ying. "The Sect and Lineage of Buu Son Ki Huong in Vietnam: A Discussion Centered on Tu An Hieu Nghia." Journal of Chinese Ritual, Theatre and Folklore 190 (2015.12): 67-127.

https://ritualtheatreandfolkloreat.blogspot.com/2016/02/blog-post_15.html