樂動、身體經驗與意義建構專輯
Special Issue on Musicking, Bodily Experiences, and Meaning Construction
Lu Tasaw Hsin-chun. “Embodied Musicking
and Meaning-Making: Body, Perception, and Power in Contemporary Ritual Music
and Dance.” Journal of Chinese Ritual, Theatre and Folklore 233 (2026.9):
1–15.
在當代音樂學、表演研究與宗教研究的認識論與物質轉向中，音樂被理解為一個動態的聲音、動作、身體經驗以及意義生成交織的過程，取代過去一種客觀存在的、理型化的「組織性聲響」或靜態的文化文本；更具體說，它是種在特定時空環境中持續展開的音樂實踐行動——「樂動」（musicking, Small 1998）。在此實踐過程中，參與者實際體驗到包括多感官觸發、心靈感受、乃至超驗世界顯現的具身化（embodiment）經驗。這種經驗的幅度極其寬廣，既包含個人身體在特定音場氛圍中不由自主產生的節奏律動（grooving）、被儀式整體神聖力量感動而引發的落淚，也包含在信仰與祭儀空間中因感應而起的靈性顫動或狂喜狀態，甚或在集體祭儀樂舞中因感知超驗存在而產生的「動即靜」或「出神」狀態（例子見李昱伶 2026）。這些經驗交織着身體感知與文化認知，與特定的社會、歷史及微觀權力脈絡密不可分。
Research Articles in this Special Issue
岳子威。〈作為制度的身體：習樂與作樂的經驗感知——基於對瑤族度戒儀式音樂的多點觀察〉。《民俗曲藝》233 (2026.9): 17–63。
Yue Ziwei. “Body as Institution: The
Experiential Perception of Music-Learning and Music-Doing–Based on Multi-Sited
Observations of the Music of the Yao Ethnic Group’s Dujie Initiation
Ritual.” Journal of Chinese Ritual, Theatre and Folklore 233 (2026.9): 17–63.
https://ritualtheatreandfolkloreat.blogspot.com/2026/10/blog-post_13.html
李昱伶。〈儀式樂舞做為溯源技術：日本雅樂《蘭陵王入陣曲》身體行動方法研究〉。《民俗曲藝》233 (2026.9): 65–119。
Li Yu-ling. “Ritual Music and Dance as
Techniques for Source Tracing: A Study of Method of Physical Actions in Japan’s
Gagaku Piece King Lanling.” Journal of
Chinese Ritual, Theatre and Folklore 233 (2026.9): 65–119.
https://ritualtheatreandfolkloreat.blogspot.com/2026/10/blog-post_12.html
黃佩玲。〈悲傷的身體樞軸：巴基斯坦信德省蘇非伊斯蘭獻唱社群的情感實踐與倫理關係轉動〉。《民俗曲藝》233 (2026.9): 121–79。
Huang Pei-ling. “Embodied Hub of Sorrows: Affective Practice and Pivoting Ethical
Relations in a Sufi Devotional Singing Community in Sindh, Pakistan.” Journal of
Chinese Ritual, Theatre and Folklore 233 (2026.9): 121–79.
https://ritualtheatreandfolkloreat.blogspot.com/2026/10/blog-post_08.html
黃淑莉。〈高唱復興：模仿美聲、詩班樂音、與滇北教會的禮儀重建〉。《民俗曲藝》233 (2026.9): 181–227。
Huang Shu-li. “Singing Revival: Bel Canto, Choral Music, and Liturgical
Reconstructions Among Ahmao (Miao) Christians in Northern Yunnan.” Journal of Chinese
Ritual, Theatre and Folklore 233 (2026.9):
181–227.
https://ritualtheatreandfolkloreat.blogspot.com/2026/10/blog-post_07.html
施永德。〈都蘭阿美族傳統樂舞傳承的糾纏：永續性、聲音形象與策略性關係〉。《民俗曲藝》233 (2026.9): 229–72。
DJ W. Hatfield. “Entangled in Transmission: Sustainability, Figure of Sound, and
Strategic Relations in ’Etolan ’Amis Music and Dance Traditions.” Journal of
Chinese Ritual, Theatre and Folklore 233 (2026.9): 229–72.
https://ritualtheatreandfolkloreat.blogspot.com/2026/10/blog-post.html