Special Issue on "The Emergence of a Temple-Centric
Society"— Part I
「以廟宇為中心之社會的形成」專輯 I
John Lagerwey. “Introduction.” Journal of Chinese Ritual, Theatre and Folklore 205 (2019.9): 1-27.
勞格文著、楊玉君譯。〈前言〉。《民俗曲藝》205 (2019.9): 1-27。
All papers in this issue
were originally presented at a conference on “The Emergence of a Temple-Centric
Society” that I organized in the context of David Faure’s project on The
Historical Anthropology of Chinese Society. Put simply, the goal of the
conference was to test the hypothesis that local Chinese society from the Song
on came to center on the temples, gods, and festivals of popular religion.
Articles in this
special issue:
John Lagerwey. “The Emergence of a Temple-Centric Society.” Journal of Chinese Ritual, Theatre and
Folklore 205 (2019.9): 29-102.
勞格文。〈以廟宇為中心之社會的形成〉。《民俗曲藝》205 (2019.9): 29-102。
https://ritualtheatreandfolkloreat.blogspot.com/2019/09/the-emergence-of-temple-centric-society.html
Kenneth Dean and Zheng Zhenman. “The Rise of a 'Temple-Centric'
Society in Putian in the Song and Later Transformations of the Ritual Sphere.” Journal of Chinese Ritual, Theatre and
Folklore 205 (2019.9): 103-59.
丁荷生、鄭振滿。〈以社廟為中心：宋代莆田社會儀式空間與後期的演變〉。《民俗曲藝》205 (2019.9): 103-59。
Barend J. ter Haar. “The Rise of Northern Chinese Regional
Temple
田海。〈中國北方區域廟宇信仰的興起：湯王信仰的個案分析〉。《民俗曲藝》205 (2019.9): 161-213。
Research Paper
戚常卉。〈隱形的無生老母：新加坡先天道宗教網絡與變遷〉。《民俗曲藝》205 (2019.9): 215-64。
Chi Chang-hui. “The Invisible Eternal Mother: Xiantiandao’s
Changing Religious Networks in Singapore
Research Note
吳明德。〈霹靂日系布袋戲：《Thunderbolt Fantasy東離劍遊紀》的演藝特質〉。《民俗曲藝》205
(2019.9): 265-312。
Wu Ming-te. “The Japanese Style Puppetry of Pili: The
Characteristics of the Performing Arts of Thunderbolt
Fantasy: Dongli Jianyou Ji.” Journal of Chinese Ritual, Theatre and
Folklore 205 (2019.9): 265-312.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Special issue on “Religion and
Society in South China and Taiwan
「華中、南與臺灣的宗教與社會」專輯
John
Lagerwey. “Preface.” Journal of Chinese
Ritual, Theatre and Folklore 174 (2011.12): 1-8.
勞格文著、楊玉君譯。〈引言〉。《民俗曲藝》174
(2011.12): 9-15。
王振忠。〈明清以來徽州的保安善會與「五隅」組織〉。《民俗曲藝》174
(2011.12): 17-102。
Wang
Zhenzhong. “The Tranquility Festivals and the Five Sectors Organization of
Huizhou since the Ming Dynasty.” Journal
of Chinese Ritual, Theatre and Folklore 174 (2011.12): 17-102.
Paul
R. Katz. “Spirit-writing Halls and the Development of Local Communities: A Case
Study of Puli (Nantou
County
康豹。〈鸞堂與地方社會的發展：以埔里地區為例〉。《民俗曲藝》174
(2011.12): 103-84。
江柏煒。〈「混雜的現代性」：近代金門地方社會的文化想像及其實踐〉。《民俗曲藝》174
(2011.12): 185-257。
Chiang
Bo-wei. “Hybrid Modernity: A Study of Cultural Imagination and Practice of the
Overseas Chinese in Modern Kinmen.” Journal
of Chinese Ritual, Theatre and Folklore 174 (2011.12): 185-257.
譚偉倫。〈申遺背後的曹主娘娘信俗研究〉。《民俗曲藝》174 (2011.12):
259-304。
Tam
Wai Lun. “Behind the Application for the Status of Intangible Cultural
Heritage: A Study of the Female Deity Caozhu Niangniang (Lady of Lord Cao) in
Yingde, Northern Guangdong .” Journal of Chinese Ritual, Theatre and
Folklore 174 (2011.12): 259-304.
John
Lagerwey. “Village Religion in Huizhou: A Preliminary Assessment.” Journal of Chinese Ritual, Theatre and
Folklore 174 (2011.12): 305-57.
勞格文。〈徽州府的村落宗教：初步的探討〉。《民俗曲藝》174 (2011.12):
305-57。