明代選本中的戲、曲、文學與文化專輯 Ⅰ
Special Issue on the Role of Xi (Plays), Qu (Lyrics), Literature, and Culture in Ming Miscellanies PART Ⅰ
汪詩珮。〈前言〉。《民俗曲藝》225 (2024.9): 1-16。
Wang Shih-pe.
“Introduction.” Journal of Chinese Ritual, Theatre and Folklore 225 (2024.9):
1-16.
明代在雅俗文學的選刊、編纂、改訂、創發等面向逐步發展，至晚明達至高峰。與此相關的文化史、藝術史及書籍史等研究面向，是臺灣學界持續關注的熱點。由於科舉制度、印刷文化、讀者階層、娛樂發達等原因，明代出現大量選本，涵蓋以「曲」（散曲、戲曲、俗曲）為主體的曲類選本，以及詩歌選本、古文選本、科舉時文選本、宗教選本、小說選本等。「選本」可謂明代時興的文本樣態，編選視角與讀者接受有其特殊性與多元性，書籍本身亦有各式拼貼、組合、集錦樣態，關涉其時的流行文化，並與商業市場的蓬勃互為表裡。本專輯以明代「選本」為主題，探索各式選本於形式、內容、編選方式、讀者群、傳播影響等議題，從選本視角梳理明代文學與文化的知識結構與文本意義。
Articles in this Special Issue
Tan Tian Yuan. “Do the Parts Add Up? Textual Systems and Segments of Sijie Ji (The Four
Seasons) in Ming Anthologies.” Journal of Chinese Ritual, Theatre and Folklore 225 (2024.9): 17-57.
陳靝沅。〈聚零為整？明代曲選中《四節記》的文本系統與零散文本〉。《民俗曲藝》225 (2024.9): 17-57。
https://ritualtheatreandfolkloreat.blogspot.com/2024/09/textual-systems-and-segments-of-sijie.html
汪詩珮。〈晚明曲類選本「三欄併讀」初探：以《琵琶記》、《三國記》選齣為例〉。《民俗曲藝》225 (2024.9): 59-124。
Wang Shih-pe. “Exploring the ‘Triple-Register-Reading
Strategy’ in Late Ming Qu Anthologies: Selections from Pipa Ji and
Sanguo Ji.” Journal of
Chinese Ritual, Theatre and Folklore 225 (2024.9): 59-124.
https://ritualtheatreandfolkloreat.blogspot.com/2024/09/blog-post_13.html
陳志勇。〈晚明曲選《詞珍雅調》的編刻策略與書籍特色〉。《民俗曲藝》225 (2024.9): 125-52。
Chen Zhiyong.
“Editorial Strategies and Book Features of the Late Ming Qu Anthology Cizhen
Yadiao.” Journal of Chinese Ritual, Theatre and
Folklore 225 (2024.9): 125-52.
https://ritualtheatreandfolkloreat.blogspot.com/2024/09/blog-post_12.html
Chen Jiani. “Linking the World of Performative Texts: The
Interplay between Popular Songs and Dramas in Late Ming Qu Anthologies.” Journal of Chinese Ritual, Theatre and
Folklore 225 (2024.9): 153-90.
陳佳妮。〈鏈接表演文本的世界：晚明曲選中時曲小調與戲曲的互動〉。《民俗曲藝》225 (2024.9): 153-90。
https://ritualtheatreandfolkloreat.blogspot.com/2024/09/the-interplay-between-popular-songs-and.html
林芷瑩。〈論晚明曲選《怡春錦》之編選理念與時代特色〉。《民俗曲藝》225 (2024.9): 191-231。
Lin Chih-ying. “Exploring the Editorial Philosophy and
Contemporaneity of the Late Ming Qu Anthology Yichun Jin.” Journal of Chinese Ritual, Theatre and
Folklore 225 (2024.9): 191-231.
https://ritualtheatreandfolkloreat.blogspot.com/2024/09/blog-post_10.html
Article
陳怡蓁。〈傳播偏向視角下民俗文化的傳承力量：以「臨水夫人信仰」為例〉。《民俗曲藝》225 (2024.9): 233-81。
Chen I-chen. “The Inheritance Power of Folklore Culture
as Seen from the Perspective of ‘The Bias of Communication’: A Case Study of
the Cult of Lady Linshui.” Journal of
Chinese Ritual, Theatre and Folklore 225 (2024.9): 233-81.
https://ritualtheatreandfolkloreat.blogspot.com/2024/09/blog-post.html