Journal of Chinese
Ritual, Theatre and Folklore (Min-su ch’ü-i 民俗曲藝)
南朝吳興項羽信仰的神蹟文本製作與國家地方之互動 (The
Hagiography Production of Xiang Yu’s Cult in Wuxing and the Interaction between
State and Local Society in the Southern Dynasties)
明清二形人的情慾困境與宗教解脫 (Erotic
Dilemma and Religious Salvation of Erxing Ren in the Ming and Qing
Dynasties)
往生歷程中音聲與影像感知之動態建構與破除：以諾那華藏精舍的中陰共修法會為例 (Dynamically
Constructing and Destroying the Perception of Sounds and Images in the Process
of Departing: The Case Study of the Intermediate-State Ritual of
民歌採集運動之餘韻：從1967年中國民歌比賽與全省客家民謠比賽談起 (A
Study on the Lingering Impact of Folk Song Documentation Movement in 1967)
Research Papers
何維剛。〈南朝吳興項羽信仰的神蹟文本製作與國家地方之互動〉。《民俗曲藝》215(2022.3): 1-42。
Ho Wei-kang. “The
Hagiography Production of Xiang Yu’s Cult in Wuxing and the Interaction between
State and Local Society in the Southern Dynasties.” Journal of Chinese Ritual,
Theatre and Folklore 215(2022.3): 1-42.
https://ritualtheatreandfolkloreat.blogspot.com/2022/03/blog-post_29.html
張琬容。〈明清二形人的情慾困境與宗教解脫〉。《民俗曲藝》215(2022.3): 43-83。
Zhang Wanrong. “Erotic
Dilemma and Religious Salvation of Erxing Ren in the Ming and Qing
Dynasties.” Journal of Chinese Ritual, Theatre and Folklore 215(2022.3): 43-83.
https://ritualtheatreandfolkloreat.blogspot.com/2022/03/blog-post_28.html
劉延芳。〈往生歷程中音聲與影像感知之動態建構與破除：以諾那華藏精舍的中陰共修法會為例〉。《民俗曲藝》215(2022.3): 85-127。
Liou Yanfang. “Dynamically Constructing and Destroying the
Perception of Sounds and Images in the Process of Departing: The Case Study of
the Intermediate-State Ritual of
https://ritualtheatreandfolkloreat.blogspot.com/2022/03/blog-post.html
鍾繼儀。〈民歌採集運動之餘韻：從1967年中國民歌比賽與全省客家民謠比賽談起〉。《民俗曲藝》215(2022.3): 129-79。
Chung Chi-yi. “A Study on the Lingering Impact of Folk Song
Documentation Movement in 1967.” Journal of Chinese Ritual, Theatre and
Folklore 215(2022.3): 129-79.
https://ritualtheatreandfolkloreat.blogspot.com/2022/03/1967.html